Album review: Fall Out Boy - American Beauty/American Psycho
Let me just come out and say it: I only turned into a fan of Fall Out Boy when they released their single, My Songs Know What You Did In The Dark (Light 'Em Up), from their previous album, Save Rock and Roll. Before that song, I had never heard any of their songs, though I had heard of the band given how relevant they are to our culture. The album was pretty cool, though a few internet searches revealed that a lot of other people did not think the same as me. These so-called fans called for the 'old' Fall Out Boy, for the sound of their previous albums. The clamour of these fans could definitely have led to the band writing and recording something like their 'old' sound but they did not. Instead, they released American Beauty/American Psycho which definitely does not sound like their 'old' sound and for that, I have a lot of respect for them.
Now onto the actual review! American Beauty/American Psycho sounds nothing like Fall Out Boy's previous albums. There are some similarities to be made with Save Rock and Roll but otherwise, this is a creation that is pretty novel. Uma Thurman is an incredible track that samples the theme from The Munsters for its foundation and yet it works, with a screamable chorus. Novocaine is a shout worthy track which riles you up with its aggressive guitar snarl and a soaring chorus. The Fourth of July sees the band mourning the loss of a relationship with smart lyrics like 'I'm sorry every song's about you/ The torture of small talk/ With someone you used to love'.
I said before that the album sounds nothing like what Fall Out Boy has put out previously and I stand by that. Just listen to the band's first single from this album. Centuries is an arena-filling song that sounds more pop than rock, Irresistible is a hip-hop infused pop song, whilst Immortals, which features on the soundtrack for Big Hero 6, is filled with digital noise. These songs show how the band has progressed even farther from Save Rock and Roll and how they can still stay relevant in this world where genres of music are fluid, more suggestions than rules. If you're a fan who wants Fall Out Boy to return to what they used to be, this album is not for you. If you're a fan of bands who try hard to be innovative and succeed at it, then buy this and listen to it on repeat like I'm doing.
Written by: Kasim Kaey
Published: 26 January 2015
Now onto the actual review! American Beauty/American Psycho sounds nothing like Fall Out Boy's previous albums. There are some similarities to be made with Save Rock and Roll but otherwise, this is a creation that is pretty novel. Uma Thurman is an incredible track that samples the theme from The Munsters for its foundation and yet it works, with a screamable chorus. Novocaine is a shout worthy track which riles you up with its aggressive guitar snarl and a soaring chorus. The Fourth of July sees the band mourning the loss of a relationship with smart lyrics like 'I'm sorry every song's about you/ The torture of small talk/ With someone you used to love'.
I said before that the album sounds nothing like what Fall Out Boy has put out previously and I stand by that. Just listen to the band's first single from this album. Centuries is an arena-filling song that sounds more pop than rock, Irresistible is a hip-hop infused pop song, whilst Immortals, which features on the soundtrack for Big Hero 6, is filled with digital noise. These songs show how the band has progressed even farther from Save Rock and Roll and how they can still stay relevant in this world where genres of music are fluid, more suggestions than rules. If you're a fan who wants Fall Out Boy to return to what they used to be, this album is not for you. If you're a fan of bands who try hard to be innovative and succeed at it, then buy this and listen to it on repeat like I'm doing.
Written by: Kasim Kaey
Published: 26 January 2015
Single of the Week: George Ezra - Leaving it up to you
I love George Ezra, and with all his talented loveliness, I can’t help myself when it comes to delving into his back catalogue of music - and once again, I struck gold. Stumbling across a track titled Leaving It Up To You, I thought, after having it on repeat for most of the week, it only made sense to share this little gem with you.
The track, which was actually uploaded to YouTube about eight months ago, is a cute little love song that sees Ezra rekindling a love with someone who has sort of moved on. The simplistic lyrics work incredibly well alongside Ezra’s rough vocals, which offer a complementary contrast to each other. The repeated line of ‘Leaving it up to you’ which makes up the chorus of the track is sweet and simple, acting as an appropriate refrain in between the other well-penned lyrics of this track. For me, there’s just something ear-catching about this number, despite it not gaining the same attention as Ezra’s other, more recent, singles. If you want to check out the track, and the accompanying music video, then you can find it now by clicking here. Written by: Charlotte Barnes Published: 23 January 2015 |
Kodaline Reveal New Single Via Vevo Account
Kodaline have performed a new track lifted from their upcoming second album, titled Coming Up For Air. This second promising single was posted to the band's VEVO page earlier this week.
The track, which is called Ready, follows the band's first single, Honest, which was released last year, and offering an exciting new sound from the band. The album has a release date of February 1st, 2015, but if you want a taster of what's to come, then you can check out this new single just below. Written by: Kasim Kaey
Published: 23 January 2015 |
Single Review: Rixton - Hotel Ceiling
Since their arrival on the mainstream music scene last year, there has been a low rumble of excitement surrounding Rixton and exactly what we should expect from them in the future. It seems that that rumble will be triggered again in March when their new single arrives and, after having a quick listen to the track, titled Hotel Ceiling, I can see why that rumble exists.
The live version of the track that is available on YouTube delivers a delicious acoustic sound that sees the band working in perfect harmony alongside each other. The instrumentals are understated but fine-tined, allowing for focus to rest on the well-controlled vocals that feature in this track. I don’t want to drop any spoilers, but it’s actually the lyrics of this single that might surprise a few listeners - myself included, in fact, after my first listen I felt myself reaching for the first lyric engine search, just to make sure I’d heard the right thing.
The track will be available for download in a matter of weeks, but until then, you can check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 20 January 2015
The live version of the track that is available on YouTube delivers a delicious acoustic sound that sees the band working in perfect harmony alongside each other. The instrumentals are understated but fine-tined, allowing for focus to rest on the well-controlled vocals that feature in this track. I don’t want to drop any spoilers, but it’s actually the lyrics of this single that might surprise a few listeners - myself included, in fact, after my first listen I felt myself reaching for the first lyric engine search, just to make sure I’d heard the right thing.
The track will be available for download in a matter of weeks, but until then, you can check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 20 January 2015
Single Review: Imagine Dragons - I Bet My Life
We’ve been drip-fed a lot of information about Imagine Dragons recently, who are preparing for the release of a new album. In light of its arrival later this year, it was only a matter of time before they started to reveal singles from the full release, and it seems that February will see the arrival of new single, I Bet My Life.
I actually really like the song, but there are some bits that I can’t get to grips with. There’s a strange injection in the instrumentals that sounds like some sort of bird cutting through the track, and this happens throughout the entire song. The chorus, also, leaves a little to be desired as the chants of ‘I bet my life on you’ are actually a little underwhelming, which is frustrating because I’m truly fond of the rest of the song. However, these two chunks that I don’t really dig definitely fall to the side when I consider how good the rest is. It has touching, memorable lyrics, the vocals are distinctive and strong, and the instrumentals establish a decent tone for the song. Honestly, I think this is a good indicator of what we should be expecting from Imagine Dragons in the future, and I’m excited to see what the rest of the album will introduce. You can check out the track for yourselves now by clicking here. Written by: Charlotte Barnes Published: 18 January 2015 |
Single Review: Mr Probz - Nothing Really Matters
Well, as follow-up singles go, Nothing Really Matters certainly wasn’t what I was expecting from the artist that brought us the hit single Waves. Mr Probz stormed the charts last year with Waves, and various successful remixes of the track that maintained its place in the charts for some time. However it seems that for his second mainstream track, Probz is pulling things back to basics big time.
It’s a slow, sentimental track that scales the club beats of his previous release back into nothing more than piano-led instrumentals. An entirely organic track, it becomes apparent that behind the catchy lyrics that many of us will associate with him, there actually lies a beautiful voice. The vocals on this track are perfect, fine-tuned and rough in the right places, Probz injects a genuine emotion to this heartfelt release - that will, conveniently, be available for official download just after Valentine’s Day. The track, complete with an official music video, was actually released on to YouTube in November last year, so if you fancy taking a listen ahead of the official release, you find the audio by clicking here. Written by: Charlotte Barnes Published: 18 January 2015 |
Single Review: DJ Fresh - Gravity feat. Ella Eyre
Over recent months it seems that DJ Fresh and Ella Eyre have, respectively, made fairly good names for themselves in the music industry. So it was probably only a matter of time before these two artists hooked up for a collaborative single. The track was actually introduced to us at the end of last year via YouTube, where the official music video has been collecting hits ever since.
I think most people will agree that it was worth the wait for these two artists to get together on a track. Gravity is a club-injected release that not only shows DJ Fresh’s growing abilities, but also demonstrates Eyre’s steadfast vocals that have catapulted her into the spotlight in the last year. With a wealth of vocals delivered here, the song succeeds in being more than a collection of generic club beats and, while I expect there will be a fair few remixes of the track in the near future, this original certainly establishes a neat balance between vocals and instrumentals.
The single isn’t available for purchase until the beginning of February, but you can check out the audio and the official video now by clicking here.
Written by: Charlotte Barnes
Published: 15 January 2015
I think most people will agree that it was worth the wait for these two artists to get together on a track. Gravity is a club-injected release that not only shows DJ Fresh’s growing abilities, but also demonstrates Eyre’s steadfast vocals that have catapulted her into the spotlight in the last year. With a wealth of vocals delivered here, the song succeeds in being more than a collection of generic club beats and, while I expect there will be a fair few remixes of the track in the near future, this original certainly establishes a neat balance between vocals and instrumentals.
The single isn’t available for purchase until the beginning of February, but you can check out the audio and the official video now by clicking here.
Written by: Charlotte Barnes
Published: 15 January 2015
Sia Releases Official Music Video for Elastic Heart
Sia has released her new music video for Elastic Heart, the latest single to be lifted from her album 1000 Forms of Fear. After the phenomenal success of the music video for Chandelier, which saw Maddie Ziegler performing an interpretative dance to the song, it seems that Sia wants to replicate that success.
The music video sees Shia LeBeouf and Maddie Ziegler perform a dance in a cage which might seem a little strange but is quite powerful. Keep an eye out for those last thirty or so seconds, too. You can check out the video just below. Written by: Kasim Kaey
Published: 12 January 2015 Single Review: PaLoma Faith - Leave While I'm not Looking
Paloma Faith has been a favourite artist of mine for some time now. Faith’s tone and distinctive vocals firmly place her stamp on every single she releases, and Leave While I’m Not Looking is no exception to that.
The audio for this new single appeared on You Tube a couple of weeks back now, and I’m so pleased that I’ve finally stumbled across it because the track itself is just lovely. The song, as you would guess from the title, revolves around the theme of a tormented relationship and a potential break-up that leaves Faith asking her partner to leave while she’s not looking. There admittedly isn’t anything new here that we haven’t heard from Faith before, but, between her torn-up vocals and these touching lyrics, it feels like there’s a sincere depth of emotion in this track, and I really appreciate that. Hopefully this is indicative of some exciting new things coming from Faith in 2015! You can head over to YouTube to check out the track now by clicking here. Written by: Charlotte Barnes Published: 10 January 2015 |
Single Review: Hozier - From Eden
Hozier made quite a name for himself when he released Take Me To Church at the back end of last year. While that single is still hanging steady in the UK’s official singles chart, last week I decided to delve a little deeper into the Hozier catalogue of tracks and, believe it or not, I found a song that I love even more.
The track, titled From Eden, is a much more upbeat offering from this insanely talented artist who delivers an altogether less tragic sound in this single. Littered with brilliant lyrics and simplistic musical accompaniments that work perfectly alongside Hozier’s vocals, it’s an amazing release and, frankly, I’m surprised it’s taken me this long to find it. The lyrics, ‘I slithered here from Eden just to sit outside your door’ are some of the nicest that I’ve heard in a long time, and this all succeeds in showing a much more light-hearted side to this singer. If you fancy checking out the track for yourselves - which I highly recommend! - then you can access it on YouTube by clicking here. Written by: Charlotte Barnes Published: 12 January 2015 Single Review: Fergie - L.A.Love (la la) Feat. YG
So Fergie is back. This is actually happening. The starlet has stormed back onto the music scene with a frustratingly catchy track, L.A.Love (la la) feat. YG, and she’s properly here. Making a proper comeback. Or, trying to at least.
It’s been a while since we heard the distinctive tones of Fergie, and - no one is more surprised than me, I promise - I’m sort of glad to have her back. Okay, the single isn’t up there with Glamorous and Big Girls Don’t Cry, but that’s not necessarily a bad thing. L.A.Love, in terms of conventional chart hits if nothing else, is actually ticking a lot of boxes in quite an appealing way. Fergie’s vocals are on-point, complete with the rapping-style that many of us will remember her for, and a catchy chorus that you will sing along to. I’m sorry, but you will, there’s no denying it. So while her previous songs may have individually ticked their respective boxes in many ways, it seems this comeback track is a medley of Fergie’s abilities and is certainly a clear sign that if she’s coming back, she’s coming back strong. The track comes complete with a lively music video that you can check out on YouTube now by clicking here. Written by: Charlotte Barnes Published: 10 January 2015 |
Single Review: Meghan Trainor - Lips Are Movin
The only problem with a hit as big as All About That Bass is that you then have to match it with something just as good if you hope to keep your name on the music scene. I’m not saying that Meghan Trainor has matched the sound of her previous single, but she’s certainly giving it a good go with her new track, Lips Are Movin.
Before judging them alongside each other, it might be worth noting that these two tracks are doing completely different things. In this new track, Trainor has brought herself up to speed with the other women in the charts right now as she’s started singing about her rubbish boyfriend… although, she is admittedly doing it in a much more upbeat way.
The humorous line ‘I know you’re lying, because your lips are moving’ really sets the tone for this track as Trainor’s distinct vocals take listeners through a light-hearted journey about her break-up. The introductory rap is also quite welcome, adding another sound to the track and ultimately contributing towards the ever-growing CV of skills this new starlet wields.
It’s a decent track, and I’m predicting that when it’s released later this month it will definitely do well in the charts. While you’re waiting for the official release, you can check out the single on YouTube by clicking here.
Written by: Charlotte Barnes
Published: 8 January 2015
Before judging them alongside each other, it might be worth noting that these two tracks are doing completely different things. In this new track, Trainor has brought herself up to speed with the other women in the charts right now as she’s started singing about her rubbish boyfriend… although, she is admittedly doing it in a much more upbeat way.
The humorous line ‘I know you’re lying, because your lips are moving’ really sets the tone for this track as Trainor’s distinct vocals take listeners through a light-hearted journey about her break-up. The introductory rap is also quite welcome, adding another sound to the track and ultimately contributing towards the ever-growing CV of skills this new starlet wields.
It’s a decent track, and I’m predicting that when it’s released later this month it will definitely do well in the charts. While you’re waiting for the official release, you can check out the single on YouTube by clicking here.
Written by: Charlotte Barnes
Published: 8 January 2015
Single Review: Philip George - Wish You Were Mine
If you follow the official UK top 40 singles chart and you were hoping for some new music to emerge from it on this dreary Monday morning, well, I hate to be the one to break it to you, but it is slim pickings today…
The chart is littered with fallers, climbers, and re-entries from songs that we thought we’d long escaped (see Pharrell’s Happy), bar two new tracks that have managed to clamber their way into the chart. One of which is the first club-style track that I’ve heard this year (hardly a difficult spot to steal), in the form of Philip George’s Wish You Were Mine. Personally, I feel a little lukewarm about the track. The beat seems simple and the instrumentals that are interweaved throughout the track don’t really offer anything that makes me want to get up and dance, which I’m assuming is meant to be the point of a track like this. The repeated like ‘I wish that you were mine’ works as a club-line refrain, however, as you’d expect with a song designed for a nightclub, the rest of the lyrics don’t exactly pack much of a punch.
Although, having said that, the track has managed to bag the number two spot in the chart for this week (which is a damn sight better than the other new single in the chart - Kanye West’s Only One coming in at number 35 seems to speak for itself). So it seems that George’s efforts have catapulted him into the first club-track top-spot of 2015.
You can check out the audio for the track now by clicking here.
Written by: Charlotte Barnes
Published: 5 January 2015
The chart is littered with fallers, climbers, and re-entries from songs that we thought we’d long escaped (see Pharrell’s Happy), bar two new tracks that have managed to clamber their way into the chart. One of which is the first club-style track that I’ve heard this year (hardly a difficult spot to steal), in the form of Philip George’s Wish You Were Mine. Personally, I feel a little lukewarm about the track. The beat seems simple and the instrumentals that are interweaved throughout the track don’t really offer anything that makes me want to get up and dance, which I’m assuming is meant to be the point of a track like this. The repeated like ‘I wish that you were mine’ works as a club-line refrain, however, as you’d expect with a song designed for a nightclub, the rest of the lyrics don’t exactly pack much of a punch.
Although, having said that, the track has managed to bag the number two spot in the chart for this week (which is a damn sight better than the other new single in the chart - Kanye West’s Only One coming in at number 35 seems to speak for itself). So it seems that George’s efforts have catapulted him into the first club-track top-spot of 2015.
You can check out the audio for the track now by clicking here.
Written by: Charlotte Barnes
Published: 5 January 2015
Feature: The Beginnings of the MHR New Year Playlist...
Given that we’re announcing our favourite films from 2014 over in TV & Film today, it just makes sense that we’d take a look through our top tracks of the year as well. If for no other reason than, we need a decent playlist for tonight…
I introduced Mark Ronson and Bruno Mars’ Uptown Funk to the site in the Single of the Week spot a few weeks back now, but I still love this song now as much as I did then. So for that reason, it’s going on the MHR New Year playlist! The track is funky, it’s quirky and damn, it’s hard to stop yourself from dancing along to it.
Since the beginning of this year, I’ve fallen quietly in love with George Ezra. For me, he’s revealed one strong track after the next so it would be an absolute crime to not have him on this list! Torn between the over-played Budapest and my personal favourite, Blame It On Me, I’m throwing the latter track on this list today.
Sigma have made a decent name for themselves in recent months, particularly through their recent work with Paloma Faith which saw the release of their collaborative track, Changing. A floor-filler to boot with some appropriate lyrics for any New Year playlist.
One of the big surprises for me musically this year has been Ella Henderson. Since her time on X Factor, it seems that not only has she recovered from the experienced, but she’s grown and bettered herself on an amazing scale, resulting in an amazing collection of singles taken from her chart-topping album. So, for the soppy song at the end of the evening that the drunken couples insist on dancing to, I’m adding Yours to our playlist.
And for the drunken single women, and perhaps some of the men as well, I’m going to throw in G.R.L’s Ugly Heart for good measure! There’s something about this track that’s made it a constant favourite for me throughout the year. I don’t know whether it’s the terrible lyrics, or the catchy beat, but something about this song just makes me happy when I hear it, which is surely the mark of at least a semi-decent track…
It’s been an amazing year for Ed Sheeran thanks to the release of his latest album, titled x. Frankly, I’d be happy to put the whole album on any of my playlists but, if I’m being forced to pick one track, the upbeat Don’t is the one that I’m selecting as a personal favourite.
Now, deviating from the mainstream slightly, I have to give a mention to a band I saw earlier in the year, completely by luck, called The Fugitives. Folk-inspired and unexpectedly brilliant, these guys absolutely knocked me off my feet when I saw them, and I’ve intermittently returned to their music throughout the year. If you haven’t heard of them, and you’re a folk fan, then they’re definitely worth checking out online.
It wouldn’t be much of a get-up-and-dance playlist if Bang Bang wasn’t on it, now would it? I know, this collaboration between Jessie J, Ariana Grande, and Nicki Minaji has been played everywhere. You’re sick of hearing it. It’s overplayed, overrated, and you’ve have enough. Unfortunately, given that it’s one of the highest-selling tracks of the year, it’s probably going to be a while before we say goodbye to this one for good; so it makes sense that we finish on a musical high-note, of sorts.
Truthfully, this list could go on for a good while because it’s been a particularly decent year for music - despite what some of our reviews might lead you to believe. Nevertheless, these are some of my musical highlights from 2014, and I hope you enjoy revisiting them!
Written by: Charlotte Barnes
Published: 31 December 2014
I introduced Mark Ronson and Bruno Mars’ Uptown Funk to the site in the Single of the Week spot a few weeks back now, but I still love this song now as much as I did then. So for that reason, it’s going on the MHR New Year playlist! The track is funky, it’s quirky and damn, it’s hard to stop yourself from dancing along to it.
Since the beginning of this year, I’ve fallen quietly in love with George Ezra. For me, he’s revealed one strong track after the next so it would be an absolute crime to not have him on this list! Torn between the over-played Budapest and my personal favourite, Blame It On Me, I’m throwing the latter track on this list today.
Sigma have made a decent name for themselves in recent months, particularly through their recent work with Paloma Faith which saw the release of their collaborative track, Changing. A floor-filler to boot with some appropriate lyrics for any New Year playlist.
One of the big surprises for me musically this year has been Ella Henderson. Since her time on X Factor, it seems that not only has she recovered from the experienced, but she’s grown and bettered herself on an amazing scale, resulting in an amazing collection of singles taken from her chart-topping album. So, for the soppy song at the end of the evening that the drunken couples insist on dancing to, I’m adding Yours to our playlist.
And for the drunken single women, and perhaps some of the men as well, I’m going to throw in G.R.L’s Ugly Heart for good measure! There’s something about this track that’s made it a constant favourite for me throughout the year. I don’t know whether it’s the terrible lyrics, or the catchy beat, but something about this song just makes me happy when I hear it, which is surely the mark of at least a semi-decent track…
It’s been an amazing year for Ed Sheeran thanks to the release of his latest album, titled x. Frankly, I’d be happy to put the whole album on any of my playlists but, if I’m being forced to pick one track, the upbeat Don’t is the one that I’m selecting as a personal favourite.
Now, deviating from the mainstream slightly, I have to give a mention to a band I saw earlier in the year, completely by luck, called The Fugitives. Folk-inspired and unexpectedly brilliant, these guys absolutely knocked me off my feet when I saw them, and I’ve intermittently returned to their music throughout the year. If you haven’t heard of them, and you’re a folk fan, then they’re definitely worth checking out online.
It wouldn’t be much of a get-up-and-dance playlist if Bang Bang wasn’t on it, now would it? I know, this collaboration between Jessie J, Ariana Grande, and Nicki Minaji has been played everywhere. You’re sick of hearing it. It’s overplayed, overrated, and you’ve have enough. Unfortunately, given that it’s one of the highest-selling tracks of the year, it’s probably going to be a while before we say goodbye to this one for good; so it makes sense that we finish on a musical high-note, of sorts.
Truthfully, this list could go on for a good while because it’s been a particularly decent year for music - despite what some of our reviews might lead you to believe. Nevertheless, these are some of my musical highlights from 2014, and I hope you enjoy revisiting them!
Written by: Charlotte Barnes
Published: 31 December 2014
Single Review: Axel Flovent - Beach/Swim Good
Axel Flovent made an appearance in my inbox at the end of last week, and I became an instant fan. Introduced to me by Trellis Records, Flovent is tipped as one of the big acoustic artists to emerge fully in 2015, and after listening to his track Beach and his cover of Frank Ocean’s Swim Good, I can completely see why.
Beach is a stunning single. Heavily laden with tender emotion, delicate vocals, and complementary instrumentals that serve to heighten Flovent’s impressive range. It’s no wonder that this has been collecting listens on SoundCloud at an impressive rate in recent months.
Although, I have to admit, the single that I’m really interested in here is the unexpected b-side to the single, which features a cover of a Frank Ocean track. I hadn’t actually heard the original of this song - does that make me embarrassingly uncool? - but after hearing Flovent’s cover, I naturally checked out Ocean’s own release of the track. And, I have to say, Flovent just blows it out of the water for me! The song takes on a completely different tone and life as Flovent strips it back to something much more heartfelt. The acoustic aspect of the track adds to this further, creating a truly intimate track that I simply can’t stop listening to.
I’m quietly confident that we’re introducing you to someone that we’ll be hearing from a lot when the new year rolls in. With big plans ahead, including a new EP release, Flovent is making his mark on the music scene already, and I can’t wait to hear what he delivers next. You can check out Axel Flovent's tracks by heading over to his SoundCloud page by clicking here.
Written by: Charlotte Barnes
Published: 24 December 2014
Beach is a stunning single. Heavily laden with tender emotion, delicate vocals, and complementary instrumentals that serve to heighten Flovent’s impressive range. It’s no wonder that this has been collecting listens on SoundCloud at an impressive rate in recent months.
Although, I have to admit, the single that I’m really interested in here is the unexpected b-side to the single, which features a cover of a Frank Ocean track. I hadn’t actually heard the original of this song - does that make me embarrassingly uncool? - but after hearing Flovent’s cover, I naturally checked out Ocean’s own release of the track. And, I have to say, Flovent just blows it out of the water for me! The song takes on a completely different tone and life as Flovent strips it back to something much more heartfelt. The acoustic aspect of the track adds to this further, creating a truly intimate track that I simply can’t stop listening to.
I’m quietly confident that we’re introducing you to someone that we’ll be hearing from a lot when the new year rolls in. With big plans ahead, including a new EP release, Flovent is making his mark on the music scene already, and I can’t wait to hear what he delivers next. You can check out Axel Flovent's tracks by heading over to his SoundCloud page by clicking here.
Written by: Charlotte Barnes
Published: 24 December 2014
Single Review: Fall Out Boy - American Beauty/American Psycho
I haven’t exactly made a secret out of the fact that I sort of love Fall Out Boy. Following the news of their comeback album, Save Rock And Roll, I was hanging on every single that was released, and since then I’ve been consistently pleased. So this morning when I discovered that there was a new single floating around online, lifted from their upcoming sixth studio album, I’ll admit that yes, I did let out a girly little scream of excitement.
Although, in hindsight, I’m not sure I should have done.
The new single, titled American Beauty/American Psycho, is the title track from their upcoming album, which I’m assuming will be released some time next year, and truthfully, I just don’t know how I feel about the track. It feels a bit… messy? Stump’s usually reliable vocals just seem understated here, with his steadfast range being replaced with what actually sounds like quite a shouty vocal performance. Even the trademark, off-the-wall FOB lyrics don’t seem to be as present in this song as they usually are, and the instrumentals are also leaving me feeling a little lukewarm about the whole thing.
It’s hard to pin down specifically, because, aside from this being different to their other releases that I’ve heard recently, there’s nothing technically wrong with the track. For me, it’s just a little too Pop-infused, and not enough Fall Out Boy. Interestingly, alongside this latest release (which you can check out for yourselves by clicking here), the band have also released the audio for another upcoming single, titled The Kids Aren’t Alright, which is so much better than the track they’ve actually chosen to release! Although, listening to these side by side, it looks like we could be in for an interesting album in the future…
Written by: Charlotte Barnes
Published: 19 December 2014
Although, in hindsight, I’m not sure I should have done.
The new single, titled American Beauty/American Psycho, is the title track from their upcoming album, which I’m assuming will be released some time next year, and truthfully, I just don’t know how I feel about the track. It feels a bit… messy? Stump’s usually reliable vocals just seem understated here, with his steadfast range being replaced with what actually sounds like quite a shouty vocal performance. Even the trademark, off-the-wall FOB lyrics don’t seem to be as present in this song as they usually are, and the instrumentals are also leaving me feeling a little lukewarm about the whole thing.
It’s hard to pin down specifically, because, aside from this being different to their other releases that I’ve heard recently, there’s nothing technically wrong with the track. For me, it’s just a little too Pop-infused, and not enough Fall Out Boy. Interestingly, alongside this latest release (which you can check out for yourselves by clicking here), the band have also released the audio for another upcoming single, titled The Kids Aren’t Alright, which is so much better than the track they’ve actually chosen to release! Although, listening to these side by side, it looks like we could be in for an interesting album in the future…
Written by: Charlotte Barnes
Published: 19 December 2014
Album Review: Nicki Minaj - The Pinkprint
Towards the end of last year, Nicki Minaj went through a bit of a change, stylistically speaking. Gone were the colourful wigs and outrageous outfits, replaced with straight black hair and classy dresses. It seemed to be a move that would get rid of the Barbie persona she had built up over the past in an attempt to be taken more seriously as an artist. Of course, when her first single, Pills N Potions, landed earlier this year, it housed a sensitive Nicki who actually sang over the song's beat. However, there was something lacking from the song, something that was lacking from Nicki herself, and this is the problem that haunts The Pinkprint.
The album itself is too quiet, too safe. The rap queen who could spit fire has gone. Anaconda is the most obscene song on the album, and that's saying something given that, in the grand scheme of things, it's not even that great but compared to the rest of the album, it shines.
Heartache-burdened All Things Go and I Lied slow down the album from the start. It's a new Nicki, and a welcome one, but the vulnerability that Nicki attempts to show isn't there. Stilted beats, muffled synths, and Nicki's own straight-faced delivery does little to convey emotion. When she does attempt to turn up the heat, with Get On Your Knees for example, it barely passes lukewarm. The aforementioned song, which features Ariana Grande, has potential but just lacks something.
And then, of course, there's the strange Only which sees Nicki attempting to assert that she hasn't slept her way to the top as so many people seem convinced she has. However, her entire rap is undermined by the fact that Drake states he hasn't slept with her because she has a man but if she did not, he would be first in line. The rap from both him and Lil Wayne completely undermine Nicki's assertion as they objectify her and her body, placing her in their possession and giving the whole song a male gaze. Listening to the featuring raps, as well as the chorus sang by Chris Brown, makes Nicki's rap look like she's just playing into their hands rather than being an independent woman. However, it is followed by Want Some More which sees the rapper trying to grab back her integrity.
However, there are some good bits to this album. Trini Dem Girls is more Nicki, Bed of Lies is still pretty good, but what blows everything else out of the water is Feeling Myself, which features Beyonce. The song just shines. Nicki blazes, Beyonce is just perfect. The two of them strut around the place as they sing/rap about their dominance over the world. Beyonce even tells the whole world to stop, which is accompanied by a pause in the song, to which she then states 'Carry on'. There's also a pretty good collaboration in The Crying Game, where Jessie Ware steps in, saving the song. She teases out some of that missing emotion from Nicki and the song is better for it.
Overall, The Pinkprint is a mixed bag. It's too long, with 16 tracks, it's too subtle and subdued, and there are a lot of forgettable moments. Compare this to Pink Friday: Roman Reloaded where the first song has Nicki rapping in 12 different accents and spitting fire everywhere and this album is dead on arrival. However, there are some great tracks here, just not enough to keep Nicki on top. At a time where she has the most competition, she needed an album that would keep her at the top, not push her down.
Written by: Kasim Kaey
Published: 17 December 2014
The album itself is too quiet, too safe. The rap queen who could spit fire has gone. Anaconda is the most obscene song on the album, and that's saying something given that, in the grand scheme of things, it's not even that great but compared to the rest of the album, it shines.
Heartache-burdened All Things Go and I Lied slow down the album from the start. It's a new Nicki, and a welcome one, but the vulnerability that Nicki attempts to show isn't there. Stilted beats, muffled synths, and Nicki's own straight-faced delivery does little to convey emotion. When she does attempt to turn up the heat, with Get On Your Knees for example, it barely passes lukewarm. The aforementioned song, which features Ariana Grande, has potential but just lacks something.
And then, of course, there's the strange Only which sees Nicki attempting to assert that she hasn't slept her way to the top as so many people seem convinced she has. However, her entire rap is undermined by the fact that Drake states he hasn't slept with her because she has a man but if she did not, he would be first in line. The rap from both him and Lil Wayne completely undermine Nicki's assertion as they objectify her and her body, placing her in their possession and giving the whole song a male gaze. Listening to the featuring raps, as well as the chorus sang by Chris Brown, makes Nicki's rap look like she's just playing into their hands rather than being an independent woman. However, it is followed by Want Some More which sees the rapper trying to grab back her integrity.
However, there are some good bits to this album. Trini Dem Girls is more Nicki, Bed of Lies is still pretty good, but what blows everything else out of the water is Feeling Myself, which features Beyonce. The song just shines. Nicki blazes, Beyonce is just perfect. The two of them strut around the place as they sing/rap about their dominance over the world. Beyonce even tells the whole world to stop, which is accompanied by a pause in the song, to which she then states 'Carry on'. There's also a pretty good collaboration in The Crying Game, where Jessie Ware steps in, saving the song. She teases out some of that missing emotion from Nicki and the song is better for it.
Overall, The Pinkprint is a mixed bag. It's too long, with 16 tracks, it's too subtle and subdued, and there are a lot of forgettable moments. Compare this to Pink Friday: Roman Reloaded where the first song has Nicki rapping in 12 different accents and spitting fire everywhere and this album is dead on arrival. However, there are some great tracks here, just not enough to keep Nicki on top. At a time where she has the most competition, she needed an album that would keep her at the top, not push her down.
Written by: Kasim Kaey
Published: 17 December 2014
Single of the Week: Mark Ronson - UpTown Funk Feat. Bruno Mars
It’s an obvious choice, and I’d be extremely surprised if there weren’t a load of other review sites out there this week at least featuring this track. Uptown Funk has been lingering about on YouTube for a while now, however, it has to be said, it was probably brought to most people’s attentions due to its appearance on X Factor recently when finalist Fleur East belted out her rendition of the song. Interestingly, the reason why no one had heard the track was because it wasn’t due to be officially released until January next year - so thank you to X Factor for forcing Mark Ronson’s hand on this one.
Now that snide comment is out of the way!
There’s something annoyingly catchy about this track. I can only assume that it’s the strength of the beat combined with the entirely repetitive lyrics that have worked together to make this track so memorable for people after the first listen. It’s actually a bit of a guilty pleasure for me, and I’m okay with that. Bruno Mars’ vocals aren’t the strongest on this single, but the startling amount of swagger that he brings to this track certainly makes up for it! With a strong production from Ronson, as if we’d expect anything else, the old-school-style sounds on the chorus, coupled with the repeated line ‘Don’t believe me, just watch’ have won over listeners around the country, myself included.
It’s a catchy little number and I just can’t stop myself from having a little dance about when I hear it, so for those reasons - and a load of others - this track wins our single of the week spot this time around. If, by some miracle, you’ve got through this week without hearing the song, then you can check it out on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 14 December 2014
Now that snide comment is out of the way!
There’s something annoyingly catchy about this track. I can only assume that it’s the strength of the beat combined with the entirely repetitive lyrics that have worked together to make this track so memorable for people after the first listen. It’s actually a bit of a guilty pleasure for me, and I’m okay with that. Bruno Mars’ vocals aren’t the strongest on this single, but the startling amount of swagger that he brings to this track certainly makes up for it! With a strong production from Ronson, as if we’d expect anything else, the old-school-style sounds on the chorus, coupled with the repeated line ‘Don’t believe me, just watch’ have won over listeners around the country, myself included.
It’s a catchy little number and I just can’t stop myself from having a little dance about when I hear it, so for those reasons - and a load of others - this track wins our single of the week spot this time around. If, by some miracle, you’ve got through this week without hearing the song, then you can check it out on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 14 December 2014
Throwback Thursday: Baby It's Cold Outside!
I am shamefully cheating with this week’s Throwback Thursday, but I can completely justify it - particularly given that it’s allowed me to listen to Michael Buble all morning, and anything that allows for that can only be a good thing.
Baby It’s Cold Outside is an iconic track that has been covered by more artists than I care to name, so technically, it’s original release date does actually fit with the TBT conditions. The version I’m using, however, is bending the rules a little…
It’s only natural that around Christmas we have an influx of old tracks by new artists and this time, Idina Menzel and Michael Buble have teamed up on this iconic track to bring it back to our speakers in time for the holiday season. Their vocals on this track are just lovely, blending together flawlessly and, despite being modern artists, adding something like a classic sound to this undeniably classic track. So surely you can forgive me for bending the rules for this one, right?
Not only is the track a lovely listen, but it also comes complete with a truly endearing music video that’s available for you to view on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 11 December 2014
Baby It’s Cold Outside is an iconic track that has been covered by more artists than I care to name, so technically, it’s original release date does actually fit with the TBT conditions. The version I’m using, however, is bending the rules a little…
It’s only natural that around Christmas we have an influx of old tracks by new artists and this time, Idina Menzel and Michael Buble have teamed up on this iconic track to bring it back to our speakers in time for the holiday season. Their vocals on this track are just lovely, blending together flawlessly and, despite being modern artists, adding something like a classic sound to this undeniably classic track. So surely you can forgive me for bending the rules for this one, right?
Not only is the track a lovely listen, but it also comes complete with a truly endearing music video that’s available for you to view on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 11 December 2014
Single of the Week: Nico & Vinz - In Your Arms
Nico & Vinz grabbed my attention recently - mine and everyone else’s - with their track, Am I Wrong, which caused quite a stir when it was first released into the mainstream music scene. Now they’re causing a stir again with another promising single, In Your Arms, which is notably more upbeat than their last offering, and I must admit, I sort of love it.
In Your Arms is not only considerably more upbeat, but to me, it sounds a lot clearer and much more crisp. There are so many opportunities here to both hear and appreciate the vocals on this track, provided by the two men that make up this musical ensemble. It has an optimistic tone, distinctive and fine-tuned vocals from both vocalists present, and it even manages to isolate a beat that makes you dance a little… or a lot, depending on how chirpy you feel this morning. To put it plainly, it’s just quite a lovely little single, and it comes complete with a truly endearing video as well, which you can access now by clicking here. Written by: Charlotte Barnes Published: 6 December 2014 |
Music News: Kodaline Reveal new track, Honest
Kodaline's debut album, In A Perfect World, still remains one of my favourite albums from 2013. It was just a great listen-to which is why news of their second album is pretty exciting.
Their second album, which is to be released sometime next year, has just been confirmed alongside a new track from the album, titled Honest. The song is very much Kodaline, though strangely enough, the music seems to eclipse the lead singer's voice in some sections. You can check out the audio now by clicking here. Written by: Kasim Kaey Published: 6 December 2014 |
Single Review: David Guetta - What I Did For Love Feat. Emeli Sande
Emeli Sande won my heart a few years ago; her powerful lyrics, constantly being belted out by her distinctive and fine-tuned vocals were things that I instantly fell a little bit in love with. So naturally, I was fairly happy to see she was back in the charts, featuring on a new track called What I Did For Love. Unfortunately, this is actually David Guetta’s track - and that’s the bit of the song that I’m feeling sort of lukewarm about.
The lyrics to this track are gorgeous, offering a refreshing spin on the average love songs that you see in the charts nowadays. Sande’s vocals, as always, are completely on point, and she really does justice in communicating the track. Then David Guetta comes in, and it kind of loses something for me. At around the minute and a half mark the club music cuts in and, while I’m sure this track will be a hit in clubs across the country, I was actually happy to just hear Sande singing, minus the side serving of Guetta.
Guetta has stormed the music since in the last few years, designing tracks that cater some of the biggest voices in pop music, so it would be ridiculous for me to discount his skills completely. As Djs go, he’s certainly made a stamp on the scene and there are loads of his tracks that I actually enjoy listening to. However, I can’t help but feel that this one might have worked just as well, if not slightly better, without his club-hit-intrusion…
The full track is available on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 4 December 2014
The lyrics to this track are gorgeous, offering a refreshing spin on the average love songs that you see in the charts nowadays. Sande’s vocals, as always, are completely on point, and she really does justice in communicating the track. Then David Guetta comes in, and it kind of loses something for me. At around the minute and a half mark the club music cuts in and, while I’m sure this track will be a hit in clubs across the country, I was actually happy to just hear Sande singing, minus the side serving of Guetta.
Guetta has stormed the music since in the last few years, designing tracks that cater some of the biggest voices in pop music, so it would be ridiculous for me to discount his skills completely. As Djs go, he’s certainly made a stamp on the scene and there are loads of his tracks that I actually enjoy listening to. However, I can’t help but feel that this one might have worked just as well, if not slightly better, without his club-hit-intrusion…
The full track is available on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 4 December 2014
Single Review: James Bay - Hold Back the River
As per my usual Monday morning ritual, I’m skimming through the latest singles’ chart, with little hopes of finding anything that I haven’t already heard a thousand times before. But this morning, for once, the chart actually delivered! As I stumbled across James Bay, an artist whose name hadn’t crossed my iTunes or YouTube accounts before, I decided his latest single was worth at least a Google search. And it turns out that that single, Hold Back The River, is actually beautiful.
The track, which was unleashed on YouTube earlier this year, shows catchy lyrics, understated instrumentals, and distinctive vocals, and everything about the single as a whole is just lovely. Bay has a distinctive voice that will, undoubtedly, become something listeners recognise quickly over the coming months if this particular track is anything to go by. The almost gospel chanting of the chorus where we hear the repeated line ‘Hold back the river’ is simple, catchy, and worthy of hitting repeat at least four times - although, having said that, I’m already on my sixth listen…
The single comes with an equally simplistic video that fits perfectly with the song, and you catch watch that, and listen to the official audio for the track, by clicking here.
Written by: Charlotte Barnes
Published: 1 December 2014
The track, which was unleashed on YouTube earlier this year, shows catchy lyrics, understated instrumentals, and distinctive vocals, and everything about the single as a whole is just lovely. Bay has a distinctive voice that will, undoubtedly, become something listeners recognise quickly over the coming months if this particular track is anything to go by. The almost gospel chanting of the chorus where we hear the repeated line ‘Hold back the river’ is simple, catchy, and worthy of hitting repeat at least four times - although, having said that, I’m already on my sixth listen…
The single comes with an equally simplistic video that fits perfectly with the song, and you catch watch that, and listen to the official audio for the track, by clicking here.
Written by: Charlotte Barnes
Published: 1 December 2014
Album Review: Azealia Banks - Broke with Expensive Taste
Azealia Banks is a name that many people know, though they might not be aware of why they know that name. Some might associate it with Iggy Azalea, the new girl in hip-hop/rap, but most will associate it with Twitter 'beef', and they wouldn't be wrong. Banks, who stormed the scene in 2011 with her infamous '212', which surprisingly stills sound fresh now, has become famous for sparking off fights on Twitter, but her debut album sees her asking for the world to give her another chance.
Broke With Expensive Taste is the singer's debut album, which she dropped without any warning, and, after spending a week with it, I can confidently say that Banks truly does have talent and deserves a chance.
Banks says that the album's release was delayed because Universal Records deemed it too strange, and they were right. There are a handful of tracks here that can be played on mainstream radios; the rest are experiments by Banks, which either work quite well or don't.
Chasing Time is clearly a pop song, made for the radios, which sees Banks rapping and singing alongside one another flawlessly. But that's the only song here that resembles anything 'normal'. 212, which is also here, shows off Banks impressive wordplay, but it's nothing compared to Heavy Metal and Reflective which, I believe, sounds completely nightmarish but addictive. The song is energetic and Banks's rapping skills are on par with some of the greats. Idle Delilah, which opens the album, is a strange amalgamation of sounds that just works, though you're unable to say why.
However, though the album's mismatch of song types seems to work in some parts, it doesn't work as an overall whole. The album lacks direction, in terms of both style and content. It's clear that Banks focussed more on experimenting with her sound rather than making an album with a clear focus and sound. Banks is certainly incredible at making memorable parts of songs (just watch any of her live performances of 212 and watch as the crowd shouts 'I guess that c--t being eaten' back at her), but the songs overall are hard to remember. 212 sounds the same as Heavy Metal and Reflective, despite both songs being completely different in content. It also doesn't help that Banks hasn't figured out how to create a memorable hook. Wrecking Ball, this album is not.
That said, the album is recommended for at least a singular listen, maybe on Spotify, just to see what happens when an artist is allowed to make the album she wants to. Banks might be famous for her Twitter arguments but I have a feeling she'll be famous for more in the future.
Written by: Kasim Kaey
Published: 28 November 2014
Broke With Expensive Taste is the singer's debut album, which she dropped without any warning, and, after spending a week with it, I can confidently say that Banks truly does have talent and deserves a chance.
Banks says that the album's release was delayed because Universal Records deemed it too strange, and they were right. There are a handful of tracks here that can be played on mainstream radios; the rest are experiments by Banks, which either work quite well or don't.
Chasing Time is clearly a pop song, made for the radios, which sees Banks rapping and singing alongside one another flawlessly. But that's the only song here that resembles anything 'normal'. 212, which is also here, shows off Banks impressive wordplay, but it's nothing compared to Heavy Metal and Reflective which, I believe, sounds completely nightmarish but addictive. The song is energetic and Banks's rapping skills are on par with some of the greats. Idle Delilah, which opens the album, is a strange amalgamation of sounds that just works, though you're unable to say why.
However, though the album's mismatch of song types seems to work in some parts, it doesn't work as an overall whole. The album lacks direction, in terms of both style and content. It's clear that Banks focussed more on experimenting with her sound rather than making an album with a clear focus and sound. Banks is certainly incredible at making memorable parts of songs (just watch any of her live performances of 212 and watch as the crowd shouts 'I guess that c--t being eaten' back at her), but the songs overall are hard to remember. 212 sounds the same as Heavy Metal and Reflective, despite both songs being completely different in content. It also doesn't help that Banks hasn't figured out how to create a memorable hook. Wrecking Ball, this album is not.
That said, the album is recommended for at least a singular listen, maybe on Spotify, just to see what happens when an artist is allowed to make the album she wants to. Banks might be famous for her Twitter arguments but I have a feeling she'll be famous for more in the future.
Written by: Kasim Kaey
Published: 28 November 2014
Single of the Week: George Ezra - Blame It On Me
Over recent months I’ve come to think of George Ezra, musically speaking, as a bit of a babe. I absolutely fell in love with Budapest when I heard it earlier in the year; the reassuring, happy funky beats that I find in most of his tracks just instantly make me happy. So, naturally, as I’m sitting here on this altogether miserable and wet Friday afternoon wondering what the Single of the Week should be for this Friday, an Ezra song became the obvious choice!
Blame It On Me has been around for a little while now, and the chances are you might have actually heard this song without realising what it was or who it’s by. It’s sort of one of those tracks. Nevertheless, I love it now as much as I did when I first heard it a couple of months back. Ezra’s vocals are always distinctive and this single in no exception to that rule, accompanied by easy-going guitar-based instrumentals, there is something distinctly summery about this track (which, I know, makes sense given when it was originally released). The lyrics ‘When I dance alone, and the sun’s bleeding down / Blame it on me’ are just lovely, and I can’t stop myself from singing along whenever I hear that chorus. So, in an attempt to share some sunshine with you on this grumpy November afternoon, I thought it was definitely worth sharing this song this week! You can check out the song, and the official video, just below. Written by: Charlotte Barnes
Published: 21 November 2014 |
Single Review: The Step - Something More
We’re always on the look out for new music here, particularly music of the indie rock variety (okay, maybe it’s just me who’s on the look out for that!), so when The Step arrived in my inbox last week, it was clear that they fit the bill for what I was looking for.
A relatively new arrival on the music scene, The Step are making a name for themselves on the London scene at the minute, with various upcoming gigs over the next few weeks. In preparation for their EP release, which will appear later this year, the band are putting a heavy amount of promotion into their touching track Something More, which is set for release later this month. The track is actually pretty deep, and I like that. Despite being branded as indie-pop, I’m getting less pop and more indie with this, which I actually like. Dominated mostly by guitar-driven instrumentals, the track weaves the listeners through some emotional one-liners as the band discusses some troubling times in a relationship - so the topic of the track will definitely never go out of fashion! Overall, it’s a promising introduction to the band as it offers sultry sounds and intense emotion, wrapped up with a neat, indie edge. It’s certainly ticking a lot of boxes for me, and I’m excited to see a new indie band arrive on the scene - seriously, it’s been too long since we heard something this promising. Something More isn’t released officially until November 24th, you can however head over to YouTube, by clicking here, and check out the track and the official video for the song now. And, if you’re instantly won over by the track - I definitely was - and you want to hear more from these guys, then you can find their upcoming gig dates just below. 21st November @ New Cross Inn (New Cross) 29th November @ The Barfly (Camden) 13th December @ The Borderline (Soho) 6th February @ Islington 02 Academy (Angel) Written by: Charlotte Barnes Published: 19 November 2014 |
Single of the Week: Sam Smith - Like I can
Sam Smith has taken the music scene by storm in recent months. With his appearance on tracks for the likes of Rudimental, followed by the release of his hit single Money on my Mind, his name was on most people’s lips, and it’s managed to stay there for most of this year. The release of his album, In The Lonely Hour, sparked a new load of love for the artist as he began to deliver one brilliant single after the next from the release, culminating in the release of Like I Can.
I first heard the track on television last weekend, and I fell so deeply in love with this track that I actually went out and bought Smith’s album this week. Granted, I’ve pretty much just had Like I Can on repeat for the past six days, with the occasional skim through the rest of the album, but that surely speaks volumes for this track. The single sports solid vocals from Smith, which we’ve come to expect over recent months, as he bellows out snippets of romance that will eventually have you singing a long. Don’t fight it; it will happen. The track seems to be collecting positive reviews worldwide right now, following the release of the official audio on Smith’s YouTube channel. To boil it down, this track is just a big ball of love, and it’s definitely worth listening to! You can check it out for yourselves now by clicking here. Written by: Charlotte Barnes Published: 15 November 2014 |
Album Review: Nick Jonas - Nick Jonas
Disney stars are all about shedding that child star image that gets attached to them as soon as their perfect little faces hit the TV. Miley Cyrus is the most known example of this, but it’s something that Demi Lovato and Selena Gomez have been through. Now we can add another to that list; Nick Jonas. He’s split from his band with his brothers and released a solo album, a surprisingly good album.
One might not expect much from a Jonas brother but Nick has managed to put together something that is worth listening to. The album starts off with Chains, the first single from the album and it’s a pretty good song. However, it’s outshone by the next song on the album, Jealous, which is pretty much the best song this album has to offer. It has mature lyrics, a good beat, and Nick’s voice just shines on it. From there, the album goes through the motions; Teacher is a sexy song where Nick sings about how he’s going to teach you to live, Wilderness uses the outdoors as a metaphor for something naughty, Numb features a great cameo from rapper Angel Haze, Push slows things down, whilst I Want You is just a cracking good listen. However, it does take a while for the album to get to its next stand out; Avalanche. The song features Demi Lovato, who makes everything better, and both Nick’s voice and hers just blend together beautifully. The album is surprisingly good and highly recommended. Written by: Kasim Kaey Published: 15 November 2014 |
Throwback Thursday: Alkaline Trio - Stupid Kid
So this morning, I’m settling down to do some work with the Kerrang music channel fluttering about in the background (yes, I still listen to Kerrang), and on their Pop Punk Whatever special I hear a song that I haven’t heard in years. And I just had to share it with you guys.
Do you remember Alkaline Trio? Of course you do.
Their track, Stupid Kid, came bellowing out of my television set and despite not listening to this song for about seven years, I still knew every single word! I don’t know whether that’s a good thing or a completely embarrassing one, but either way, it reignited a lot of love for this track.
Originally released back in 2001, the single, in the most upbeat way possible, shows the singer explaining to someone that he didn’t actually mean it when he told them that he loved them. A difficult message to convey in such a happy-go-lucky track, but somehow, these guys managed it.
Complete with a cute little video, you can check out the track on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 13 November 2014
Do you remember Alkaline Trio? Of course you do.
Their track, Stupid Kid, came bellowing out of my television set and despite not listening to this song for about seven years, I still knew every single word! I don’t know whether that’s a good thing or a completely embarrassing one, but either way, it reignited a lot of love for this track.
Originally released back in 2001, the single, in the most upbeat way possible, shows the singer explaining to someone that he didn’t actually mean it when he told them that he loved them. A difficult message to convey in such a happy-go-lucky track, but somehow, these guys managed it.
Complete with a cute little video, you can check out the track on YouTube now by clicking here.
Written by: Charlotte Barnes
Published: 13 November 2014
Album Review: Ben Howard - I Forget Where We Were
It's obvious from the moment that you play the first song on Ben Howard's sophomore album, I Forget Where We Were, that Howard has moved on from his first album, going through an evolution of sorts. That first quivering note silences qualms that you might have had about his sound, both in terms of being the same and being different. He's gone electric but his frenetic guitar is still there.
Whilst the term electric might inspire some to look away in disgust, the change here is subtle, carrying a distinct Ben Howard sound with his music, whilst still being different. His guitar prowess is excellent with tumultuous electronics occurring in the background, but let's face it, the sound does not matter. All these tracks have been created in order to amplify Howard's voice, and what a voice it is.
Both rough and soft, crackling over the guitar yet smooth. When he screams his lyrics, it's not so much screaming as being a little louder than he was before and yet the emotional effect carries you to the top of the mountain and beyond.
Many might have wondered if Howard could pull it off again and by it I mean creating an album, having extreme success, and staying in the shadows. Watch his live versions in BBC Radio 1 Live to see what I mean; he hides in the corner, just him and his guitar. I'm here to tell you he's done that and more. Whilst others like Ed Sheeran may have taken to fame like a baby to milk, Howard has stayed away from the spotlight and we're all better for it.
Written by: Kasim Kaey
Published: 10 November 2014
Whilst the term electric might inspire some to look away in disgust, the change here is subtle, carrying a distinct Ben Howard sound with his music, whilst still being different. His guitar prowess is excellent with tumultuous electronics occurring in the background, but let's face it, the sound does not matter. All these tracks have been created in order to amplify Howard's voice, and what a voice it is.
Both rough and soft, crackling over the guitar yet smooth. When he screams his lyrics, it's not so much screaming as being a little louder than he was before and yet the emotional effect carries you to the top of the mountain and beyond.
Many might have wondered if Howard could pull it off again and by it I mean creating an album, having extreme success, and staying in the shadows. Watch his live versions in BBC Radio 1 Live to see what I mean; he hides in the corner, just him and his guitar. I'm here to tell you he's done that and more. Whilst others like Ed Sheeran may have taken to fame like a baby to milk, Howard has stayed away from the spotlight and we're all better for it.
Written by: Kasim Kaey
Published: 10 November 2014
Album Review: Taylor Swift - 1989
Taylor Swift’s fifth album, 1989 (named after the year she was born in, obviously), is one of the most hyped up albums to be released this year and is already on its way to sell a lot of copies. As of writing this review, it’s slated to pass the point of 1.3 million sales, which is pretty hefty. So what is this album that everyone is talking about? It’s essentially a reinvention of Swift’s sound itself. She’s jumped ship from country music to pop. For sales? Or because she wanted something new? Who knows, but the album sure sounds a lot different from anything else she’s ever released.
The album starts off with track Welcome To New York, which welcomes us to her new album by showering us in pop beats whilst Swift sings about the beauty of New York in that naïve tone that can only come from someone like Swift, who has a personal Tumblr and invites fans to her houses for intimate meet-ups. She knows exactly what it feels like to be ‘one of us’ and this first track seals that, as well as her new sound.
But for those that expected an entire content change along with a sound change will be disappointed. Welcome To New York is one of two songs on this album that doesn’t talk about relationships, the other being Shake It Off; the rest of the 12 songs on the standard version of the album talk about boys and one even talks about girls, though not in the way that you might be imagining. However, Swift is taking a different approach to relationships here. No longer is she the girl who waits at home for her handsome boyfriend, now she’s a femme fatale herself.
Out Of The Woods has a sense of danger about it, a sense of dread about love, a pre-release that quickly became a fan favourite for those that listened to it. This sense of dread about love pervades the rest of the album. Blank Space sees Swift transforming into something akin to a serial dater where she proclaims that she has a ‘long list of ex-lovers’ that she can add this bad boy to. Style is a knowingly shallow song about her and a boy being the perfect match, whilst I Know Places sees her singing about the need for secrecy in relationships. It’s clear that Swift knows what her image in the public’s eye is right now and this album has been written to break down that image.
However, that’s not to say that the old Swift has disappeared from this album. All You Had To Do Was Stay is so generic pop that it could have been sung by anyone. There’s nothing unique to it. The same can be said about This Love which sounds as though it had been crafted for multiple romcom films that are set to come out this Christmas season.
As for the sound of the album, there’s not a guitar to be found here. Instead, it’s all pop synths and beats, with Swift singing over them. It’s a definite move from her country music, but not so much a change to be a surprise. Red, her fourth album, saw her experimenting with songs like 22, I Knew You Were Trouble, and We Are Never Ever Getting Back Together. Surprisingly, these three songs are the most memorable from Red, which means that Swift is definitely onto something with this pop movement. However, given that the entire album has been completely submerged into pop, it feels a little forced, though no doubt her fans will lap it up.
Written by: Kasim Kaey
Published: 7 November 2014
The album starts off with track Welcome To New York, which welcomes us to her new album by showering us in pop beats whilst Swift sings about the beauty of New York in that naïve tone that can only come from someone like Swift, who has a personal Tumblr and invites fans to her houses for intimate meet-ups. She knows exactly what it feels like to be ‘one of us’ and this first track seals that, as well as her new sound.
But for those that expected an entire content change along with a sound change will be disappointed. Welcome To New York is one of two songs on this album that doesn’t talk about relationships, the other being Shake It Off; the rest of the 12 songs on the standard version of the album talk about boys and one even talks about girls, though not in the way that you might be imagining. However, Swift is taking a different approach to relationships here. No longer is she the girl who waits at home for her handsome boyfriend, now she’s a femme fatale herself.
Out Of The Woods has a sense of danger about it, a sense of dread about love, a pre-release that quickly became a fan favourite for those that listened to it. This sense of dread about love pervades the rest of the album. Blank Space sees Swift transforming into something akin to a serial dater where she proclaims that she has a ‘long list of ex-lovers’ that she can add this bad boy to. Style is a knowingly shallow song about her and a boy being the perfect match, whilst I Know Places sees her singing about the need for secrecy in relationships. It’s clear that Swift knows what her image in the public’s eye is right now and this album has been written to break down that image.
However, that’s not to say that the old Swift has disappeared from this album. All You Had To Do Was Stay is so generic pop that it could have been sung by anyone. There’s nothing unique to it. The same can be said about This Love which sounds as though it had been crafted for multiple romcom films that are set to come out this Christmas season.
As for the sound of the album, there’s not a guitar to be found here. Instead, it’s all pop synths and beats, with Swift singing over them. It’s a definite move from her country music, but not so much a change to be a surprise. Red, her fourth album, saw her experimenting with songs like 22, I Knew You Were Trouble, and We Are Never Ever Getting Back Together. Surprisingly, these three songs are the most memorable from Red, which means that Swift is definitely onto something with this pop movement. However, given that the entire album has been completely submerged into pop, it feels a little forced, though no doubt her fans will lap it up.
Written by: Kasim Kaey
Published: 7 November 2014
Throwback Thursday: Wamdue Project - King of my Castle
I’ll admit that I was a little stuck with what track to put up for Throwback Thursday this week. However, thanks to some handy suggestions from my sister and her back-catalogue of classic anthems, I have re-discovered my love of Wamdue Project’s upbeat little number, King of my Castle.
The track was originally released in the late 90s, if you can believe it, with a re-release of the single appearing in 2009, thanks to one or two promising remixes.
While I have a load of fond memories attached to this single, I can also remember how crazy popular it was when it was first released. A sensation that modern-listeners will probably be familiar with, this was one of those tracks that was being played everywhere you turned when it was first released. The single had everyone up on their feet, bopping and usually singing along, because for whatever reason, it just became one of those tracks.
It also came complete with a funky music video that has since been uploaded to YouTube, and you can access that now by clicking here.
Written by: Charlotte Barnes
Published: 6 November 2014
The track was originally released in the late 90s, if you can believe it, with a re-release of the single appearing in 2009, thanks to one or two promising remixes.
While I have a load of fond memories attached to this single, I can also remember how crazy popular it was when it was first released. A sensation that modern-listeners will probably be familiar with, this was one of those tracks that was being played everywhere you turned when it was first released. The single had everyone up on their feet, bopping and usually singing along, because for whatever reason, it just became one of those tracks.
It also came complete with a funky music video that has since been uploaded to YouTube, and you can access that now by clicking here.
Written by: Charlotte Barnes
Published: 6 November 2014
Single Review: David Guetta - Dangerous Feat. Sam Martin
When it comes to David Guetta, I have two very distinct feelings. I like him, and I feel like he’s really made an original stamp on mainstream music, heightened more so by the amount of amazing artists that he’s both worked with and introduced listeners to. The other side of me feels like a lot of his songs sound the same, which sort of leaves me with little to say about them when it comes to passing them on to you guys.
That’s sort of how I feel with this latest one.
The new track, Dangerous featuring Sam Martin, was flagged up for my listening pleasure by YouTube this morning, who obviously thought I’d like it. And they’re right. I do. Even though the track doesn’t really go anywhere, and doesn’t sound massively different to other Guetta tracks that have been released over the past five years. There are neat instrumentals that occasionally veer away from club beats in order to incorporate some orchestral sounds, which I massively appreciate, particularly towards the end. Sam Martin’s vocals are strong on the track and are complemented well by the production of the release. It’s all good and fine, I just don’t know how original it is.
I find something beautiful in the opening and closing instrumentals of the track, but I’m not convinced of the weight being held by the song as a whole. Alas, the track isn’t officially released until later this month, so we’ll just have to wait and see what the download charts make of this one!
Make sure you check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 1 November 2014
That’s sort of how I feel with this latest one.
The new track, Dangerous featuring Sam Martin, was flagged up for my listening pleasure by YouTube this morning, who obviously thought I’d like it. And they’re right. I do. Even though the track doesn’t really go anywhere, and doesn’t sound massively different to other Guetta tracks that have been released over the past five years. There are neat instrumentals that occasionally veer away from club beats in order to incorporate some orchestral sounds, which I massively appreciate, particularly towards the end. Sam Martin’s vocals are strong on the track and are complemented well by the production of the release. It’s all good and fine, I just don’t know how original it is.
I find something beautiful in the opening and closing instrumentals of the track, but I’m not convinced of the weight being held by the song as a whole. Alas, the track isn’t officially released until later this month, so we’ll just have to wait and see what the download charts make of this one!
Make sure you check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 1 November 2014
Music News: Rihanna Releases Track List for new album!
Rihanna didn't release an album last year, which was surprising given that she releases an album every year. Rumours had suggested that she would release an album later this year, along with the soundtrack for Home, an animated film that she stars in.
However, an image has hit the internet, confirming the tracklist of this new album, showing tracks that feature Nicki Minaj and Drake.
The full tracklist is as follows.
Bold
Trouble
Ain't No Drama
Barz (featuring Nicki Minaj)
A Drug & A Dream
All Night
Lovin, Fallin, Dyin
Tattered Heart
Real Talk (featuring Drake)
Hall of Fames/Flames?
Pray 4 Me (featuring Big Sean)
Oceans
Veins
Lost Files (featuring Eminem)
Written by: Kasim Kaey
Published: 29 October 2014
However, an image has hit the internet, confirming the tracklist of this new album, showing tracks that feature Nicki Minaj and Drake.
The full tracklist is as follows.
Bold
Trouble
Ain't No Drama
Barz (featuring Nicki Minaj)
A Drug & A Dream
All Night
Lovin, Fallin, Dyin
Tattered Heart
Real Talk (featuring Drake)
Hall of Fames/Flames?
Pray 4 Me (featuring Big Sean)
Oceans
Veins
Lost Files (featuring Eminem)
Written by: Kasim Kaey
Published: 29 October 2014
Single review: Maroon 5 - Animals
I’ve been a firm fan of Maroon 5 since their Harder To Breathe days, way back when they first hit the mainstream music scene. Their comeback track that recently hit the charts, Maps, offered a promising new leaf from the edgy band. But then came their next track, and this one, I have some mixed feelings about…
Animals popped up on YouTube about three weeks ago with an incredibly strange official video, which you can access here, and while there’s nothing specifically wrong with the track, it just seems to be lacking something for me.
Levine’s vocals are strong and distinctive, like they always are, although there is something undeniably whiney about the chorus of this song; a chorus that doesn’t even seem to boast particularly strong lyrics in comparison to some of their other tracks. As I said, while there’s nothing specifically wrong with the single, I can’t escape the feeling that it’s just a bit of a weak offering from such a typically strong band.
You can check out the single for yourselves, and the official video, by clicking here.
Written by: Charlotte Barnes
Published: 26 October 2014
Animals popped up on YouTube about three weeks ago with an incredibly strange official video, which you can access here, and while there’s nothing specifically wrong with the track, it just seems to be lacking something for me.
Levine’s vocals are strong and distinctive, like they always are, although there is something undeniably whiney about the chorus of this song; a chorus that doesn’t even seem to boast particularly strong lyrics in comparison to some of their other tracks. As I said, while there’s nothing specifically wrong with the single, I can’t escape the feeling that it’s just a bit of a weak offering from such a typically strong band.
You can check out the single for yourselves, and the official video, by clicking here.
Written by: Charlotte Barnes
Published: 26 October 2014
throwback Thursday: PAul Simon - You Can Call Me Al
It’s been a little while since we had a Throwback Thursday in our music section, so I thought it was about time we re-introduced you guys to some classic, old school music. And it doesn’t get more classic than the 80s…
Admittedly, the first time I heard this song was as a cover performed by a band called Jasper in the Company of Others - we’ve reviewed them once or twice, so the name might ring a bell. After hearing the song at one of their gigs, I immediately searched online for the lyrics to try and find the original track and there it was, in all its cheesy glory, just waiting for me.
It’s cheesy, oh so cheesy in fact that words can’t even capture it! There is something about this song that just piles on the dancey-happy-vibes, which is exactly what everyone needs to push them through to the weekend. The catchy chorus boasts the lyrics ‘If you’ll be my bodyguard, I can be your long lost pal / I can call you Betty, and Betty when you call me, you can call me Al’. Try, just try and listen to this song all the way through without trying to sing that chorus at some point. I actually challenge you!
The song comes complete with a notably cringe-worthy music video, which you can also access by clicking here.
Written by: Charlotte Barnes
Published: 23 October 2014
Admittedly, the first time I heard this song was as a cover performed by a band called Jasper in the Company of Others - we’ve reviewed them once or twice, so the name might ring a bell. After hearing the song at one of their gigs, I immediately searched online for the lyrics to try and find the original track and there it was, in all its cheesy glory, just waiting for me.
It’s cheesy, oh so cheesy in fact that words can’t even capture it! There is something about this song that just piles on the dancey-happy-vibes, which is exactly what everyone needs to push them through to the weekend. The catchy chorus boasts the lyrics ‘If you’ll be my bodyguard, I can be your long lost pal / I can call you Betty, and Betty when you call me, you can call me Al’. Try, just try and listen to this song all the way through without trying to sing that chorus at some point. I actually challenge you!
The song comes complete with a notably cringe-worthy music video, which you can also access by clicking here.
Written by: Charlotte Barnes
Published: 23 October 2014
Single Review: B.o.B - Not For Long Feat. Trey Songz
Everybody is allowed their chart topping soft spot, even if most of the music on the charts these days has the manufactured sound of a Barbie doll. Well, I know who mine is and it is most definitely B.o.B (aka Bobby Ray). I don’t really think it’s hard to see why he’s my exception for chart music considering half of his debut singles on B.o.B presents: The Adventures of Bobby Ray were in fact chart topping in most countries worldwide!
So now we have this, the return to the B.o.B we know; the one who is a pop genius without wanting to tout his butt or his gun collection. And this is why I love him so much.
The song is characterised by the soft keyboard notes and this eludes a smooth flow to the track. This rounded sound is also emanated by Trey Songz’s very sweet sounding R&B influenced vocals on the chorus and B.o.B’s easy lyrics combine with effortless swagger to make it a really enjoyable listen. This is in contrast to his Underground Luxury album where most of the songs were typical, boring, mainstream hip-hop. This song is simple pop but B.o.B’s chart topping excellence always stands out from the crowd. This track is well produced, nothing too tricky and it works oh, so well. Thank God for this track that collects scraps from the previous record and puts it, deservedly, in the bin. Once again, he’s back to steal your girl and the charts. And it’s great.
The single is available for purchase on iTunes right now, and you can check out the Vice-City style video for the track by clicking here.
Written by: Teige Maddison
Published: 22 October 2014
So now we have this, the return to the B.o.B we know; the one who is a pop genius without wanting to tout his butt or his gun collection. And this is why I love him so much.
The song is characterised by the soft keyboard notes and this eludes a smooth flow to the track. This rounded sound is also emanated by Trey Songz’s very sweet sounding R&B influenced vocals on the chorus and B.o.B’s easy lyrics combine with effortless swagger to make it a really enjoyable listen. This is in contrast to his Underground Luxury album where most of the songs were typical, boring, mainstream hip-hop. This song is simple pop but B.o.B’s chart topping excellence always stands out from the crowd. This track is well produced, nothing too tricky and it works oh, so well. Thank God for this track that collects scraps from the previous record and puts it, deservedly, in the bin. Once again, he’s back to steal your girl and the charts. And it’s great.
The single is available for purchase on iTunes right now, and you can check out the Vice-City style video for the track by clicking here.
Written by: Teige Maddison
Published: 22 October 2014
Album Review: Jessie j - Sweet Talker
I've always been a fan of Jessie J, ever since Do It Like A Dude came out all those years ago. I still remember the shock of watching the music video and wondering who this crazy woman on my television screen was. Fast forward four years and that crazy woman isn't having such a great time. Her second album, Alive, didn't do as well as Who You Are, and she was quiet for a while... until she burst back into the world with the amazing Bang Bang. The song, which featured Ariana Grande and Nicki Minaj, flew across the world and gained so much momentum that it featured as one of the first songs at the VMAs this year. And so the world watched and waited for her album to be released. Does Sweet Talker live up to the hype?
The album starts off with the brilliant Ain't Been Done, which sees Jessie almost rapping a little, which is a surprise, but a pleasant one. Though the track is a little cliched, it's exactly the kind of message she wants to put out there; this album is going to be the one to put her back in front of the world. Plus, it has one of my personal favourite lyrics from the album; I'm so ill, you're gonna need a painkiller. Swiftly following this is Burnin' Up, which starts off slow before bursting into a mixture of steamy panting and clap beats, as well as a fiery feature from 2 Chainz. The song could quite possibly be the sexiest song Jessie has made, and that's not even the best of the album.
Jessie's always had a bit of swagger, and that comes through on Bang Bang, the first single from the album, which sees the singer talking about how he knows he 'want it', whilst Masterpiece, the single that was released just days before the album's release, speaks about how she hasn't quite made her Masterpiece just yet. Though it's not quite the lyrical masterpiece (pun intended) that it wants to be, it's quite ballsy.
However, the album is not perfect. There are some songs where Jessie's voice seems like it's fighting to be heard over the music, such as Fire, where she fights against a surging orchestra to be heard. At some points, she sounds like she's almost straining to be heard, like Loud, where her voice and Lindsey Stirling's violin seem to be in a deathmatch to the end.
Overall, though, Sweet Talker is a good return for the singer-songwriter and whilst she may have tripped a few times here, it's good to see her back on form.
Written by: Kasim Kaey
Published: 20 October 2014
The album starts off with the brilliant Ain't Been Done, which sees Jessie almost rapping a little, which is a surprise, but a pleasant one. Though the track is a little cliched, it's exactly the kind of message she wants to put out there; this album is going to be the one to put her back in front of the world. Plus, it has one of my personal favourite lyrics from the album; I'm so ill, you're gonna need a painkiller. Swiftly following this is Burnin' Up, which starts off slow before bursting into a mixture of steamy panting and clap beats, as well as a fiery feature from 2 Chainz. The song could quite possibly be the sexiest song Jessie has made, and that's not even the best of the album.
Jessie's always had a bit of swagger, and that comes through on Bang Bang, the first single from the album, which sees the singer talking about how he knows he 'want it', whilst Masterpiece, the single that was released just days before the album's release, speaks about how she hasn't quite made her Masterpiece just yet. Though it's not quite the lyrical masterpiece (pun intended) that it wants to be, it's quite ballsy.
However, the album is not perfect. There are some songs where Jessie's voice seems like it's fighting to be heard over the music, such as Fire, where she fights against a surging orchestra to be heard. At some points, she sounds like she's almost straining to be heard, like Loud, where her voice and Lindsey Stirling's violin seem to be in a deathmatch to the end.
Overall, though, Sweet Talker is a good return for the singer-songwriter and whilst she may have tripped a few times here, it's good to see her back on form.
Written by: Kasim Kaey
Published: 20 October 2014
Single of the Week: Fences - Arrows Feat. Macklemore and Ryan Lewis
I only found this song about half an hour ago, so it’s surely a solid compliment to the track that I’m introducing it as our Single of the Week to you guys. The track, Arrows, sees the dream team of Macklemore and Ryan Lewis team up with Fences, who I haven’t actually heard that much from, but rest assured after hearing this track, I’m certainly up for hearing a little more.
The track is a concoction of touching lyrics and gorgeous vocals from Fences, that are later undercut perfectly by the strong rap verses introduced by Macklemore. Fences chimes in with, ‘My old man kicked me out, kicked me out, when I told him that I live this way’ which introduces a strong and intriguing beginning for any track. The strength and defiant tone of the single ensures that it will be a firm favourite with listeners when it gets to be a little more mainstream, although it seems this track is destined to be a little lesser known for a while longer.
The single comes complete with a quirky little music video too, which you can access now by clicking here.
Written by: Charlotte Barnes
Published: 17 October 2014
The track is a concoction of touching lyrics and gorgeous vocals from Fences, that are later undercut perfectly by the strong rap verses introduced by Macklemore. Fences chimes in with, ‘My old man kicked me out, kicked me out, when I told him that I live this way’ which introduces a strong and intriguing beginning for any track. The strength and defiant tone of the single ensures that it will be a firm favourite with listeners when it gets to be a little more mainstream, although it seems this track is destined to be a little lesser known for a while longer.
The single comes complete with a quirky little music video too, which you can access now by clicking here.
Written by: Charlotte Barnes
Published: 17 October 2014
Album Review: Jessie Ware - Tough Love
Jessie Ware has quickly become one of my favourite artists right now. Though she's been around for a while (her debut album Devotion was released two years ago), I only stumbled onto her when Tough Love, the first single from her second album (also titled Tough Love), was released and I don't regret it. Ware's voice is beautiful and has a strange ethereal presence to it, something that is greatly reflected in this album.
First off the bat, we have Tough Love, a subtle pop anthem that sets the scene for the rest of the album. Ware's voice is subtle, too subtle some might say, but I quite like the feel it gives to the song. Unlike other pop singers, Ware doesn't sound like she's fighting against the instruments to be heard but, rather, she is one of the instruments and she's in complete union with them.
And that's really all I can say about the rest of the album. It's a late-night album, similar to Adele's 21, and will no doubt be listened to by many individuals who have just broken up with their respective partners. Say You Love Me, a single that was released before the album, was co-written by Ed Sheeran and though it might sound like a cash-grab, Ware's voice elevates it without even trying. Cruel laments, Sweetest Song is a sweet cry, Pieces is melancholic beauty.
Some might criticise the album for not being individual enough and that's not a surprise. Some of the lyrics here have been sung before in better songs, yes, but it's Ware's voice that gives this album life. In the hands of someone else, a lesser artist, the album might have fallen into the clichéd abyss, but here, it's simply beautiful.
Written by: Kasim Kaey
Published: 16 October 2014
First off the bat, we have Tough Love, a subtle pop anthem that sets the scene for the rest of the album. Ware's voice is subtle, too subtle some might say, but I quite like the feel it gives to the song. Unlike other pop singers, Ware doesn't sound like she's fighting against the instruments to be heard but, rather, she is one of the instruments and she's in complete union with them.
And that's really all I can say about the rest of the album. It's a late-night album, similar to Adele's 21, and will no doubt be listened to by many individuals who have just broken up with their respective partners. Say You Love Me, a single that was released before the album, was co-written by Ed Sheeran and though it might sound like a cash-grab, Ware's voice elevates it without even trying. Cruel laments, Sweetest Song is a sweet cry, Pieces is melancholic beauty.
Some might criticise the album for not being individual enough and that's not a surprise. Some of the lyrics here have been sung before in better songs, yes, but it's Ware's voice that gives this album life. In the hands of someone else, a lesser artist, the album might have fallen into the clichéd abyss, but here, it's simply beautiful.
Written by: Kasim Kaey
Published: 16 October 2014
Single of the Week: Meghan Trainor - All About That Bass
Meghan Trainor’s single, All About That Bass, first made an appearance to me on my Facebook newsfeed, of all places. A friend of mine shared the video; I listened, I enjoyed, and then I completely forgot about it. I know, it’s not exactly a glowing review for our Single of the Week track, but hear me out… I heard this track again earlier in the week on some music channel or another, and I’ve had it stuck in my head ever since, so it became an obvious choice for our top spot!
The track is frustratingly catchy. As Trainor belts out her lyrics, ‘Yeah, it’s pretty clear, I ain’t no size two / But I can shake it, shake it, like I’m supposed to do’ I just can’t help but sing along; I literally can’t stop myself. The body-positive track is littered with lyrics promoting a positive body image irrespective of size, and Trainor’s distinctive vocals just make it for me. The chorus hook ‘I’m all about that bass, no treble’ will stick with you, whether you want it to or not; it’s undoubtedly a track that will get stuck in your head, which is probably a contributing factor to why it’s soared through the charts in recent weeks!
The song comes complete with a cute music video that’s been collecting YouTube hits at an impressive rate recently as well! You can access that now by clicking here.
Written by: Charlotte Barnes
Published: 10 October 2014
The track is frustratingly catchy. As Trainor belts out her lyrics, ‘Yeah, it’s pretty clear, I ain’t no size two / But I can shake it, shake it, like I’m supposed to do’ I just can’t help but sing along; I literally can’t stop myself. The body-positive track is littered with lyrics promoting a positive body image irrespective of size, and Trainor’s distinctive vocals just make it for me. The chorus hook ‘I’m all about that bass, no treble’ will stick with you, whether you want it to or not; it’s undoubtedly a track that will get stuck in your head, which is probably a contributing factor to why it’s soared through the charts in recent weeks!
The song comes complete with a cute music video that’s been collecting YouTube hits at an impressive rate recently as well! You can access that now by clicking here.
Written by: Charlotte Barnes
Published: 10 October 2014
Album Review: Ella Henderson - Chapter One
I won't lie to you. I didn't know who Ella Henderson was until her song Ghost came out this summer and took the world by storm. So I Googled her and found out that she was an X-Factor contestant who was kicked out with six weeks to go to the finale... but she managed to pick up a contract based on the strength of her voice. If that isn't enough to convince you to listen to her album, then go listen to Ghost.
Debut albums are hard, but Henderson has managed to pull it off. Chapter One is filled from top to bottom with great songs. The album doesn't slump or slow down or go bad. It's just simply great.
Album opener Ghost is a winner, which is swiftly followed by Empire, which I guess is going to be a single sometime in the future because it is amazing. And then we have Glow, her second single, Mirror Man, Hard Work, Rockets, Pieces. Every song on this album is simply great.
Trust me, there is no wrong on this album whatsoever.
Written by: Kasim Kaey
Published: 9 October 2014
Debut albums are hard, but Henderson has managed to pull it off. Chapter One is filled from top to bottom with great songs. The album doesn't slump or slow down or go bad. It's just simply great.
Album opener Ghost is a winner, which is swiftly followed by Empire, which I guess is going to be a single sometime in the future because it is amazing. And then we have Glow, her second single, Mirror Man, Hard Work, Rockets, Pieces. Every song on this album is simply great.
Trust me, there is no wrong on this album whatsoever.
Written by: Kasim Kaey
Published: 9 October 2014
Cheryl Cole Releases Audio for new single!
Despite my personal dislike towards Cheryl Cole's single, Crazy Stupid Love, the song soared on the charts and now Cole has released another song from her fourth upcoming studio album, titled I Don't Care.
As the name suggests, I Don't Care sees Cole singing about how she doesn't seem to care about anything.
You can check out the audio for the track just below. Make sure you get in touch with us about this - we'd love to hear your thoughts on this latest single!
As the name suggests, I Don't Care sees Cole singing about how she doesn't seem to care about anything.
You can check out the audio for the track just below. Make sure you get in touch with us about this - we'd love to hear your thoughts on this latest single!
Written by: Kasim Kaey
Published: 6 October 2014
Published: 6 October 2014
Lorde Releases New Track, Yellow Flicker Beat!
Lorde is my all-time favourite new artist ever since she came out last year with her smash hit debut album, Pure Heroine. That album racked up hundreds of plays in my iTunes and continues to do so to this day. There's something just amazing about that 17 year old from New Zealand that fires me up, so when I heard that she was curating the soundtrack for The Hunger Games: Mockingjay Part 1, to say I was excited is an understatement and now she's released her own song for the film.
Yellow Flicker Beat, the name of the song, is as Lorde as Lorde can get. Filled with a haunting vibe, an awesome chorus, and synths whining around her, it's a fantastic song and really does encapsulate the mood of the third film.
Revolution is indeed coming.
You can check out the audio for the track by clicking here.
Written by: Kasim Kaey
Published: 1 October 2014
Yellow Flicker Beat, the name of the song, is as Lorde as Lorde can get. Filled with a haunting vibe, an awesome chorus, and synths whining around her, it's a fantastic song and really does encapsulate the mood of the third film.
Revolution is indeed coming.
You can check out the audio for the track by clicking here.
Written by: Kasim Kaey
Published: 1 October 2014
Sigma, with support from Justyce, Perform Live Set At Falmouth University for Freshers!
Are you a fresher? No? Doesn't matter! Do you like to party as if you don't have anything to do for the next week? Yes? Read on!
The usual reel of freshers week has started and, for most, is continuing to go on. With that in mind Cameron, one of half of the chart topping Sigma duo, played an incredible set at the Stannary at Falmouth university's Penryn campus last weekend. And boy, did he knock the place about! An enormous crowd of sweaty and intoxicated students hotly awaited their arrival on stage and so, though a little late (not like we cared), we exploded into over an hour's worth of throbbing drum and bass. Normally I am one to stay away from this genre but with these guys at the decks it was impossible to. They know how to get a place to party. Justyce hyped up the crowd with a great set of his own and continued to MC throughout the main act, but to be completely honest, he didn't need to be there.
Cameron decided to go all out with a set dominated by regular club beats interspersed with some of their original material and a couple of incredible remixes. The most memorable song of the night was most definitely 'Nobody to love', their first number one single since forming in 2006. Justyce had the crowd singing, Cameron had the crowd dancing. Not one person in the venue was not having a great time. This is testament to a new talent. Firstlly, for gripping someone who normally avoids the repetitiveness of this genre. And secondly because it brought the whole crowd to their feet! Adrenalin pumped like an iron bull through the veins of everyone and we all partied until the set came to a close. Exhausted, we trudged on to the next party.
To summarise: if you're a fan of proper music with lyrics and instrumentals stay away. But if you like party, even if you're normally dodging these guys, then it's still definitely worth getting on the net and getting tickets to the next Sigma concert. You will not regret it!
Written by: Teige Maddison
Published: 28 September 2014
The usual reel of freshers week has started and, for most, is continuing to go on. With that in mind Cameron, one of half of the chart topping Sigma duo, played an incredible set at the Stannary at Falmouth university's Penryn campus last weekend. And boy, did he knock the place about! An enormous crowd of sweaty and intoxicated students hotly awaited their arrival on stage and so, though a little late (not like we cared), we exploded into over an hour's worth of throbbing drum and bass. Normally I am one to stay away from this genre but with these guys at the decks it was impossible to. They know how to get a place to party. Justyce hyped up the crowd with a great set of his own and continued to MC throughout the main act, but to be completely honest, he didn't need to be there.
Cameron decided to go all out with a set dominated by regular club beats interspersed with some of their original material and a couple of incredible remixes. The most memorable song of the night was most definitely 'Nobody to love', their first number one single since forming in 2006. Justyce had the crowd singing, Cameron had the crowd dancing. Not one person in the venue was not having a great time. This is testament to a new talent. Firstlly, for gripping someone who normally avoids the repetitiveness of this genre. And secondly because it brought the whole crowd to their feet! Adrenalin pumped like an iron bull through the veins of everyone and we all partied until the set came to a close. Exhausted, we trudged on to the next party.
To summarise: if you're a fan of proper music with lyrics and instrumentals stay away. But if you like party, even if you're normally dodging these guys, then it's still definitely worth getting on the net and getting tickets to the next Sigma concert. You will not regret it!
Written by: Teige Maddison
Published: 28 September 2014
Album Review: The Script - No Sound With Silence
The Script have a definite sound to their songs, and that's not a bad thing. To be able to listen to a song and know exactly the band who sings it, regardless of which album that song has been taken from, indicates that the band has a distinct sound and is recognisable. However, given that The Script's lead singer, Danny O'Donoghue, has spoken about changing up the band's sound on their fourth album, it's a bit frustrating when you listen to it and hear the same sounds again.
Their fourth album, No Sound Without Silence, is filled with everything that The Script is made of; sweet nothings whispered over guitar plucking, stadium filling choruses that can be screamed by both band and audience alike, and messages of perseverance. So what, then, is the problem with the album?
It's boring. It all sounds the same and if I was to play any one of the songs from this new album, they wouldn't be distinguishable from one another. Each song seems to sound the same and just melts into one another, forming one long song with slightly different sounds here and there.
That's not to say that the band isn't talented or that swarms of their fans are going to buy their album, or that they're not going to fill stadiums with people screaming their lyrics. However, it does mean that after three albums which have distinctly different sounds to them whilst still remaining The Script-esque, it's disappointing that the band didn't experiment more. Instead, they diluted what makes them good and the result is something that I'll keep just for the sake of it.
Written by: Kasim Kaey
Published: 25 September 2014
Their fourth album, No Sound Without Silence, is filled with everything that The Script is made of; sweet nothings whispered over guitar plucking, stadium filling choruses that can be screamed by both band and audience alike, and messages of perseverance. So what, then, is the problem with the album?
It's boring. It all sounds the same and if I was to play any one of the songs from this new album, they wouldn't be distinguishable from one another. Each song seems to sound the same and just melts into one another, forming one long song with slightly different sounds here and there.
That's not to say that the band isn't talented or that swarms of their fans are going to buy their album, or that they're not going to fill stadiums with people screaming their lyrics. However, it does mean that after three albums which have distinctly different sounds to them whilst still remaining The Script-esque, it's disappointing that the band didn't experiment more. Instead, they diluted what makes them good and the result is something that I'll keep just for the sake of it.
Written by: Kasim Kaey
Published: 25 September 2014
Single Review: Hozier - Take Me To Church
Hozier’s Take It To Church is hanging around at the back end of the UK Top 40 right now and I can’t work out why. The single, riddled with religious imagery and stunning vocals, is bringing a unique sound to the chart that peals back the special effects being used by other artists and instead pulls out good lyrics, good vocals, and ultimately a brilliant song.
The stunning track has a gospel feel to it through the simple instrumentals and accompanying backing singers, all of which kicks into something more forceful as the vocalist belts out ‘Take me to church / I’ll worship like a dog at the shrine of your lies / I’ll tell you my sins so you can sharpen your knife’. As Hozier uses religious ideals to discuss a man’s relationship with, what seems to be, a destructive woman, there are some incredibly powerful lyrics appearing in this track and to me, it’s just stunning.
The video comes complete with an equally hard-hitting video that has been collecting hits on YouTube for some time now, and is available for you to watch by clicking here.
Written by: Charlotte Barnes
Published: 22 September 2014
The stunning track has a gospel feel to it through the simple instrumentals and accompanying backing singers, all of which kicks into something more forceful as the vocalist belts out ‘Take me to church / I’ll worship like a dog at the shrine of your lies / I’ll tell you my sins so you can sharpen your knife’. As Hozier uses religious ideals to discuss a man’s relationship with, what seems to be, a destructive woman, there are some incredibly powerful lyrics appearing in this track and to me, it’s just stunning.
The video comes complete with an equally hard-hitting video that has been collecting hits on YouTube for some time now, and is available for you to watch by clicking here.
Written by: Charlotte Barnes
Published: 22 September 2014
Single of the Week: Fall out Boy - Centuries
There’s no two ways of saying it: I love Fall Out Boy. After their hiatus the lads came back bigger and better with an even more brilliant sound, releasing a string of successful singles from their comeback album, Save Rock and Roll. And now it seems that there’s a follow-up album in the works! This latest album will be the sixth studio album from the band and, while it remains untitled at present, the band have delivered their single from the upcoming release and - no surprise here - I absolutely love it…
The latest track, titled Centuries, sees Stump’s steadfast vocals boast ’Some legends are told / Some turn to dust or to gold / But you will remember me / Remember me, for centuries’. The self-assured track comes complete with some gritty instrumentals that suit the confident tone of the lyrics, providing a neat sample of the type of music we’ve come to expect from these guys over the years. This is definitely a taste of an evolving-Fall Out Boy, and while they might be a long way away from that Cork Tree we all fell in love with those years ago, there’s no denying that they’ve created a current track with this latest offering.
It seems there are some controversial comments floating about online about the track already, with many fans claiming the boys have somehow ‘sold out’ - the universal chant made by fans everywhere when a band changes their sound. Whether they’ve sold out or not, Fall Out Boy are re-establishing themselves as a firm favourite amongst newer bands, and we happen to like what they’re doing!
Make sure you check out the official video for the track by clicking here.
Written by: Charlotte Barnes
Published: 19 September 2014
The latest track, titled Centuries, sees Stump’s steadfast vocals boast ’Some legends are told / Some turn to dust or to gold / But you will remember me / Remember me, for centuries’. The self-assured track comes complete with some gritty instrumentals that suit the confident tone of the lyrics, providing a neat sample of the type of music we’ve come to expect from these guys over the years. This is definitely a taste of an evolving-Fall Out Boy, and while they might be a long way away from that Cork Tree we all fell in love with those years ago, there’s no denying that they’ve created a current track with this latest offering.
It seems there are some controversial comments floating about online about the track already, with many fans claiming the boys have somehow ‘sold out’ - the universal chant made by fans everywhere when a band changes their sound. Whether they’ve sold out or not, Fall Out Boy are re-establishing themselves as a firm favourite amongst newer bands, and we happen to like what they’re doing!
Make sure you check out the official video for the track by clicking here.
Written by: Charlotte Barnes
Published: 19 September 2014
Ep Review: Jasper In The Company of OThers - Kind Regards
Jasper In The Company Of Others have been winning the hearts of listeners for some time now, and when you hear their happy-funky-folky sounds, it’s easy to see why. They recently pleased fans with their latest single, Between The Lines, which you can check out on YouTube by clicking here, and last weekend they pleased us all again with the arrival of their new EP, Kind Regards.
The now five-piece band performed a gig last Saturday night at The Marr’s Bar, Worcester, to officially announce the arrival of their four-track release, which is nothing short of bloody marvellous. Kind Regards sports the aforementioned single Between The Lines, sandwiched in amongst three other brilliant tracks that serve up a mixture of sincere emotion and summer sounds that make for a promising release from these budding musicians.
Waiting for the Weekend, the opening track from the EP, might sound mellow to begin with, but fear not, you’ll be on your feet before the first minute is out. The lads have left the mellow sounds for their second track, Something In The Water, that sees gentle instrumentals supporting easy-on-the-ears vocals. A particular strength of the track is that it allows more folksy sounds to come through, especially given that the violin - the latest addition to the band - is really laid bare here, allowing you to see how much it contributes to the band, and how well it really works. Passive Smoke finishes off the EP with a medley of sounds! In a similar strand to their opening track, the strong starts of slowly with things being kicked up a notch about 30 seconds in when the song suddenly takes on a much livelier tone.
After following these guys for some time now, it’s refreshing to hear them developing their sound so much, with each track bringing a different sound and skill to the table. As always, JITCOO have ticked all the boxes, bringing lovely vocals, amazing instrumentals, and truly touching lyrics to this little release, which has no doubt left fans eager for another full-length release - something that we’ll hopefully be seeing from them in the future.
Kind Regards is available to buy from iTunes as of today.
Written by: Charlotte Barnes
Published: 15 September 2014
The now five-piece band performed a gig last Saturday night at The Marr’s Bar, Worcester, to officially announce the arrival of their four-track release, which is nothing short of bloody marvellous. Kind Regards sports the aforementioned single Between The Lines, sandwiched in amongst three other brilliant tracks that serve up a mixture of sincere emotion and summer sounds that make for a promising release from these budding musicians.
Waiting for the Weekend, the opening track from the EP, might sound mellow to begin with, but fear not, you’ll be on your feet before the first minute is out. The lads have left the mellow sounds for their second track, Something In The Water, that sees gentle instrumentals supporting easy-on-the-ears vocals. A particular strength of the track is that it allows more folksy sounds to come through, especially given that the violin - the latest addition to the band - is really laid bare here, allowing you to see how much it contributes to the band, and how well it really works. Passive Smoke finishes off the EP with a medley of sounds! In a similar strand to their opening track, the strong starts of slowly with things being kicked up a notch about 30 seconds in when the song suddenly takes on a much livelier tone.
After following these guys for some time now, it’s refreshing to hear them developing their sound so much, with each track bringing a different sound and skill to the table. As always, JITCOO have ticked all the boxes, bringing lovely vocals, amazing instrumentals, and truly touching lyrics to this little release, which has no doubt left fans eager for another full-length release - something that we’ll hopefully be seeing from them in the future.
Kind Regards is available to buy from iTunes as of today.
Written by: Charlotte Barnes
Published: 15 September 2014
Single Review: Sigma - Changing Feat. Paloma Faith
It’s Monday morning, so naturally I’m spending more time than necessary flicking through new music to introduce to you guys! Well, thanks to Sigma, it hasn’t exactly been a difficult search. Following on from the hit Nobody To Love, Sigma have now team up with the stunning Paloma Faith for their latest single, Changing, which is already available online for your listening pleasure.
I was under the impression that the summer hits were on their way out, but Sigma seem to have proved me wrong with this track. The upbeat meddly of club sounds that alter repeatedly throughout the track to accommodate the changing but - no surprise here - distinct vocals of Faith work to make an exceptionally dancy track that will no doubt be featuring on club playlists in the near future - assuming it isn’t there already. The choir kicks in to close the track giving the single an ending that’s as strong as its opener; and, in case you can’t tell from the glowing review, giving me a favourite new song…
The official video has been made available on YouTube, and you can access that by clicking here, but unfortunately you’ve got a little while to wait before the single is officially released.
Written by: Charlotte Barnes
Published: 8 September 2014
I was under the impression that the summer hits were on their way out, but Sigma seem to have proved me wrong with this track. The upbeat meddly of club sounds that alter repeatedly throughout the track to accommodate the changing but - no surprise here - distinct vocals of Faith work to make an exceptionally dancy track that will no doubt be featuring on club playlists in the near future - assuming it isn’t there already. The choir kicks in to close the track giving the single an ending that’s as strong as its opener; and, in case you can’t tell from the glowing review, giving me a favourite new song…
The official video has been made available on YouTube, and you can access that by clicking here, but unfortunately you’ve got a little while to wait before the single is officially released.
Written by: Charlotte Barnes
Published: 8 September 2014
Single Review: Farra - Spotlights
The Brighton based Glam-Rock band Farra have produced a startlingly thumping and catchy song to be cast as their first single under their new incarnation. Previously known as Joywride,supporting acts such as Jessie J and Olly Murs, they superficially scratched the surface of the success that they are bound to have.
Spotlights is characterised by its heavy bumping bass beat reflected in the regular rhythm of lead vocalist Ollie Wride (hence their previous name Joywride). This regular medium beat follows through the rest of the song but the light keyboard evident throughout stars the song with a catchy melody. Despite their almost poppy status as a Glam-Rock band, there is a poetic twang in the lyrics mostly evident with 'you think you're walking like a solider/but you're floating out to sea'. This, along with their original material construction, distinguishes them from the rest of their producer dominated genre, such as the likes of Maroon 5.
With this astronomically-named first single catapulted them into, pardon the irony, a brand new spotlight in the Glam-Rock genre, it seems to me that this band is on their way to squishing their competition and showing originality is the real key to success!
Head over to YouTube now to check out the audio and the official music video for the track.
Written by: Teige Maddison
Published: 5 September 2014
Spotlights is characterised by its heavy bumping bass beat reflected in the regular rhythm of lead vocalist Ollie Wride (hence their previous name Joywride). This regular medium beat follows through the rest of the song but the light keyboard evident throughout stars the song with a catchy melody. Despite their almost poppy status as a Glam-Rock band, there is a poetic twang in the lyrics mostly evident with 'you think you're walking like a solider/but you're floating out to sea'. This, along with their original material construction, distinguishes them from the rest of their producer dominated genre, such as the likes of Maroon 5.
With this astronomically-named first single catapulted them into, pardon the irony, a brand new spotlight in the Glam-Rock genre, it seems to me that this band is on their way to squishing their competition and showing originality is the real key to success!
Head over to YouTube now to check out the audio and the official music video for the track.
Written by: Teige Maddison
Published: 5 September 2014
Single Review: Lilly Wood & The Prick and Robin Schulz - Prayer in C (Remix)
I’m a bit rubbish at keeping up with mainstream music; the UK Top 40 doesn’t usually have much in it that will catch my ear. However, when skimming through new tracks this morning, the latest number one instantly sounded much more promising than usual…
Lilly Wood & The Prick and Robin Schulz released their track Prayer in C (Remix) on YouTube viewers a few months ago and, with over 22 millions views of the official video, it’s clear to see that the track has definitely been a hit since it first appeared on the scene. Why it’s only just made its way on to the number one spot in the charts, I have no idea, but I’m certainly glad that it has.
Coming in on the back of summer time smash hits, the track is a mixture of eerie acoustics and gentle club-style sounds that certainly make for easy listening. The vocals, that I’m assuming are provided by Lilly Wood, are perfectly matched to the instrumentals, with both emanating a calm tone and feel which is cranked up a little halfway through the track.
A solid track to establish themselves on the music scene, Prayer in C is likely to be around for a while longer and I’m sure we’ll be seeing a few remixes of this in the near future too.
Make you sure you head over to YouTube and check out the track for yourselves.
Written by: Charlotte Barnes
Published: 1 September 2014
Lilly Wood & The Prick and Robin Schulz released their track Prayer in C (Remix) on YouTube viewers a few months ago and, with over 22 millions views of the official video, it’s clear to see that the track has definitely been a hit since it first appeared on the scene. Why it’s only just made its way on to the number one spot in the charts, I have no idea, but I’m certainly glad that it has.
Coming in on the back of summer time smash hits, the track is a mixture of eerie acoustics and gentle club-style sounds that certainly make for easy listening. The vocals, that I’m assuming are provided by Lilly Wood, are perfectly matched to the instrumentals, with both emanating a calm tone and feel which is cranked up a little halfway through the track.
A solid track to establish themselves on the music scene, Prayer in C is likely to be around for a while longer and I’m sure we’ll be seeing a few remixes of this in the near future too.
Make you sure you head over to YouTube and check out the track for yourselves.
Written by: Charlotte Barnes
Published: 1 September 2014
Album Review: Ariana Grande - My Everything
Ariana Grande, the small woman with the powerful voice, has slowly been releasing tracks over the past few weeks in order to prepare us mere mortals for her second album, My Everything. Her first album, released in 2013, named Yours Truly, was a hit and it was no surprise as to why. Grande has powerful vocals and her first album was terrific, all grown up and no fuss. Despite this, she wasn't a household name until she released Problem, a great single that not only featured Grande's amazing voice but featured Iggy Azalea, which bolstered the track quite a bit. Following that single was Break Free, another great song which came with a great campy music video which showed the star firing rockets out of her breasts at extra terrestrials. And all this was simply hype for her upcoming album.
So now that it's here, is it good? It's a question that's impossible to answer in one of two words, yes or no, because there are parts that are good and there are parts that aren't. It's clear that Grande wanted to change up her sound; both Problem and Break Free have a pop sound to them, the latter more so than the former, and her album achieves that but it's by achieving what it wants that it loses out.
The album, filled with 12 tracks, one of which is a strange intro, is filled with pop tracks that will undoubtedly be a hit with the younger generation. But Grande loses her personality along with it. Songs such as One Last Time, Best Mistake, and A Little Bit Of Your Heart are lost inside the album, given that they all pretty much sound the same.
However, Why Try shows off Grande's vocal range, whilst the aforementioned Problem and Break Free are great songs. Love Me Harder has a surprise cameo from The Weeknd which lifts the song, and Break Your Heart Right Back is pretty much as good as it gets.
The good doesn't outweigh the bad here, however. Instead, they both seem to equal one another and Grande is lost in all the confusion. It's a shame that her second album seems so confused, because her first was absolutely brilliant and Grande really does have a great voice. She just needs to focus on showing that off more, rather than attempting to change her sound for success.
Written by: Kasim Kaey
Published: 28 August 2014
So now that it's here, is it good? It's a question that's impossible to answer in one of two words, yes or no, because there are parts that are good and there are parts that aren't. It's clear that Grande wanted to change up her sound; both Problem and Break Free have a pop sound to them, the latter more so than the former, and her album achieves that but it's by achieving what it wants that it loses out.
The album, filled with 12 tracks, one of which is a strange intro, is filled with pop tracks that will undoubtedly be a hit with the younger generation. But Grande loses her personality along with it. Songs such as One Last Time, Best Mistake, and A Little Bit Of Your Heart are lost inside the album, given that they all pretty much sound the same.
However, Why Try shows off Grande's vocal range, whilst the aforementioned Problem and Break Free are great songs. Love Me Harder has a surprise cameo from The Weeknd which lifts the song, and Break Your Heart Right Back is pretty much as good as it gets.
The good doesn't outweigh the bad here, however. Instead, they both seem to equal one another and Grande is lost in all the confusion. It's a shame that her second album seems so confused, because her first was absolutely brilliant and Grande really does have a great voice. She just needs to focus on showing that off more, rather than attempting to change her sound for success.
Written by: Kasim Kaey
Published: 28 August 2014
Ben Howard Confirms Rumours of a New Album
Ben Howard is one of my favourite indie singers, so it's a shame that he only has one album, a problem that is soon to be rectified...
Howard has announced details of his upcoming second album, to be titled I Forget Where We Were, which will be released on October 20th, as well as releasing his first single. The single, which is also titled I Forget Where We Were, is available online now, and you can check out the official audio just below. Written by: Kasim Kaey
Published: 22 August 2014 Iggy Azalea Releases New Music Video With Rita Ora
After teasing us with a short clip of her new music video recently, Iggy Azalea has unleashed the entirety of the video upon us to feast our eyes upon.
In a move that's going to split the internet wide open, as Iggy is prone to do, the music video for her latest single lifted from her debut album, The New Classic, titled Black Widow, takes on a rather Quentin Tarantino vibe. Well, that's putting it a little nicely; the music video lifts its visual from Tarantino's brilliant Kill Bill films as it sees both Iggy and Rita Ora, who features in the song, taking on assassinations, clad in tight fitting suits, and brandishing swords. Check out the official video for the track by clicking here. Written by: Kasim Kaey Published: 22 August 2014 Apparently, Hilary Duff is trying to make a comeback!
Hilary Duff is making a comeback and, following her first single Chasing The Sun, she's released the audio for her second single, titled All About You.
The song, which is unfortunately rather short at just under two minutes, sees the singer singing about how she's all in it; 'Think you're all about me but I'm all about you.' The track has been lifted from Duff's upcoming fifth studio album, which follows her fourth, titled Dignity, which was released in 2007. Check out the audio for the track by clicking here. Written by: Kasim Kaey Published: 20 August 2014 Iggy Azalea Releases Teaser for Upcoming Single
Like it or not, Iggy Azalea is here to stay and it seems that she's finally ready to reveal her latest music video. Or, rather, a teaser to the music video that still doesn't have a release date.
The music video is for her latest single from her debut album, The New Classic, entitled Black Widow. The song, which features Rita Ora, sees Azalea spitting lyrics about how she just doesn't need a relationship. As for the teaser, it shows two heavily shadowed dancers dancing against a purple background, who could possible be Ora and Azalea, but who's to know. Check out the teaser by clicking here. Written by: Kasim Kaey Published: 16 August 2014 |
Taylor Swift Announces new album and new single!
Taylor Swift, America's sweetheart, has just announced that she's releasing a new music album, which will take her from country to pop, titled 1989. The album, which will be released on October 27th, is a departure from all her other albums in terms of genre and, to show us just what that means, Swift released her first single from the album, with an accompanying music video.
The song, called Shake It Off, sees Swift singing about how there are a lot of misconceptions about her in the public view and how she really just doesn't care. The music video that comes with it is a bit more interesting as it sees Swift dancing along to different groups of people; ballerinas, hip-hop dancers, and cheerleaders. She is even seen tweking alongside other women (which has thrown the internet into crazy-town yet again). You can check out the new music video now by clicking here. Written by: Kasim Kaey Published: 22 August 2014 Nicki Minaj Reveals Full Video for New Track, Anaconda
And so it arrives. After teasing us with a short 15-second teaser of the video, as well as images from it, Nicki Minaj has graced us with the music video for her latest single, Anaconda, and boy, it is just a greater form of art really.
The video shows us Minaj, along with four other women, twerking (a word which here means shaking their butt) in the jungle, in a strange gym room where Minaj is the teacher, on chairs. Basically, everywhere really. However, the high moment of the video is the end, where Minaj is seen giving Drake a lap dance whilst he sits on a chair and simply watches her do her thing. The scene is both comical and strange at the same time, especially when Minaj walks away after Drake tries to touch her. The video is available to watch online right now. Written by: Kasim Kaey Published: 22 August 2014 Jessie Ware Releases New Single, Say You Love Me
Jessie Ware has released the audio for her latest single, Say You Love Me, lifted from her second album, titled Tough Love. The song, which will be released for purchase on September 29th, 2014, follows her first single, Tough Love.
Say You Love Me has a strangely beautiful sound that discards the traditional pop song equation in lieu of something better. Ware's voice is beautiful, as always, and though the lyrics aren't as innovative as one might hope, the song truly demands to be repeated. Listen to the audio here. Written by: Kasim Kaey Published: 20 August 2014 Ella Henderson Releases New Single and Video!
Ella Henderson has released both the audio for her new song and a music video to go along with it. Her new song, titled Glow, follows her first single, Ghost, from her debut album Chapter One. Ghost was a great pop song that took the nation by storm and stands as one of my favourite tracks currently.
As for Glow, the song follows Henderson's first, with a strange supernatural feel to it. Henderson's vocals are pretty great on the track and it really has quite a powerful sound to it, especially during the chorus. The music video that accompanies the song shows Henderson singing on the edge of a forest as a group of dancing youths make their way towards a city in the distance. Watch the music video here. Written by: Kasim Kaey Published: 16 August 2014 |
Beyonce and Nicki Minaj Release Surprise Song!
If you were wondering why Nicki Minaj's much spoken about single Anaconda was delayed by a week, you'll find that the answer lies in a song released by Minaj and Beyonce. That's right; Beyonce has teamed up with Minaj and released the remix to Flawless, a song from her new album BEYONCE, with no prior announcement.
The song, which can be found at flawless.beyonce.com, sees Beyonce singing most of the lyrics and most of the song talks about how flawless she is compared to other women. However, the interesting part of the song comes when Beyonce states 'Of course sometimes shit go down when there's a billion dollars on an elevator' after which she laughs. It's no secret what she's talking about. The infamous video featuring Jay-Z and Beyonce's sister Solange fighting in an elevator has been watched many times.
As for Minaj, she's back in full flow towards the end of the song, spitting lyrics in the same theme as Beyonce. 'It's every hood nigga dream, fantasising about Nicki and B'.
Written by: Kasim Kaey
Published: 12 August 2014
The song, which can be found at flawless.beyonce.com, sees Beyonce singing most of the lyrics and most of the song talks about how flawless she is compared to other women. However, the interesting part of the song comes when Beyonce states 'Of course sometimes shit go down when there's a billion dollars on an elevator' after which she laughs. It's no secret what she's talking about. The infamous video featuring Jay-Z and Beyonce's sister Solange fighting in an elevator has been watched many times.
As for Minaj, she's back in full flow towards the end of the song, spitting lyrics in the same theme as Beyonce. 'It's every hood nigga dream, fantasising about Nicki and B'.
Written by: Kasim Kaey
Published: 12 August 2014
EP Review: mStork - The Crux
Cast your minds back a month or two, to when we introduced you to the unique musical style of mStork. You remember him? He dropped his first single, Rapman Canchop, a little while a go now, and it’s been causing a stir on the music scene since. The single, which you can listen to by clicking here, is an intricate blend of sounds that finishes up somewhere between spoken word and hip-hop, and the same can be said of mStork’s full EP, which is being released tomorrow.
The five-track release opens with Rapman Canchop before going into the more eerie-sounding title track of the EP, The Crux. Introducing a new sound, with strong vocals from mStork - as if you’d expect anything less - the track certainly brings with it a darker tone than the first single we heard, offering an intriguing layer to mStork that I hadn’t seen before.
Going Down, the next track from the EP, brings something different again. A theme for this EP, it seems mStork has no problem in showing people how diverse his music is! Quite possibly my favourite track from the whole release, Going Down feels like a particularly accessible, easy-on-the-ears track that I’ll definitely have on repeat for a while over the weekend.
The beauty of this EP is that it manages to show the different sides to this artist, and while his lyrical skills hang steady from one track to the next - with a distinctive tone that makes mStork identifiable from one line in - the instrumentals that weave throughout the release push different tones and attitudes in the music too, which I really appreciated. Abyss, like The Crux, had an eerie tone for me again which I enjoyed, but probably not as much as I enjoyed Whats The Matter, the final track. I’ll actually be surprised if this last track from the release doesn’t gain mStork a lot of attention; it’s a strong track with brilliant instrumentals and solid lyrics, offering a quality close to the EP.
If you’re enjoying mStork’s music, then you’ll be interested to know that you can actually catch him live in Birmingham tomorrow! The big day kicks off with a film showing at MAC in Birmingham, where you can see mStork take on the role of the villain in the Quickener film. After that you’ll be able to catch mStork performing alongside his band at Night Owl, Moseley from 8pm onwards. With this exciting artist causing stirs on the music scene at the minute, you don’t want to miss this chance to see the man in person.
Don’t forget to check out mStork’s first single, Rapman Canchop, by clicking here.
Written by: Charlotte Barnes
Published: 8 August 2014
The five-track release opens with Rapman Canchop before going into the more eerie-sounding title track of the EP, The Crux. Introducing a new sound, with strong vocals from mStork - as if you’d expect anything less - the track certainly brings with it a darker tone than the first single we heard, offering an intriguing layer to mStork that I hadn’t seen before.
Going Down, the next track from the EP, brings something different again. A theme for this EP, it seems mStork has no problem in showing people how diverse his music is! Quite possibly my favourite track from the whole release, Going Down feels like a particularly accessible, easy-on-the-ears track that I’ll definitely have on repeat for a while over the weekend.
The beauty of this EP is that it manages to show the different sides to this artist, and while his lyrical skills hang steady from one track to the next - with a distinctive tone that makes mStork identifiable from one line in - the instrumentals that weave throughout the release push different tones and attitudes in the music too, which I really appreciated. Abyss, like The Crux, had an eerie tone for me again which I enjoyed, but probably not as much as I enjoyed Whats The Matter, the final track. I’ll actually be surprised if this last track from the release doesn’t gain mStork a lot of attention; it’s a strong track with brilliant instrumentals and solid lyrics, offering a quality close to the EP.
If you’re enjoying mStork’s music, then you’ll be interested to know that you can actually catch him live in Birmingham tomorrow! The big day kicks off with a film showing at MAC in Birmingham, where you can see mStork take on the role of the villain in the Quickener film. After that you’ll be able to catch mStork performing alongside his band at Night Owl, Moseley from 8pm onwards. With this exciting artist causing stirs on the music scene at the minute, you don’t want to miss this chance to see the man in person.
Don’t forget to check out mStork’s first single, Rapman Canchop, by clicking here.
Written by: Charlotte Barnes
Published: 8 August 2014
Katy Perry Reveals New Music Video, This Is How We Do
The fact that Katy Perry's video for Dark Horse has been the most watched music video this year hasn't stopped her from moving forward. Perry has released a music video for her latest single from her latest album, Prism, titled This Is How We Do.
The music video features colourful imagery that shows Perry holding certain food items, such as watermelons, pretending to drive a car, sitting on a hand receiving a manicure. There's even an image of twerking ice cream so I guess there's something for everyone here. Check out the new video by clicking here. Written by: Kasim Kaey Published: 3 August 2014 |
Audio for Maroon 5's New Single Has bEen Released!
A new song from Maroon 5's upcoming album, titled V, has released online and sees singer Adam Levine singing about crossing the line from friends to lovers.
Levine croons over the song, singing about crossing the line as his 'heart wasn't satisfied' because he wasn't with 'hazel eyes'; 'Hazel eyes, I was so colour blind/ We were just wasting time/ For my whole life we never crossed the line/ Only friends in my mind/ But now I realise/ It was always you.' The new track is quite different from their first single, Maps, which was released a few weeks ago. However, this is to be expected as Levine himself stated that the sounds on the album are to be different. Listen to the audio for the track by clicking here. Written by: Kasim Kaey Published: 3 August 2014 |
Jessie J, Ariana Grande and Nicki Minaj Team up for new track!
You couldn't envisage three more different women than Jessie J, Ariana Grande, and Nicki Minaj. And yet, now they have one thing in common; Bang Bang, a song sung by all three of them.
Bang Bang is a pop song through and through which features all three leading ladies singing a singular verse each. The song itself is about how you can't find anyone else better than them and given that the song is quite good, I'm hard pressed to find an argument against that statement.
Bang Bang is the lead single from Jessie J's upcoming album, and will also be featured on the deluxe version of Ariana Grande's upcoming album, My Everything.
Check out the new track by clicking here.
Written by: Kasim Kaey
Published: 1 August 2014
Bang Bang is a pop song through and through which features all three leading ladies singing a singular verse each. The song itself is about how you can't find anyone else better than them and given that the song is quite good, I'm hard pressed to find an argument against that statement.
Bang Bang is the lead single from Jessie J's upcoming album, and will also be featured on the deluxe version of Ariana Grande's upcoming album, My Everything.
Check out the new track by clicking here.
Written by: Kasim Kaey
Published: 1 August 2014
Single Review: George Ezra - Cassy O'
I honestly don’t know why I don’t have more George Ezra in my life, because every time I hear one of his songs I’m faced with the immediate and undying desire to put it on repeat for about an hour. That’s exactly the feeling I suffered this morning when I was skimming through YouTube and I stumbled across his track Cassy O’, which I just had to share with you guys.
The single comes complete with Ezra’s upbeat instrumentals, with the official music video for the track sporting Ezra with his trusty guitar, which we can assume is responsible for most of the catchy music this young star produces. Alongside the music itself are his distinctive vocals that are, once again, rough-around-the-edges in all the right places making them so unique to this artist. I genuinely believe you can spot a George Ezra song ten seconds in without needing anything more than the opening beat!
It might have been floating around YouTube for some time now, but Cassy O’ is another solid single from this youngster, adding to his portfolio of impressive tracks. It also comes complete with a cute little music video which you can check out for yourselves by clicking here!
Written by: Charlotte Barnes
Published: 29 July 2014
The single comes complete with Ezra’s upbeat instrumentals, with the official music video for the track sporting Ezra with his trusty guitar, which we can assume is responsible for most of the catchy music this young star produces. Alongside the music itself are his distinctive vocals that are, once again, rough-around-the-edges in all the right places making them so unique to this artist. I genuinely believe you can spot a George Ezra song ten seconds in without needing anything more than the opening beat!
It might have been floating around YouTube for some time now, but Cassy O’ is another solid single from this youngster, adding to his portfolio of impressive tracks. It also comes complete with a cute little music video which you can check out for yourselves by clicking here!
Written by: Charlotte Barnes
Published: 29 July 2014
OneRepublic Release Snippet of Track for The Giver movie!
OneRepublic have released a new music video for their new song, Ordinary Human, which seems to have been penned for upcoming film, The Giver.
The music video, which is a short minute and a half, has the audio playing over scenes from The Giver, as well as Meryl Streep stating that 'Jonas has become dangerous'. The new scenes show the black-and-white images against the colour images that Jonas starts to see as he gains memories about the world.
You can check out this sample video just below.
The music video, which is a short minute and a half, has the audio playing over scenes from The Giver, as well as Meryl Streep stating that 'Jonas has become dangerous'. The new scenes show the black-and-white images against the colour images that Jonas starts to see as he gains memories about the world.
You can check out this sample video just below.
Written by: Kasim Kaey
Published: 28 July 2014
Published: 28 July 2014
Single of the Week: Oliver Heldens x Becky hill - Gecko (Overdrive)
I am hearing this song absolutely everywhere this week, and the more I hear it, the more I like it; so it makes perfect sense for this track to sky-rocket into our Single of the Week spot for this week. This latest heat wave across the UK seems to be bringing with it some late-comers to the summer play list, and this track is definitely a fine example of that. Okay, the video might be a little weird, but the track is just what you need to get you in the mood for the weekend…
Oliver Heldens X Becky Hill dropped the video for Gecko (Overdrive) on YouTube back in May, and it’s been tallying up more and more hits on a daily basis since then. It’s already got itself a staggering amount of remixes, but the original track, with a strong club bassline, good vocals, and catchy lyrics - ‘I can’t stop this feeling baby, only you can make me come alive’ - is just as good as any remix you’ll find. I’m predicting this will be infiltrating nightclubs everywhere over the coming months, and that’s assuming that it hasn’t already.
I’ve already warned you guys against the video, which features some tentacle-wielding woman (I’m not even lying), but the track itself is definitely worth a listen! The perfect song to kick off your weekend, and you can take a listen for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 25 July 2014
Oliver Heldens X Becky Hill dropped the video for Gecko (Overdrive) on YouTube back in May, and it’s been tallying up more and more hits on a daily basis since then. It’s already got itself a staggering amount of remixes, but the original track, with a strong club bassline, good vocals, and catchy lyrics - ‘I can’t stop this feeling baby, only you can make me come alive’ - is just as good as any remix you’ll find. I’m predicting this will be infiltrating nightclubs everywhere over the coming months, and that’s assuming that it hasn’t already.
I’ve already warned you guys against the video, which features some tentacle-wielding woman (I’m not even lying), but the track itself is definitely worth a listen! The perfect song to kick off your weekend, and you can take a listen for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 25 July 2014
The Script Reveal Audio for New Single, Superheroes
The Script have released the audio for their upcoming single from their fourth studio album, No Sound Without Silence. The single, titled Superheroes, is an empowering anthem that is completely and utterly a stadium filler.
The song, as evidenced by the title, sees singer Danny O'Donoghue singing about saving the world; 'She's stronger than you know/ A heart of steel starts to grow.' Check out the official audio for the track by clicking here. Superheroes has a release date of August 31st, 2014, with the album following on September 15th, 2014. Written by: Kasim Kaey Published: 23 July 2014 |
Bastille Unveil Music Video For latest Single Release
Bastille announced that their new single from their album Bad Blood would be Oblivion, the sombre song about time and death, and now they've released a music video to go along with it.
The music video stars Sophie Turner, from Game of Thrones, performing the track at an American motor race, before she gets into one of the vehicles itself. At first, the track doesn't fit well with both Turner and the imagery itself, but as the music video wears on, there's a haunting beauty about what's being shown on screen. Check out the music video now by clicking here. Written by: Kasim Kaey Published: 23 July 2014 |
Single Review: G.R.l - Ugly Heart
It seems like there’s one catchy single after the next coming through the Mad Hatter Reviews’ inbox these days, and the latest one to catch our ears is Ugly Heart by G.R.L. The five-piece girl group have smashed onto the music scene with their off-the-wall fashion, their feisty attitudes, and this upbeat little number that is collecting YouTube hits from all over the world as we speak.
The official video for the track was released on YouTube earlier this months and, while it’s certainly boasting an impressive amount of views, it’s also collecting some pretty negative comments, too. It seems these girls have divided the opinions of potential fans everywhere with some of them claiming the track just doesn’t have enough real singing.
Okay, it’s not exactly a moving ballad with blow-your-mind vocals but hello, it’s pop music. What did people expect?
The catchy little number boasts a decent beat with, okay, somewhat auto-tuned vocals, but nevertheless they’re vocals you can sing along to. The catchy chorus of ‘Okay you’re pretty, your face is a work of art / your smile could light up New York City after dark’ is memorable and well-put-together, particularly in comparison to some other generic tracks floating about at the minute. A break-up track that will get people on their feet to have a dance, to me this feels like a reasonably strong track from G.R.L, and they’re certainly developing a strong fan base that agree with me.
You can head over to YouTube now and check out the track, and its official video, by clicking here.
Written by: Charlotte Barnes
Published: 21 July 2014
The official video for the track was released on YouTube earlier this months and, while it’s certainly boasting an impressive amount of views, it’s also collecting some pretty negative comments, too. It seems these girls have divided the opinions of potential fans everywhere with some of them claiming the track just doesn’t have enough real singing.
Okay, it’s not exactly a moving ballad with blow-your-mind vocals but hello, it’s pop music. What did people expect?
The catchy little number boasts a decent beat with, okay, somewhat auto-tuned vocals, but nevertheless they’re vocals you can sing along to. The catchy chorus of ‘Okay you’re pretty, your face is a work of art / your smile could light up New York City after dark’ is memorable and well-put-together, particularly in comparison to some other generic tracks floating about at the minute. A break-up track that will get people on their feet to have a dance, to me this feels like a reasonably strong track from G.R.L, and they’re certainly developing a strong fan base that agree with me.
You can head over to YouTube now and check out the track, and its official video, by clicking here.
Written by: Charlotte Barnes
Published: 21 July 2014
John Legend Releases New Music video for You & I single!
John Legend, the famed singer behind hit All Of Me, has released a new music video for his new single You & I (Nobody In The World).
The music video focusses on women from different walks of life, whether they're old or young, of different races, different weights, and different careers, all staring into a mirror at themselves. Some are crying, whilst others are looking at themselves, analysing their bodies. Towards the end of the video, the women all smile and laugh, celebrating their beauty.
The clip also has a famous face, along the lines of Laverne Cox, who has a role in Netflix's original hit show, Orange Is The New Black, as well as Legend's wife, Chrissy Teigen.
Check out the new video for this track by clicking here.
Written by: Kasim Kaey
Published: 15 July 2014
The music video focusses on women from different walks of life, whether they're old or young, of different races, different weights, and different careers, all staring into a mirror at themselves. Some are crying, whilst others are looking at themselves, analysing their bodies. Towards the end of the video, the women all smile and laugh, celebrating their beauty.
The clip also has a famous face, along the lines of Laverne Cox, who has a role in Netflix's original hit show, Orange Is The New Black, as well as Legend's wife, Chrissy Teigen.
Check out the new video for this track by clicking here.
Written by: Kasim Kaey
Published: 15 July 2014
Single of the Week: Paloma Faith - Trouble with my Baby
Paloma Faith has made a massive name for herself since her relatively late arrival on the music scene. She seemed to sweep in out of nowhere with her quirky fashion-sense and even quirkier vocals, winning fans for herself across the globe. We’ve seen a new wave of singles from this popular starlet of late, so it’s probably not much of a surprise for anyone to see her latest single, Trouble With My Baby, which appeared on YouTube recently, make it onto our Single of the Week spot.
The edgy single sees Faith belting out brilliant vocals as she discusses her frustrating romantic relationship. The instrumentals for this track are fantastic in their own right! With understated backing vocals to support the singer and an impressive array of instruments appearing throughout the track, they’re layered perfectly to support the strong vocals of Faith that really shine during the chorus where she repeats, ‘I got trouble with my baby’. The song is lively, quirky, and undeniably catchy, making it a solid release for the singer.
To the delight of fans everywhere, the single appeared on the star’s YouTube account about a week ago, coupled with an appropriately edgy music video that flits between Paloma belting the single out to a small audience and spending time with the man in question who was obviously the inspiration behind the track.
Make sure you head over to YouTube and check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 11 July 2014
The edgy single sees Faith belting out brilliant vocals as she discusses her frustrating romantic relationship. The instrumentals for this track are fantastic in their own right! With understated backing vocals to support the singer and an impressive array of instruments appearing throughout the track, they’re layered perfectly to support the strong vocals of Faith that really shine during the chorus where she repeats, ‘I got trouble with my baby’. The song is lively, quirky, and undeniably catchy, making it a solid release for the singer.
To the delight of fans everywhere, the single appeared on the star’s YouTube account about a week ago, coupled with an appropriately edgy music video that flits between Paloma belting the single out to a small audience and spending time with the man in question who was obviously the inspiration behind the track.
Make sure you head over to YouTube and check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 11 July 2014
Single Review: Jess Glynne - Right Here
You’ll probably recognise Jess Glynne from her vocal appearance on Clean Bandit’s hit single Rather Be, which stormed the charts earlier this year. Well now the talented vocalist is breaking away from her role as accompanying vocalist and is smashing the music industry with her own single, not that it sounds massively different from what we’ve already heard…
Possibly featuring more of Glynne’s vocals than listeners will be used to, sticking with what she evidently knows, this track is another club-inspired release that will be a welcome addition to the summer time playlist. Despite being a little repetitive - really, I get it, you’re right here - the track is actually fairly decent with a good beat coursing through the instrumentals which will not only ensure its appearance in nightclubs over the next couple of months, but also ensures that there will be many, many remixes appearing soon - that’s assuming that they aren’t already hidden somewhere on YouTube!
With this being an attempt at solo work, away from the other artists she’s attached herself to in recent months, Glynne has made a single that really does have the potential to be a commercial success. While I’m not convinced I’m listening to the next number one single - although I could be wrong - the track certainly is one worth listening to if you’re a fan of the likes of Clean Bandit.
You can check out the track and the official music video by clicking here.
Written by: Charlotte Barnes
Published: 10 July 2014
Possibly featuring more of Glynne’s vocals than listeners will be used to, sticking with what she evidently knows, this track is another club-inspired release that will be a welcome addition to the summer time playlist. Despite being a little repetitive - really, I get it, you’re right here - the track is actually fairly decent with a good beat coursing through the instrumentals which will not only ensure its appearance in nightclubs over the next couple of months, but also ensures that there will be many, many remixes appearing soon - that’s assuming that they aren’t already hidden somewhere on YouTube!
With this being an attempt at solo work, away from the other artists she’s attached herself to in recent months, Glynne has made a single that really does have the potential to be a commercial success. While I’m not convinced I’m listening to the next number one single - although I could be wrong - the track certainly is one worth listening to if you’re a fan of the likes of Clean Bandit.
You can check out the track and the official music video by clicking here.
Written by: Charlotte Barnes
Published: 10 July 2014
Single Review: Taio Cruz - Don't You Dare
I’m not really that familiar with Taio Cruz; I know he’s had one or two really popular songs, and I’m fairly certain that the music industry hasn’t actually heard from him for some time now. So, when I saw a new single flash up on YouTube’s recommended list this morning, I thought it might be worth checking out the track, and, to my surprise, I’m actually glad I did.
The track has been floating about online for some time now, although there’s still a short wait ahead for the official release of this new single. The song, entitled Don’t You Dare, is unexpectedly catchy and, because of that, I’m already tipping this as a song to watch out for in the end of the summer months.
Kicking off kind of slow, Cruz introduces the simple but effective refrain of ‘don’t you dare come crawling back’, something reiterated throughout the track - and also something that will stick in your head for a while after you’ve listened to it. Contrary to what the opening instrumentals would have you believe, the musical accompaniment that builds throughout the track is actually much more club-inspired than I expected it to be - which is yet another reason why I’m predicting big things for the single. It’s already seen some interesting remixes on YouTube from enthusiastic listeners, and I imagine we’re in for many more of these when the single becomes more well-known.
Perhaps a little late to the summer playlist, Cruz is nevertheless making a good attempt at earning himself a spot on it with this upbeat little number. You can head over to YouTube and check it out for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 8 July 2014
The track has been floating about online for some time now, although there’s still a short wait ahead for the official release of this new single. The song, entitled Don’t You Dare, is unexpectedly catchy and, because of that, I’m already tipping this as a song to watch out for in the end of the summer months.
Kicking off kind of slow, Cruz introduces the simple but effective refrain of ‘don’t you dare come crawling back’, something reiterated throughout the track - and also something that will stick in your head for a while after you’ve listened to it. Contrary to what the opening instrumentals would have you believe, the musical accompaniment that builds throughout the track is actually much more club-inspired than I expected it to be - which is yet another reason why I’m predicting big things for the single. It’s already seen some interesting remixes on YouTube from enthusiastic listeners, and I imagine we’re in for many more of these when the single becomes more well-known.
Perhaps a little late to the summer playlist, Cruz is nevertheless making a good attempt at earning himself a spot on it with this upbeat little number. You can head over to YouTube and check it out for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 8 July 2014
Maroon 5 Reveal Music Video for New Single, Maps
After releasing the audio for their new single from their new album, titled V, Maroon 5 have now released the accompanying music video for Maps.
The video shows Adam Levine, the lead singer of the group, upsetting his girlfriend by being unfaithful, which leads to his girlfriend running out into the road and being hit by a car. The majority of the story is told through flashbacks, whilst the song plays, though sounds from the video itself, such as the crash of the car and dialogue, do make an appearance. Check out the new video by clicking here. Written by: Kasim Kaey Published: 7 July 2014 |
Ariana Grande Releases New Single, Break Free
Ariana Grande's first single from her second album, Problem (featuring Iggy Azalea), sky rocketed when it was released a few weeks ago. The song became an instant hit with the public and it was clear that she needed a good hit for her second single, and she has with Break Free.
The song, which features Zedd, is a track for the club through and through, an EDM filled song of dance bliss. Grande's sound differs almost completely from her debut album, Yours Truly, taking a more pop sound, like her contemporaries such as Demi Lovato and Miley Cyrus. Listen to this new track by clicking here. Written by: Kasim Kaey Published: 7 July 2014 |
Music News: Lily Allen Releases Video for URL Badman!
Lily Allen has released a music video for URL Badman, the latest single to be taken from her third studio album, Sheezus, which was released a few months ago.
The song features Allen's trademark wit as she sings about trolls on the internet; 'It's not for me/ It must be wrong/ I could ignore it and move on/ But I'm a broadband champion/ A URL badman'.
The music video for it is pretty strange which sees Allen singing over one of her URL badmans as he sits at his chair, stretched out in some psychedelic rainbow. She also dances in front of a black background which sees other URL badmans scattered around, all stretched out in some bizarre shapes.
Check out the video for yourselves by clicking here.
Written by: Kasim Kaey
Published: 6 July 2014
The song features Allen's trademark wit as she sings about trolls on the internet; 'It's not for me/ It must be wrong/ I could ignore it and move on/ But I'm a broadband champion/ A URL badman'.
The music video for it is pretty strange which sees Allen singing over one of her URL badmans as he sits at his chair, stretched out in some psychedelic rainbow. She also dances in front of a black background which sees other URL badmans scattered around, all stretched out in some bizarre shapes.
Check out the video for yourselves by clicking here.
Written by: Kasim Kaey
Published: 6 July 2014
Album Review: Sia - 1000 Forms of Fear
Sia Furler. The name brings to mind such songs as Titanium and Wild Ones, where Furler features on said songs with David Guetta and Flo Rida respectively. The two songs worked to allow the mainstream to become infatuated with her lyrical prowess and she soon found herself on everybody's most wanted list. Since then, she's penned songs for Rihanna (Diamonds), Beyonce (Pretty Hurts), Britney Spears (Perfume), Kylie Minogue (Sexercise); the list goes on. However, Furler is actually a musician in her own right, having released five albums already. And now she's back with her sixth: 1000 Forms of Fear.
The album opens up with hit single Chandelier, which gained millions of views across the world and led Furler to perform live on The Ellen Show (where she performed with her back to the crowd in an attempt to become less famous). The track is a pop song at first glance and though it remains a pop song when you continue listening to it, the lyrics hint at something more sinister. Furler appears to be singing about the regret and shame of party girls who hide behind the pseudo shield that is drinking and partying. Her voice soars and the chorus especially hits hard.
From there on, the album delves into hurt filled songs; Big Girls Cry is a gripping song that speaks about how even the toughest of women need to cry and that's not a bad thing. It dispels the social stigma of crying (I may cry and ruin my makeup). Burn The Pages is a lighter song, melodically speaking, though it speaks about letting go of the past and literally burning the pages of your diary. It doesn't have the emotional punch of the first two, but it works well.
It leads us into Eye Of The Needle which is one of the more emotional songs of the album, and Furler delivers well. She soars over the contemplative piano and drums, singing about how she needs to move on from something that she wants to hold onto; 'And I ain't ready/ And I hold steady/ Yeah, I hold you in my arms'.
Elastic Heart is a throwback to The Hunger Games: Catching Fire; Furler recorded the song for the film with The Weeknd, so it's a surprising addition to the album, though its message works quite well for the album. Strangely enough, it is Sia who delivers the rocking vocals whilst The Weeknd's voice is beautifully subtle, providing a vulnerability to the song. Fire Meet Gasoline is one of the smart songs on the album; Sia uses Fire and Gasoline as metaphors for two people who meet for the first time, the chemistry between the two creating a passion so volatile that it explodes and burns everything.
All in all, 1000 Forms of Fear is exactly what one would expect from Sia. It showcases her absurdly brilliant voice, her lyrical prowess, as well as her ability to create catchy pop songs that have brilliant metaphors under them. Though there are some flaws here (Sia's voice still has that tendency to become unintelligible at times), the album will find a few repeats from me.
Written by: Kasim Kaey
Published: 4 July 2014
The album opens up with hit single Chandelier, which gained millions of views across the world and led Furler to perform live on The Ellen Show (where she performed with her back to the crowd in an attempt to become less famous). The track is a pop song at first glance and though it remains a pop song when you continue listening to it, the lyrics hint at something more sinister. Furler appears to be singing about the regret and shame of party girls who hide behind the pseudo shield that is drinking and partying. Her voice soars and the chorus especially hits hard.
From there on, the album delves into hurt filled songs; Big Girls Cry is a gripping song that speaks about how even the toughest of women need to cry and that's not a bad thing. It dispels the social stigma of crying (I may cry and ruin my makeup). Burn The Pages is a lighter song, melodically speaking, though it speaks about letting go of the past and literally burning the pages of your diary. It doesn't have the emotional punch of the first two, but it works well.
It leads us into Eye Of The Needle which is one of the more emotional songs of the album, and Furler delivers well. She soars over the contemplative piano and drums, singing about how she needs to move on from something that she wants to hold onto; 'And I ain't ready/ And I hold steady/ Yeah, I hold you in my arms'.
Elastic Heart is a throwback to The Hunger Games: Catching Fire; Furler recorded the song for the film with The Weeknd, so it's a surprising addition to the album, though its message works quite well for the album. Strangely enough, it is Sia who delivers the rocking vocals whilst The Weeknd's voice is beautifully subtle, providing a vulnerability to the song. Fire Meet Gasoline is one of the smart songs on the album; Sia uses Fire and Gasoline as metaphors for two people who meet for the first time, the chemistry between the two creating a passion so volatile that it explodes and burns everything.
All in all, 1000 Forms of Fear is exactly what one would expect from Sia. It showcases her absurdly brilliant voice, her lyrical prowess, as well as her ability to create catchy pop songs that have brilliant metaphors under them. Though there are some flaws here (Sia's voice still has that tendency to become unintelligible at times), the album will find a few repeats from me.
Written by: Kasim Kaey
Published: 4 July 2014
Single Review: OneRepublic - Love Runs Out
OneRepublic have won over an awful lot of fans in recent months! Counting Stars, which rocketed through the charts following its release, was just the introduction to the amazing album that followed it. Well now they’ve released another brilliant single, and I can’t stop listening to it, and singing a little, and maybe dancing a little too…
The track, Love Runs Out, has been knocking about on YouTube for a while now - so I have no idea why I’ve only just found it! Nevertheless, it’s another brilliant track from the group, who have really carved a place for themselves in the music industry recently, and this single will ensure that they stay there.
Quality lyrics, quality instrumentals, and a rhythm that makes you want to have a little groove around the room - what more could you possibly want from a summer time track? They’ve once again succeeded in making a catchy, singable track that will remind people that there’s much more to this band than moving, emotional ballads. This single really is my favourite thing today, and I’m certain that it will be the favourite thing of many other people when it’s officially released on iTunes later this month.
Until then, you’ll just have to settle for listening to it on YouTube! You can find the official audio for the track by clicking here.
Written by: Charlotte Barnes
Published: 2 July 2014
The track, Love Runs Out, has been knocking about on YouTube for a while now - so I have no idea why I’ve only just found it! Nevertheless, it’s another brilliant track from the group, who have really carved a place for themselves in the music industry recently, and this single will ensure that they stay there.
Quality lyrics, quality instrumentals, and a rhythm that makes you want to have a little groove around the room - what more could you possibly want from a summer time track? They’ve once again succeeded in making a catchy, singable track that will remind people that there’s much more to this band than moving, emotional ballads. This single really is my favourite thing today, and I’m certain that it will be the favourite thing of many other people when it’s officially released on iTunes later this month.
Until then, you’ll just have to settle for listening to it on YouTube! You can find the official audio for the track by clicking here.
Written by: Charlotte Barnes
Published: 2 July 2014
Ep Review: Ferras - Ferras
Katy Perry has launched her new record label, going by the name of Metamorphosis Music, and has already signed up an artist: Ferras. Ferras is an artist who has already come to the music world, with his début album Aliens & Rainbows released several years ago. However, it didn't leave the impact he sought and now he's back with a stronger sound and vision.
His EP, Ferras, consists of five songs and is quite the mixed bag. It's part pop, part electronic, part R&B. It has this strange edge to it that's completely refreshing to listen to, especially when it comes to male artists.
The first song off the EP is Speak in Tongues, a beautifully produced song about how Ferras wants his lover to speak to him with her touch, not her tongue. And that brings us to his other four songs, each one showing a different side of his artistry and voice; No Good in Goodnight is amazing, Legends Never Die (featuring Miss Perry herself) is a great pop song, but personally, King of Sabotage is the best.
Download Ferras's EP from iTunes now.
Written by: Kasim Kaey
Published: 30 June 2014
His EP, Ferras, consists of five songs and is quite the mixed bag. It's part pop, part electronic, part R&B. It has this strange edge to it that's completely refreshing to listen to, especially when it comes to male artists.
The first song off the EP is Speak in Tongues, a beautifully produced song about how Ferras wants his lover to speak to him with her touch, not her tongue. And that brings us to his other four songs, each one showing a different side of his artistry and voice; No Good in Goodnight is amazing, Legends Never Die (featuring Miss Perry herself) is a great pop song, but personally, King of Sabotage is the best.
Download Ferras's EP from iTunes now.
Written by: Kasim Kaey
Published: 30 June 2014
Album Review: Jennifer Lopez - AKA
Following Love? from 2011, Jennifer Lopez is back with another album, this time tentatively titled A.K.A., her eighth studio album. However, it's not the best.
Jennifer Lopez (J-Lo) is best known for being Jenny from the block but A.K.A. is not so much as Jenny from the block, as it is Jenny selling her soul for some sales. The entire album reeks of desperation; there's so many featuring artists on this album that I'm hard pressed to find something that Jennifer may have sung herself.
There's the title song, featuring T.I., which falls flat on its face (a shame considering it's the first song on the album). Then we have the album's first single, I Luh Ya Papi (yes, the spelling mistakes are on purpose), which is just a cheap song, made even cheaper by featuring French Montana. Next on the featured list is none other than Iggy Azalea, an attempt to cash grab on Azalea's name, though her rap in this song is definitely one of her most boring (I much prefer her rap in Ariana Grande's Problem). Rick Ross and Pitbull follow and I shouldn't have to explain why those songs are bad.
The entire album is awkward and desperate and one has to wonder what J-Lo was thinking with some the songs here. Ironically, she crows on Emotions that 'someone took my emotions', something which someone has done to this album as well.
A.K.A. is now available to buy from pretty much anywhere.
Written by: Kasim Kaey
Published: 26 June 2014
Jennifer Lopez (J-Lo) is best known for being Jenny from the block but A.K.A. is not so much as Jenny from the block, as it is Jenny selling her soul for some sales. The entire album reeks of desperation; there's so many featuring artists on this album that I'm hard pressed to find something that Jennifer may have sung herself.
There's the title song, featuring T.I., which falls flat on its face (a shame considering it's the first song on the album). Then we have the album's first single, I Luh Ya Papi (yes, the spelling mistakes are on purpose), which is just a cheap song, made even cheaper by featuring French Montana. Next on the featured list is none other than Iggy Azalea, an attempt to cash grab on Azalea's name, though her rap in this song is definitely one of her most boring (I much prefer her rap in Ariana Grande's Problem). Rick Ross and Pitbull follow and I shouldn't have to explain why those songs are bad.
The entire album is awkward and desperate and one has to wonder what J-Lo was thinking with some the songs here. Ironically, she crows on Emotions that 'someone took my emotions', something which someone has done to this album as well.
A.K.A. is now available to buy from pretty much anywhere.
Written by: Kasim Kaey
Published: 26 June 2014
Album Review: Ed Sheeran - X
I remember when I listened to Give Me Love by Ed Sheeran for the first time. The eight minute long song made me feel emotions that I had never truly felt from music before; the chorus itself was enough to send shivers down my spine. That was my introduction to Sheeran and it only got better when I introduced myself to his début album, + (Plus). The album was brilliant, his songs perfectly written, the choruses awesome, his voice excellent. I needed more, desperately, and his songs for The Hobbit: The Desolation of Smaug (I See Fire) and The Fault In Our Stars (All Of The Stars) weren’t enough. However, Sheeran has been steadily releasing songs from his new album, x (Multiply), for the past few weeks, culminating in the release of said album on Monday 23rd June.
Given that Sheeran has sold millions of his debut album, one would expect him to play the same songs again, play the same routine, and reap the rewards. However, Sheeran is different here, if only a little. That difference is exemplified by his first single, Sing, which came out a few weeks ago. The song, produced by none other than Pharrell Williams, has Sheeran semi-rapping and singing about his attempts to sweet talk a young woman into spending the next forty eight hours with him doing some adult stuff, along with drinking booze and taking drugs. The song is a far cry from The A-Team, Small Bump, Drunk, or Lego House, which were on his first album.
However, that’s not to say that aspects from the first album aren't here; songs such as Photograph sees Sheeran singing about how he wants his lover to keep him in her pocket, just like a photograph (So you can keep me inside the pocket of your ripped jeans/ Holding me close til our eyes meet/ You will never be alone/ Wait for me to come home). Bloodstream talks about getting drunk because of love (I feel the chemicals burn in my bloodstream), whilst Afire Love is a beautifully emotional song about his grandfather’s descent into Alzheimers. Album opener One is strikingly beautiful, with just a guitar and Sheeran’s voice (All my senses come to life/ While I’m stumbling home as drunk as I’ve ever been and I’ll never leave again/ ‘Cos you are the only one).
x sees Sheeran evolving from his first album, whilst still keeping to what made his first album a success; it's definitely not hard to imagine any of these songs being sung by good old Ed with nothing but his infamous acoustic guitar in hand. It’s a beautiful album and that’s nothing less than what I expected from Sheeran.
Written by: Kasim Kaey
Published: 24 June 2014
Given that Sheeran has sold millions of his debut album, one would expect him to play the same songs again, play the same routine, and reap the rewards. However, Sheeran is different here, if only a little. That difference is exemplified by his first single, Sing, which came out a few weeks ago. The song, produced by none other than Pharrell Williams, has Sheeran semi-rapping and singing about his attempts to sweet talk a young woman into spending the next forty eight hours with him doing some adult stuff, along with drinking booze and taking drugs. The song is a far cry from The A-Team, Small Bump, Drunk, or Lego House, which were on his first album.
However, that’s not to say that aspects from the first album aren't here; songs such as Photograph sees Sheeran singing about how he wants his lover to keep him in her pocket, just like a photograph (So you can keep me inside the pocket of your ripped jeans/ Holding me close til our eyes meet/ You will never be alone/ Wait for me to come home). Bloodstream talks about getting drunk because of love (I feel the chemicals burn in my bloodstream), whilst Afire Love is a beautifully emotional song about his grandfather’s descent into Alzheimers. Album opener One is strikingly beautiful, with just a guitar and Sheeran’s voice (All my senses come to life/ While I’m stumbling home as drunk as I’ve ever been and I’ll never leave again/ ‘Cos you are the only one).
x sees Sheeran evolving from his first album, whilst still keeping to what made his first album a success; it's definitely not hard to imagine any of these songs being sung by good old Ed with nothing but his infamous acoustic guitar in hand. It’s a beautiful album and that’s nothing less than what I expected from Sheeran.
Written by: Kasim Kaey
Published: 24 June 2014
Music News: Ed Sheeran Releases More Audio from New album!
Ed Sheeran's second album is up for release on Monday 23rd June, 2014 (tomorrow!!), but that's not stopping him from releasing other track from it. Now he's released The Man, the tenth song from his album, x (Multiply).
The song is along the lines of 'You Need Me, I Don't Need You' from his debut album, +, which sees the young singer-songwriter rapping. The Man is in the same vein, though it does come with a chorus that sees Sheeran singing. As for the content, Sheeran talks about a failed relationship, a past love that keeps him from a music career, the downfalls of fame, and chemical dependency.
Check out the audio for the track by clicking here, and standby for our full review of the new album tomorrow.
Written by: Kasim Kaey
Published: 22 June 2014
The song is along the lines of 'You Need Me, I Don't Need You' from his debut album, +, which sees the young singer-songwriter rapping. The Man is in the same vein, though it does come with a chorus that sees Sheeran singing. As for the content, Sheeran talks about a failed relationship, a past love that keeps him from a music career, the downfalls of fame, and chemical dependency.
Check out the audio for the track by clicking here, and standby for our full review of the new album tomorrow.
Written by: Kasim Kaey
Published: 22 June 2014
Single of the Week: The Fugitives - Bigger Than Luck
I had the genuine pleasure of hearing The Fugitives for the first time last night at a spoken word event in Birmingham. This insanely talented four-piece were introduced to me as a spoken word/folk/indie ensemble, so I really had no idea what to expect from them. Despite knowing nothing about them, I went along with an open mind and open ears, and I was absolutely blown away by every single song they delivered!
Needless to say, The Fugitives are now my new favourite band of the moment, and their single Bigger Than Luck (one of the many tracks performed last night) has undoubtedly earned itself a place in our Single of the Week spotlight, if for no other reason than being the most upbeat and feel-good song that I’ve heard this week.
The inspired lyrics ‘We’re bigger than luck, and better than fortune’ are bellowed out over amazing instrumentals that do, as promised last night, have a distinct folk sound to them, with a splash of country thrown in for good measure.
Okay, it isn’t normally the sort of music I would listen to, but there is something so happy about this track that I do genuinely believe it’s impossible to not feel good after you’ve heard it. One of many amazing tracks available from these talented musicians - who work equally as well as solo artists - this group certainly won over the Birmingham crowd they played to last night, with many new fans leaving the gig and vowing to download their entire backlog (which I’m now in the process of doing). So do yourselves a favour, on this gorgeous, sunny afternoon - go, check out the track (by clicking here), love the track, and have a BBQ or something, because I promise you, it does not get more sunny than this single!
Written by: Charlotte Barnes
Published: 20 June 2014
Needless to say, The Fugitives are now my new favourite band of the moment, and their single Bigger Than Luck (one of the many tracks performed last night) has undoubtedly earned itself a place in our Single of the Week spotlight, if for no other reason than being the most upbeat and feel-good song that I’ve heard this week.
The inspired lyrics ‘We’re bigger than luck, and better than fortune’ are bellowed out over amazing instrumentals that do, as promised last night, have a distinct folk sound to them, with a splash of country thrown in for good measure.
Okay, it isn’t normally the sort of music I would listen to, but there is something so happy about this track that I do genuinely believe it’s impossible to not feel good after you’ve heard it. One of many amazing tracks available from these talented musicians - who work equally as well as solo artists - this group certainly won over the Birmingham crowd they played to last night, with many new fans leaving the gig and vowing to download their entire backlog (which I’m now in the process of doing). So do yourselves a favour, on this gorgeous, sunny afternoon - go, check out the track (by clicking here), love the track, and have a BBQ or something, because I promise you, it does not get more sunny than this single!
Written by: Charlotte Barnes
Published: 20 June 2014
Music News: Maroon 5 Drop new Single from upcoming album!
Maroon 5 announced their followup album to Overexposed, which was released in 2012, a few weeks ago. Their fifth studio album is to be titled V and now we have our first single from it, entitled Maps.
The song features Adam Levin's signature falsetto on the pop tune where he seems to be singing about a love affair that, though once burned strong, has ended in confusion and betrayal; 'But I wonder where were you/ When I was at my worst/ Down on my knees/ And you said you had my back/ So I wonder where were you'.
V has a release date of September 1st, and you check out the audio for this first single from the album just below.
The song features Adam Levin's signature falsetto on the pop tune where he seems to be singing about a love affair that, though once burned strong, has ended in confusion and betrayal; 'But I wonder where were you/ When I was at my worst/ Down on my knees/ And you said you had my back/ So I wonder where were you'.
V has a release date of September 1st, and you check out the audio for this first single from the album just below.
Written by: Kasim Kaey
Published: 18 June 2014
Published: 18 June 2014
Leah McFall Drops First single, Home
Leah McFall was a contestant on The Voice last year, a TV show not unlike the X-Factor or Britain's Got Talent. Although McFall made it to the end, she didn't win the show, leading her coach, Will.I.Am, to take her to L.A. in order to start recording her album. That was last year and we've heard next to nothing from the two about this upcoming album.
However, last week, McFall dropped her first single from her album, titled Home, on Radio 1Xtra's CJ Beatz show. The track is a pretty good pop song, which showcases McFall's excellent vocal range. Will.I.Am features on the song as well, rapping near the end, but the focus here is on McFall herself. Though the song is pretty good, McFall took quite a while to release it and her success is still in the air. You can check out the track for yourselves by clicking here. Written by: Kasim Kaey Published: 17 June 2014 |
Ed Sheeran Releases Audio for New Track, Afire Love
Ed Sheeran has just released an audio version of a new song from his second album, X (Multiply), titled Afire Love. The song follows his first single, aptly called Sing, which just scored Sheeran his first number one in the UK.
Afire Love is a song in a similar vein to Sheeran's first album; simply put, the song is a tearjerker. The piano-driven balled dives into the singer-songwriter's grandfather's battle with Alzheimer's disease and the effect it had on his family. "My father told me, 'Son, it's not his fault he doesn't know your face'/ You're not the only one," Sheeran sings before delving into the chorus, which describes his grandparents' deep love. The song truly packs an emotional punch, akin to songs such as The A-Team or Give Me Love from his debut album, + (Plus). Afire Love is the closing track on Sheeran's second album, and you can listen to it here. Written by: Kasim Kaey Published: 17 June 2014 |
Album Review: Lana Del Rey - Ultraviolence
There was a point, about two years ago, where a follow up album to the enigmatic Born To Die by Miss Lana Del Rey had less of a chance of materialising than a Wonder Woman film. Surrounded by controversy about her authenticity, a bad performance, and even interviews in which the singer-songwriter herself said she would quit music, it just seemed that a second album was out of the question. Then we received word of a film, Tropico, where Del Rey stated that it was her farewell project, further implying that her music career was to an end. However, at the start of 2014, she stated she was working on a new album and now we have the fruits of her labour.
Ultraviolence is not that drastic of a change from Born To Die. The album has been toned down quite a lot from her first, with shimmery guitars and almost silent drums. The loudest song here is West Coast, and even then, that drifts into a hauntingly beautiful quiet melody, where Del Rey sings in a hypnotising breathy voice. Del Rey's voice is brilliant here, as she seems to have found her confidence in her singing voice. She wails and croons and mews on the album like she was born to do this, and the production of the songs help her. Every chorus is brilliant, the melodies beautiful. Each song soars and swoops in its own manner, showcasing Del Rey's vocal strength.
Though Born To Die was a success, some critics claimed that the album sounded the same, with the sheer repetitiveness of her lyrics (bad boyfriends, needy girlfriends), the album seemed to some as one long song. This was a criticism that Del Rey clamped down on with the release of her EP, Paradise, shortly after. The EP has 9 songs, all of which sound rather different from her album, though they still encompass the same themes and ideas. However, Ultraviolence is more of the same Born To Die-esque songs and whether that's a fault or a strength lies with you.
It takes about a minute for Ultraviolence to shoot you with a bad boyfriend (got your bible and your gun/ You like your women, and you like fun) and another thirty seconds after that for Del Rey to talk about a dress (akin to that red dress in Summertime Sadness). The album is filled with horrible women and their horrible male counterparts; Sad Girl tells the tale of a prostitute who has fallen in love with one of her customers (I'm a sad girl/ I'm a bad girl), Brooklyn Baby has a hipster talking about her boyfriend who's in a band and 'plays guitar while I sing Lou Reed', and Pretty When You Cry suggests some sort of sadomasochistic relationship between a man and a woman (I'll wait for you babe/ It's all I do babe/ Don't come through babe, you never do/ 'Cos I'm pretty when I cry). Money Power Glory tells the tale of a woman who wants nothing more than her man's money, power, and glory, whilst the self explanatory Fucked My Way To The Top does exactly what it says on the tin.
Ever since Born To Die was released, it was obvious that Del Rey had created an album that focussed on film noir, creating Marilyn Monroe-esque women that simpered and needed men to save them, and this continues into Ultraviolence. Though, it should be stated that Del Rey is all about the equal opportunities, as every man in her album is just a bad person, from the gun toting, Bible loving male in Cruel World to the in-the-band guy in Brooklyn Baby.
For fans of the songstress, the album is brilliant. More of the same isn't a problem here; Del Rey's vocals are stronger, the production is better, the songs are brilliant. But for those that were hoping for a change, they may be disappointed.
Written by: Kasim Kaey
Published: 16 June 2014
Ultraviolence is not that drastic of a change from Born To Die. The album has been toned down quite a lot from her first, with shimmery guitars and almost silent drums. The loudest song here is West Coast, and even then, that drifts into a hauntingly beautiful quiet melody, where Del Rey sings in a hypnotising breathy voice. Del Rey's voice is brilliant here, as she seems to have found her confidence in her singing voice. She wails and croons and mews on the album like she was born to do this, and the production of the songs help her. Every chorus is brilliant, the melodies beautiful. Each song soars and swoops in its own manner, showcasing Del Rey's vocal strength.
Though Born To Die was a success, some critics claimed that the album sounded the same, with the sheer repetitiveness of her lyrics (bad boyfriends, needy girlfriends), the album seemed to some as one long song. This was a criticism that Del Rey clamped down on with the release of her EP, Paradise, shortly after. The EP has 9 songs, all of which sound rather different from her album, though they still encompass the same themes and ideas. However, Ultraviolence is more of the same Born To Die-esque songs and whether that's a fault or a strength lies with you.
It takes about a minute for Ultraviolence to shoot you with a bad boyfriend (got your bible and your gun/ You like your women, and you like fun) and another thirty seconds after that for Del Rey to talk about a dress (akin to that red dress in Summertime Sadness). The album is filled with horrible women and their horrible male counterparts; Sad Girl tells the tale of a prostitute who has fallen in love with one of her customers (I'm a sad girl/ I'm a bad girl), Brooklyn Baby has a hipster talking about her boyfriend who's in a band and 'plays guitar while I sing Lou Reed', and Pretty When You Cry suggests some sort of sadomasochistic relationship between a man and a woman (I'll wait for you babe/ It's all I do babe/ Don't come through babe, you never do/ 'Cos I'm pretty when I cry). Money Power Glory tells the tale of a woman who wants nothing more than her man's money, power, and glory, whilst the self explanatory Fucked My Way To The Top does exactly what it says on the tin.
Ever since Born To Die was released, it was obvious that Del Rey had created an album that focussed on film noir, creating Marilyn Monroe-esque women that simpered and needed men to save them, and this continues into Ultraviolence. Though, it should be stated that Del Rey is all about the equal opportunities, as every man in her album is just a bad person, from the gun toting, Bible loving male in Cruel World to the in-the-band guy in Brooklyn Baby.
For fans of the songstress, the album is brilliant. More of the same isn't a problem here; Del Rey's vocals are stronger, the production is better, the songs are brilliant. But for those that were hoping for a change, they may be disappointed.
Written by: Kasim Kaey
Published: 16 June 2014
The Vamps Team up with
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Official Video Lands for new Cheryl Cole Track
And, as per the norm, a music video has unveiled itself for Cheryl Cole's new single from her upcoming fourth studio album, Crazy Stupid Love.
The song, as discussed before, is a pretty generic pop song with a cheap trumpet solo in the chorus, and the video is pretty much more of the same. The video shows Cole singing along whilst she dances out a pretty upbeat dance routine, though it is more of the same. The music video is really just as bad as the song itself and it's a shame because Cole does have a good voice. You can watch the video for yourselves by clicking here. Written by: Kasim Kaey Published: 15 June 2014 |
Single of the Week: Ceiling Demons - Amputated Spirit
You might remember Ceiling Demons from the last time we featured them in our Music section. For those of you who somehow managed to miss their amazing debut single that released a little while ago, I’ll fill you in on what you’ve been missing!
Ceiling Demons are a hip-hop group from Yorkshire, UK, and they make amazing and often thought-provoking music. Since their arrival in the music scene they’ve caused a stir with their amazing lyrics, slick beats, and generally impressive presence in the growing world of British hip-hop. So with a surge of support behind them, it’s no surprise that they’re smashing Friday the 13th with a new single - it’s also no surprise that the single is pretty damn good.
The track, Amputated Spirit, might sound a little grizzly from the title, but if you push past that and actually take a listen, hip-hop fans, I promise you that you won’t be disappointed. The track starts with a provocative voiceover, accompanied by stunning instrumentals that continue throughout the entire track, offering an appropriate accompaniment for the raw rapping skills that also appear here, that kick in around thirty seconds into the song.
The single comes complete with a new video, shot in a simple black and white, centred mostly around the masked figures that make up Ceiling Demons, nevertheless there’s something startlingly eerie about the video production. However, that’s no criticism - it fits perfectly with the track that its designed to accompany.
You can check out the new single, and the accompanying video, by clicking here. And if you want to see more of these guys in the future, you can check out their upcoming tour dates below:
Richmond, North Yorkshire, UK - Bishop Blaize - 5th July 2014 (Amputated Spirit launch)
Richmond, North Yorkshire, UK - Richmond Live - 1st August 2014 (Headline slot)
Doune the Rabbit Hole Festival, Cardross Estate, UK - 22nd - 24th August 2014
Amsterdam, NL - Vrankrijk - October 4th 2014
Written by: Charlotte Barnes
Published: 13 June 2014
Ceiling Demons are a hip-hop group from Yorkshire, UK, and they make amazing and often thought-provoking music. Since their arrival in the music scene they’ve caused a stir with their amazing lyrics, slick beats, and generally impressive presence in the growing world of British hip-hop. So with a surge of support behind them, it’s no surprise that they’re smashing Friday the 13th with a new single - it’s also no surprise that the single is pretty damn good.
The track, Amputated Spirit, might sound a little grizzly from the title, but if you push past that and actually take a listen, hip-hop fans, I promise you that you won’t be disappointed. The track starts with a provocative voiceover, accompanied by stunning instrumentals that continue throughout the entire track, offering an appropriate accompaniment for the raw rapping skills that also appear here, that kick in around thirty seconds into the song.
The single comes complete with a new video, shot in a simple black and white, centred mostly around the masked figures that make up Ceiling Demons, nevertheless there’s something startlingly eerie about the video production. However, that’s no criticism - it fits perfectly with the track that its designed to accompany.
You can check out the new single, and the accompanying video, by clicking here. And if you want to see more of these guys in the future, you can check out their upcoming tour dates below:
Richmond, North Yorkshire, UK - Bishop Blaize - 5th July 2014 (Amputated Spirit launch)
Richmond, North Yorkshire, UK - Richmond Live - 1st August 2014 (Headline slot)
Doune the Rabbit Hole Festival, Cardross Estate, UK - 22nd - 24th August 2014
Amsterdam, NL - Vrankrijk - October 4th 2014
Written by: Charlotte Barnes
Published: 13 June 2014
Album Review: Janet Devlin - Running With Scissors
I was lucky enough to nab a review copy of this album a week or so ago, so I’ve had a fair amount of time to fall in love with it. Janet Devlin has succeeded in making a wonderful record here! With meek vocals, catchy instrumentals, and endearing lyrics that are easy to remember and are simply begging to be sung back, this is definitely a strong start to her solo career.
Kicking off with Creatures Of The Night, it soon becomes clear that the tones set by previous singles Wonderful and House Of Cards really did set the tone for the album as a whole, with this opening single following the same happy-go-lucky feel. The next two tracks, Hide And Seek and Lifeboat, are my absolute favourites! They’re definitely feel-good songs, with Hide And Seek voicing Devlin’s exasperation at not being able to find love. While Lifeboat, with its catchy, summer-soaked instrumentals, is one of the sweetest songs ever, with the encouraging lyrics ‘I don’t need a lifeboat, I’m learning how to swim’.
The second half of the album boasts some more serious sounds, with Things We Lost In The Fire offering a more emotional tone. While Devlin’s vocals are strong, steady, and fairly similar from one track to the next, this song on its own succeeds in showing Devlin can deliver more than upbeat numbers. The same can be said of Delicate, which plays greatly on the intricate and delicate nature of this artist, who pushes an endearing fragility through the lyrics.
Friday I’m In Love was a lovely surprise from this album - yes, for anyone wondering, it is a cover of The Cure’s amazing single, and yes, Devlin does a reasonably good job of covering it. It’s far from being a carbon copy of the original, so please don’t go crazy for this not being exactly the same! It’s still a lovely addition and was certainly a welcome surprise for me. Devlin returns to her serious side for When You Were Mine, and ends the entire album with Whiskey Lullabies, which is yet another strong track.
If I’m entirely honest, I prefer the first half of the album to the second half, which, as I’ve already suggested, is much more serious than the opening tracks. However, that’s not to say that I dislike the second half, which certainly boasts a stronger, more emotional feel that shows a different side to this growing artist that I did actually find quite refreshing. I get a distinct Winter/Summer vibe from the album, with the opening tracks providing the perfect accompaniment for the sunshine we‘re having right now.
Whether you’re looking for something upbeat and bouncy, or something toned down and emotional, Devlin has ticked all boxes with this bite-size album - my only criticism being I wish there were more tracks to it! The album was released at the beginning of this week (June 9th) and is certainly a worthy investment for anyone looking for some funky, happy, upbeat vibes this summer.
Written by: Charlotte Barnes
Published: 12 June 2014
Kicking off with Creatures Of The Night, it soon becomes clear that the tones set by previous singles Wonderful and House Of Cards really did set the tone for the album as a whole, with this opening single following the same happy-go-lucky feel. The next two tracks, Hide And Seek and Lifeboat, are my absolute favourites! They’re definitely feel-good songs, with Hide And Seek voicing Devlin’s exasperation at not being able to find love. While Lifeboat, with its catchy, summer-soaked instrumentals, is one of the sweetest songs ever, with the encouraging lyrics ‘I don’t need a lifeboat, I’m learning how to swim’.
The second half of the album boasts some more serious sounds, with Things We Lost In The Fire offering a more emotional tone. While Devlin’s vocals are strong, steady, and fairly similar from one track to the next, this song on its own succeeds in showing Devlin can deliver more than upbeat numbers. The same can be said of Delicate, which plays greatly on the intricate and delicate nature of this artist, who pushes an endearing fragility through the lyrics.
Friday I’m In Love was a lovely surprise from this album - yes, for anyone wondering, it is a cover of The Cure’s amazing single, and yes, Devlin does a reasonably good job of covering it. It’s far from being a carbon copy of the original, so please don’t go crazy for this not being exactly the same! It’s still a lovely addition and was certainly a welcome surprise for me. Devlin returns to her serious side for When You Were Mine, and ends the entire album with Whiskey Lullabies, which is yet another strong track.
If I’m entirely honest, I prefer the first half of the album to the second half, which, as I’ve already suggested, is much more serious than the opening tracks. However, that’s not to say that I dislike the second half, which certainly boasts a stronger, more emotional feel that shows a different side to this growing artist that I did actually find quite refreshing. I get a distinct Winter/Summer vibe from the album, with the opening tracks providing the perfect accompaniment for the sunshine we‘re having right now.
Whether you’re looking for something upbeat and bouncy, or something toned down and emotional, Devlin has ticked all boxes with this bite-size album - my only criticism being I wish there were more tracks to it! The album was released at the beginning of this week (June 9th) and is certainly a worthy investment for anyone looking for some funky, happy, upbeat vibes this summer.
Written by: Charlotte Barnes
Published: 12 June 2014
Lana del Rey Releases Audio for Another New Track!
Another day, another track released from Lana Del Rey's upcoming sophomore album, Ultraviolence. Following West Coast, Shades of Cool, and Ultraviolence, Brooklyn Baby is what we expect from the singer, but that's not a bad thing.
The song starts off with a solo guitar, and then Del Rey hums along to it before bursting into the lyrics. Of course, bursting here means the breathy vocals that we associate with the singer. The song itself is a moody hit at Del Rey's critics as she stands up for herself, stating that she is indeed a Brooklyn Baby, a moniker here which might stand in for the term hipster as she sings 'Well my boyfriend's in a band/ he plays guitar while I sing Lou Reed/ I've got feathers in my hair, I get high on hydroponic weed.' It appears that the singer is revelling in her hipster status as she croons over the chorus. Ultraviolence has a release date of June 17th. Listen to Brooklyn Baby by clicking here. Written by: Kasim Kaey Published: 10 June 2014 |
Nicki Minaj releases Snippet of New Music Video
As of lately, Nicki Minaj has significantly toned back her look. Gone are the colourful wigs that adorned the music video for Starships, the dresses that challenged Lady GaGa's dress sense, replaced with simple black dresses and her own hair. Nothing signifies the change more than her new single, Pills n Potions, lifted from hew upcoming album The Pink Print.
The song is a slow ballad, which has Minaj singing sweetly on the chorus whilst rapping about how certain people have let her down (though no names are mentioned). Minaj has now released a snippet of the accompanying music video for the song which shows Minaj in this new simple look, whilst pictures of rabbits float by, her crying metallic tears, and there's even a shot of her wearing rabbit ears. The music video has no release date as of yet but watch the snippet here. Written by: Kasim Kaey Published: 10 June 2014 |
Music News: Cheryl Cole Makes Musical Comeback!
Cheryl Cole has decided to make a comeback to the music world with her upcoming fourth album. Titled Crazy Stupid Love, the first song from the album doesn't really inspire much confidence, though Tinie Tempah does feature on it.
The song itself, clocking in at just under four minutes, has Cole singing about how she never thought that she would be 'that girl' with a man, the girl that hangs on his every word, etc, etc. The song has a pretty upbeat tempo and a strange trumpet solo after she sings the chorus... every time. Tempah's rap at the end of the song isn't very original and is quite boring.
Compared to other singles from her other albums (Fight For This Love, Parachute), this single doesn't make one excited for her album.
Check out the track for yourselves by clicking here.
Written by: Kasim Kaey
Published: 9 June 2014
The song itself, clocking in at just under four minutes, has Cole singing about how she never thought that she would be 'that girl' with a man, the girl that hangs on his every word, etc, etc. The song has a pretty upbeat tempo and a strange trumpet solo after she sings the chorus... every time. Tempah's rap at the end of the song isn't very original and is quite boring.
Compared to other singles from her other albums (Fight For This Love, Parachute), this single doesn't make one excited for her album.
Check out the track for yourselves by clicking here.
Written by: Kasim Kaey
Published: 9 June 2014
Single of the Week: mStork - Rapman Canchop
I had the pleasure of hearing mStork for the first time at Hit the Ode, a popular poetry event held in Birmingham, in May. Unlike anything I’ve ever heard before, mStork brought with him an outstanding mash-up of poetry, spoken word, and hip-hop, and it was fantastic. Introducing the audience - those us who hadn’t seen him before, at least - to an entirely new sound, mStork broke the confines of conventional genres and introduced us all to something entirely new and extremely enjoyable.
Given all that high-praise, you won’t be surprised to see that his new single, Rapman Canchop, has made it to our Single of the Week spot.
The video for the track, which is available here, has been doing the rounds on the poetry scene for a couple of weeks now, but this track definitely deserves some more mainstream attention. Raising interesting questions about the nature of modern hip-hop, mStork’s distinctive sound is bringing something fresh to the poetry scene and, after this track, potentially something fresh to the music scene, too.
You can check out the track, and the accompanying video, for yourselves by clicking here, and, if you’re an immediate fan of mStork, then you’ll be interested in his ‘Can it go viral?’ campaign over at Facebook where mStork, and his loyal fans, are trying to up the attention given to this innovative track - check out the group for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 6 June 2014
Given all that high-praise, you won’t be surprised to see that his new single, Rapman Canchop, has made it to our Single of the Week spot.
The video for the track, which is available here, has been doing the rounds on the poetry scene for a couple of weeks now, but this track definitely deserves some more mainstream attention. Raising interesting questions about the nature of modern hip-hop, mStork’s distinctive sound is bringing something fresh to the poetry scene and, after this track, potentially something fresh to the music scene, too.
You can check out the track, and the accompanying video, for yourselves by clicking here, and, if you’re an immediate fan of mStork, then you’ll be interested in his ‘Can it go viral?’ campaign over at Facebook where mStork, and his loyal fans, are trying to up the attention given to this innovative track - check out the group for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 6 June 2014
Music News: Ed Sheeran Reveal New Song, Friends
With his release of the EP Sing, which features Ed Sheeran's first single Sing from his upcoming album Multiply (or, as it is also known as, X), Sheeran has also revealed another song, Friend.
The new song isn't actually available on his sophomore album, which raises the question of whether we'll be getting any other bonus tracks that didn't make it to the album itself.
The song in question features just Ed and his guitar, lonesomely singing about a friends with benefits relationship that he's attempting to keep secret. With lyrics like 'we're not friends, we could be anything/ If we tried to keep those secrets safe/ No one will find out if it all went wrong/ They'll never know what we've been through', the song will most likely spark controversy as fans try to figure out who Ed's singing about. Despite that, the song is simply beautiful and Ed's voice is amazing as always.
Check out the track for yourselves by clicking here.
Written by: Kasim Kaey
Published: 4 June 2014
The new song isn't actually available on his sophomore album, which raises the question of whether we'll be getting any other bonus tracks that didn't make it to the album itself.
The song in question features just Ed and his guitar, lonesomely singing about a friends with benefits relationship that he's attempting to keep secret. With lyrics like 'we're not friends, we could be anything/ If we tried to keep those secrets safe/ No one will find out if it all went wrong/ They'll never know what we've been through', the song will most likely spark controversy as fans try to figure out who Ed's singing about. Despite that, the song is simply beautiful and Ed's voice is amazing as always.
Check out the track for yourselves by clicking here.
Written by: Kasim Kaey
Published: 4 June 2014
Music News: Alex Clare Announces Second Album
Alex Clare, made famous by his song Too Close, which was featured on an Internet Explorer ad by Microsoft, has just announced his second album. His debut album, The Lateness of the Hour, was pretty good and his second seems as though it might follow this route.
The album, titled Three Hearts, will be released on July 21st, following the release of his single, War Rages On.
You check out the video for War Rages On just below.
The album, titled Three Hearts, will be released on July 21st, following the release of his single, War Rages On.
You check out the video for War Rages On just below.
Written by: Kasim Kaey
Published: 3 June 2014
Published: 3 June 2014
New Single: Nicole Scherzinger Reveals New Track, Your Love
Nicole Scherzinger has just revealed Your Love, her first song from her upcoming album. The song, clocking in at just four minutes, is pretty much what you would expect from Don't Hold Your Breath singer, as catchy as it is filled with cliche.
The pop song, which is really unimaginatively titled, has a pretty generic beat to it as Scherzinger whispers the lyrics, her face filled with a strange auto tune. However, her real voice comes out after a few seconds, still keeping that strange whisper quality to it.
The shine of the song comes in the chorus where Scherzinger sings/hums a beat but apart from that, there's really nothing special about it.
You can listen to the track by clicking here.
Written by: Kasim Kaey
Published: 2 June 2014
The pop song, which is really unimaginatively titled, has a pretty generic beat to it as Scherzinger whispers the lyrics, her face filled with a strange auto tune. However, her real voice comes out after a few seconds, still keeping that strange whisper quality to it.
The shine of the song comes in the chorus where Scherzinger sings/hums a beat but apart from that, there's really nothing special about it.
You can listen to the track by clicking here.
Written by: Kasim Kaey
Published: 2 June 2014
Single of the Week: Passenger - Heart's on Fire
Passenger has become quite a hit in the music industry over recent months. With his mesmerising single, Let Her Go, which won hearts up and down the country, the singer/song-writer became an instant success, accumulating fans all over the globe, myself included. So I couldn’t help but release a girly, fan-girl sort of squeal when I stumbled across a track that I hadn’t heard yet - I know, I know, I’m out of touch!
The single, Heart’s On Fire, is a gorgeous acoustic track - would you expect anything else? - that delivers just under four minutes of romance and intimacy with this amazing musician.
As Passenger repeats ‘Oh darling, my heart’s on fire’ there is something quite beautiful about the whole thing, and also something quite authentic as he discusses romance in a refreshingly honest way, abandoning the clichés of other pop music. With stunning but simple instrumentals, once again showing that Passenger needs nothing more than a guitar to support him, this track is another strong addition to what is shaping up to be an impressive collection of music from this young artist.
Okay, it’s not the most hip-happening track, and it might not get you in the mood for drinking and partying, but if you’re looking for something to soothe your ears this Friday, then you should definitely check out the track, and its official video, by clicking here.
Written by: Charlotte Barnes
Published: 30 May 2014
The single, Heart’s On Fire, is a gorgeous acoustic track - would you expect anything else? - that delivers just under four minutes of romance and intimacy with this amazing musician.
As Passenger repeats ‘Oh darling, my heart’s on fire’ there is something quite beautiful about the whole thing, and also something quite authentic as he discusses romance in a refreshingly honest way, abandoning the clichés of other pop music. With stunning but simple instrumentals, once again showing that Passenger needs nothing more than a guitar to support him, this track is another strong addition to what is shaping up to be an impressive collection of music from this young artist.
Okay, it’s not the most hip-happening track, and it might not get you in the mood for drinking and partying, but if you’re looking for something to soothe your ears this Friday, then you should definitely check out the track, and its official video, by clicking here.
Written by: Charlotte Barnes
Published: 30 May 2014
Album Review: Foxes - Glorious
Louisa Rose Allen or, as she is better known, Foxes, has released her début album, Glorious, and it appears to be a very well made mixed bag. Everything about the album strains to be huge, from booming drums to fist pumping pop songs, the album appears to have something for everyone and showcases Foxes' vocal talent.
First track, Talking To Ghosts, is a pretty sombre song, its eerie opening slightly chilling as Allen sings about a departed person. However, it's a pretty strong start and leads into Youth, another strong song that had been released as a single last year. Though the song is quite depressing, its content about losing grip on your youth, it works quite well as a pop song, surprisingly.
From there on, the rest of the songs all sound quite similar; Holding Onto Heaven grows into a pop chorus that is pretty addictive. White Coat builds up to a powerful final act, Let Go For Tomorrow is a pop anthem if there ever was one.
There is a definite talent at work in Allen's voice, her vocal range quite strong and her lyrics pretty good, but the album appears to lack focus. It's a pretty fun album that will warrant a few reruns here and there but the lack of focus doesn't make it stand out as much as it should. If her second album sees her concentrating more on what she wants it to sound like, it could be pretty great.
Written by: Kasim Kaey
Published: 29 May 2014
First track, Talking To Ghosts, is a pretty sombre song, its eerie opening slightly chilling as Allen sings about a departed person. However, it's a pretty strong start and leads into Youth, another strong song that had been released as a single last year. Though the song is quite depressing, its content about losing grip on your youth, it works quite well as a pop song, surprisingly.
From there on, the rest of the songs all sound quite similar; Holding Onto Heaven grows into a pop chorus that is pretty addictive. White Coat builds up to a powerful final act, Let Go For Tomorrow is a pop anthem if there ever was one.
There is a definite talent at work in Allen's voice, her vocal range quite strong and her lyrics pretty good, but the album appears to lack focus. It's a pretty fun album that will warrant a few reruns here and there but the lack of focus doesn't make it stand out as much as it should. If her second album sees her concentrating more on what she wants it to sound like, it could be pretty great.
Written by: Kasim Kaey
Published: 29 May 2014
Album Review: Cher Lloyd - Sorry I'm Late
Cher Lloyd is the girl from Britain who is known primarily for releasing the song Swagger Jagger, a song that was both hated and loved by people alike. That song came from her debut album Sticks & Stones, released in 2012, and now she's back with her second album, Sorry I'm Late.
Sorry I'm Late has been teased by Lloyd over the past few weeks as she has released music videos and audio files for her songs until the final release. Having listened to Human and Sirens, the latter of which was accompanied with a strikingly sombre music video, expectations for this album were pretty high. However, Lloyd has opted to start it of with Just Be Mine, a generic pop song that seems to be a throwback to the old Lloyd. It doesn't take much imagination to understand what the song is about with unimpressive lyrics, an unimpressive beat, and just an overall unimpressive start to the album.
And that's all I can say about the album really. It's unimpressive. Most of the tracks are generic pop songs that stay in your head until the very last second upon which they leave and are replaced with the next generic pop song that comes along. Songs like I Wish, Dirty Love (you're always so nice, I'm getting bored), and Killing It could have been sung by any other artist out there and had the same effect on me as they did sang by Lloyd.
However, there is some good in this album and that comes in the form of Sirens, Human, Sweet Despair, and Goodnight. Sirens was released as a single and is an impressive song by Lloyd, filled with her soaring vocals over a simple beat. The music video was similarly impressive and seemed to indicate a more mature Lloyd. So too do Human and Sweet Despair, the former along the lines of Sirens whereas the latter showcase Lloyd's strength as a singer. Goodnight is a guitar led song that attempts to tug on the heartstrings as the others but falls short.
Given that Lloyd pushed back the album's release from November of last year to now because she had to find that magic for her fans, it seems that she could have benefited from some more time in the studio. The album is a strange mish mash of generic pop and heartfelt songs, as though Lloyd couldn't quite decide where she wanted to stand.
Cher Lloyd's album, Sorry I'm Late, is being streamed as of right now and will be available to buy May 27th, 2014 (today).
Written by: Kasim Kaey
Published: 27 May 2014
Sorry I'm Late has been teased by Lloyd over the past few weeks as she has released music videos and audio files for her songs until the final release. Having listened to Human and Sirens, the latter of which was accompanied with a strikingly sombre music video, expectations for this album were pretty high. However, Lloyd has opted to start it of with Just Be Mine, a generic pop song that seems to be a throwback to the old Lloyd. It doesn't take much imagination to understand what the song is about with unimpressive lyrics, an unimpressive beat, and just an overall unimpressive start to the album.
And that's all I can say about the album really. It's unimpressive. Most of the tracks are generic pop songs that stay in your head until the very last second upon which they leave and are replaced with the next generic pop song that comes along. Songs like I Wish, Dirty Love (you're always so nice, I'm getting bored), and Killing It could have been sung by any other artist out there and had the same effect on me as they did sang by Lloyd.
However, there is some good in this album and that comes in the form of Sirens, Human, Sweet Despair, and Goodnight. Sirens was released as a single and is an impressive song by Lloyd, filled with her soaring vocals over a simple beat. The music video was similarly impressive and seemed to indicate a more mature Lloyd. So too do Human and Sweet Despair, the former along the lines of Sirens whereas the latter showcase Lloyd's strength as a singer. Goodnight is a guitar led song that attempts to tug on the heartstrings as the others but falls short.
Given that Lloyd pushed back the album's release from November of last year to now because she had to find that magic for her fans, it seems that she could have benefited from some more time in the studio. The album is a strange mish mash of generic pop and heartfelt songs, as though Lloyd couldn't quite decide where she wanted to stand.
Cher Lloyd's album, Sorry I'm Late, is being streamed as of right now and will be available to buy May 27th, 2014 (today).
Written by: Kasim Kaey
Published: 27 May 2014
Album Review: Sam Smith - In The Lonely Hour
Sam Smith's debut album, In The Lonely Hour, appears to try and talk about the different levels of loneliness a person can feel and at first glance, the album does exactly that. However, when listening to the songs more and more, flaws start to appear.
The album starts with the track Money On My Mind, a pretty strong start which states that Smith doesn't have 'money on my mind' but he does it 'for the love'. However, despite Smith's good intentions, the track begins to become slightly repetitive after a while. Good Thing, the second song on the album, is a slower song, led by a guitar, that showcase Smith's gorgeously expressive voice as he leads the song; 'too much of a good thing/ won't be good any more'.
Stay With Me has a certain gospel feel to it as several voices soar on the chorus, whilst Leave Your Lover is another slow track where Smith's voice truly shines. However, though the song is pretty beautiful to listen to, the lyrics are pretty simple, a flaw that seems to run through nearly all of Smith's album.
For an album that is meant to talk about loneliness, it seems a little bit too safe, as though Smith had forgotten that though loneliness bathes in sorrow, it also has close relationships with anger and rage. The album moves from slow track to slow track, never really letting go, and staying too close to the ground. If this was any other singer, the album might have been too similar for me, but Smith's voice is absolutely brilliant to listen to.
Written by: Kasim Kaey
Published: 26 May 2014
The album starts with the track Money On My Mind, a pretty strong start which states that Smith doesn't have 'money on my mind' but he does it 'for the love'. However, despite Smith's good intentions, the track begins to become slightly repetitive after a while. Good Thing, the second song on the album, is a slower song, led by a guitar, that showcase Smith's gorgeously expressive voice as he leads the song; 'too much of a good thing/ won't be good any more'.
Stay With Me has a certain gospel feel to it as several voices soar on the chorus, whilst Leave Your Lover is another slow track where Smith's voice truly shines. However, though the song is pretty beautiful to listen to, the lyrics are pretty simple, a flaw that seems to run through nearly all of Smith's album.
For an album that is meant to talk about loneliness, it seems a little bit too safe, as though Smith had forgotten that though loneliness bathes in sorrow, it also has close relationships with anger and rage. The album moves from slow track to slow track, never really letting go, and staying too close to the ground. If this was any other singer, the album might have been too similar for me, but Smith's voice is absolutely brilliant to listen to.
Written by: Kasim Kaey
Published: 26 May 2014
Single Review: Nicki Minaj - Pills n Potions
After teasing us with a new single from her new album, Nicki Minaj has just dropped it. Named Pills and Potions, the song is slightly different to what Minaj had led us to believe was coming.
Rather than a club filling pop song like Starships, or a song that showcases Minaj's rapping talent entirely, Pills and Potion can be described as a pop ballad. The song shows Minaj singing the chorus as well as rapping other parts of the song to a simple beat.
Her vocals are amongst the prettiest that we've seen from Nicki, especially in the second half of the song where she sings 'I still love, I still love, I still luh-uh-uh-luv'. That's not to say that the song is devoid of Nicki's rapping as she bursts in between the chorus, delivering lyrics that seem to indicate that someone has angered here at some point.
Despite her claims that she was going back to hip hop, this song seems to be a pretty great pop song. Check out the official audio by clicking here.
Written by: Kasim Kaey
Published: 23 May 2014
Rather than a club filling pop song like Starships, or a song that showcases Minaj's rapping talent entirely, Pills and Potion can be described as a pop ballad. The song shows Minaj singing the chorus as well as rapping other parts of the song to a simple beat.
Her vocals are amongst the prettiest that we've seen from Nicki, especially in the second half of the song where she sings 'I still love, I still love, I still luh-uh-uh-luv'. That's not to say that the song is devoid of Nicki's rapping as she bursts in between the chorus, delivering lyrics that seem to indicate that someone has angered here at some point.
Despite her claims that she was going back to hip hop, this song seems to be a pretty great pop song. Check out the official audio by clicking here.
Written by: Kasim Kaey
Published: 23 May 2014
Single Review: Loveable Rogues - Honest
You remember a couple of years back when those three adorable lads appeared on Britain’s Got Talent, and they turned out to be pretty decent musicians? Alright, I didn’t remember them either, but this morning YouTube treated me to a flash back to their audition for the popular show and I found myself loving them all over again.
Loveable Rogues won over the British public with their track Lovesick, which they introduced to us during their time on the show. They also performed a number of other tracks, one of which was Honest, the track that they’re now pushing as their latest single; coincidentally, it’s also the track that I’ve had on repeat all morning…
I don’t know why it’s taken me so long to check these guys out but I am seriously glad I did. Honest is a ridiculously catchy single with simple instrumentals, endearingly off-beat vocals that work perfectly with the quirky, and sometimes pretty touching, lyrics. The three members of this British group work together flawlessly, complementing each other’s vocal abilities and singing alongside each other to create beautiful tones throughout the song, all the while proving themselves as individual musicians in their own rights.
Make sure you head over to YouTube and check out the track, plus the official video, by clicking here.
Written by: Charlotte Barnes
Published: 19 May 2014
Loveable Rogues won over the British public with their track Lovesick, which they introduced to us during their time on the show. They also performed a number of other tracks, one of which was Honest, the track that they’re now pushing as their latest single; coincidentally, it’s also the track that I’ve had on repeat all morning…
I don’t know why it’s taken me so long to check these guys out but I am seriously glad I did. Honest is a ridiculously catchy single with simple instrumentals, endearingly off-beat vocals that work perfectly with the quirky, and sometimes pretty touching, lyrics. The three members of this British group work together flawlessly, complementing each other’s vocal abilities and singing alongside each other to create beautiful tones throughout the song, all the while proving themselves as individual musicians in their own rights.
Make sure you head over to YouTube and check out the track, plus the official video, by clicking here.
Written by: Charlotte Barnes
Published: 19 May 2014
Lana Del Rey Announces Track Listing for New Album
Lana Del Rey has just announced the tracklist for her upcoming album, Ultraviolence. This comes just after she released the first single from her album, a beautifully mesmerising song entitled West Coast that has the broody singer singing about the high life that appears in the West Coast.
The standard version of the album contains eleven tracks, whilst the deluxe adds three more to it, including Black Beauty, a song that was leaked last year. The album is set to land sometime this year though no release date has been given. Check out the tracklist: 1. 'Cruel World' 2. 'Ultraviolence' 3. 'Shades of Cool' 4. 'Brooklyn Baby' 5. 'West Coast' 6. 'Sad Girl' 7. 'Pretty When You Cry' 8. 'Money Power Glory' 9. 'Fucked My Way Up to the Top' 10. 'Old Money' 11. 'The Other Woman' Bonus Tracks 12. 'Black Beauty' 13. 'Guns and Roses' 14. 'Florida Kilos' Written by: Kasim Kaey Published: 17 May 2014 |
Sia Reveals The TRack listing for Upcoming Album Release
After releasing the mesmerising video for her single Chandelier, taken from her upcoming album 1000 Forms of Fear, Sia has now released the tracklist for her album, as well as a release date.
Her new album is set to be released on July 8th worldwide and will have 11 tracks; Chandelier Big Girls Cry Burn the Pages Eye of the Needle Hostage Straight for the Knife Fair Game Elastic Heart (produced by Diplo, co-produced by Greg Kurstin) Free the Animal Fire Meet Gasoline Cellophane Written by: Kasim Kaey Published: 17 May 2014 |
Single of the Week: Farra - Spotlight
I don’t care what anyone says, you can’t beat a bit of indie-pop; so when Farra’s new track, Spotlight, complete with music video, turned up in my inbox this week, I was stupidly excited to hear their track. Little did I know that I’d like the single so much that it would immediately shoot to our Single of the Week slot…
Farra, a London-based band made up of Ollie (vocals), Charis (Bass), James (drums) and Josh (guitar), have been causing a storm in the music industry recently, despite being a relatively new band. This bunch of brilliant musicians have supported the likes of Jessie J and Rita Ora and after listening to this latest track, it’s not hard to see why.
Spotlights is a solid indie release complete with a beautiful vocal range, a chorus you can sing along to, and instrumentals that make you dance. There is literally nothing else you could want from a track in this musical genre! While it’s clear to see that the band have been influenced by others in their musical field, with tones of M83 shining through at certain points in the track, you can still establish a strong idea of these guys and what their music is all about, which bodes well for their future in the music business.
The official release date for the single is June 9th (2014), but you can check out the single, and the video that goes with it, by clicking here. Make sure you check out the band’s Facebook page and Twitter account for more info of their upcoming singles and live performances!
Written by: Charlotte Barnes
Published: 16 May 2014
Farra, a London-based band made up of Ollie (vocals), Charis (Bass), James (drums) and Josh (guitar), have been causing a storm in the music industry recently, despite being a relatively new band. This bunch of brilliant musicians have supported the likes of Jessie J and Rita Ora and after listening to this latest track, it’s not hard to see why.
Spotlights is a solid indie release complete with a beautiful vocal range, a chorus you can sing along to, and instrumentals that make you dance. There is literally nothing else you could want from a track in this musical genre! While it’s clear to see that the band have been influenced by others in their musical field, with tones of M83 shining through at certain points in the track, you can still establish a strong idea of these guys and what their music is all about, which bodes well for their future in the music business.
The official release date for the single is June 9th (2014), but you can check out the single, and the video that goes with it, by clicking here. Make sure you check out the band’s Facebook page and Twitter account for more info of their upcoming singles and live performances!
Written by: Charlotte Barnes
Published: 16 May 2014
Music News: Ed Sheeran Reveals TRack for The Fault In Our Stars Soundtrack
After fanboying slightly over Ed Sheeran's song for The Hobbit: The Desolation of Samug's soundtrack (it is brilliant), I was pretty excited to see what he would do for the upcoming The Fault In Our Stars, the film based on the best selling novel of the same name by John Green. And I am not disappointed.
The track, titled All Of The Stars, is said to come at the end of the film, played as the credits roll by, and I guess there's a reason for that. The song is slow, melodic, and plain beautiful. Sheeran's voice is perfect as always but the lyrics are more important here than anything else. I won't spoilt anything for those that haven't read the book but let's just say, there's a reason why he sings 'I can see the stars/ From America/ I wonder, do you see them, too?'.
Check out the video for the new track by clicking here.
Written by: Kasim Kaey
Published: 15 May 2014
The track, titled All Of The Stars, is said to come at the end of the film, played as the credits roll by, and I guess there's a reason for that. The song is slow, melodic, and plain beautiful. Sheeran's voice is perfect as always but the lyrics are more important here than anything else. I won't spoilt anything for those that haven't read the book but let's just say, there's a reason why he sings 'I can see the stars/ From America/ I wonder, do you see them, too?'.
Check out the video for the new track by clicking here.
Written by: Kasim Kaey
Published: 15 May 2014
Music News: Sia Releases Amazing New Video for Chandelier!
Sia, the Australian singer who is virtually unknown but who is also responsible for several hits, such as Titanium and Wild Ones, as well as having penned songs such as Diamonds (sung by Rihanna), released her first single from her upcoming album, 1000 Forms of Fear, entitled Chandelier. The song is pretty much a great pop song, with a hook that is just great to sing along to, but also has a pretty powerful message in it, as evidenced by the music video.
The music video which accompanies the new song shows Maddie Ziegler of Dance Moms dance out a routine that is pretty much the best I have ever seen in a music video. The 11 year old ballerina starts out hanging off a door and then starts to dance, swinging her legs everywhere and performing splits on the floor effortlessly. She also makes weird faces at the camera and is seen wearing a bob similar to Sia's hairstyle, indicating that the ballerina is a child version of the songstress, who doesn't show up.
1000 Forms of Fear is rumoured to drop in June, and you can check out the video for the Chandelier single by clicking here.
Written by: Kasim Kaey
Published: 12 May 2014
The music video which accompanies the new song shows Maddie Ziegler of Dance Moms dance out a routine that is pretty much the best I have ever seen in a music video. The 11 year old ballerina starts out hanging off a door and then starts to dance, swinging her legs everywhere and performing splits on the floor effortlessly. She also makes weird faces at the camera and is seen wearing a bob similar to Sia's hairstyle, indicating that the ballerina is a child version of the songstress, who doesn't show up.
1000 Forms of Fear is rumoured to drop in June, and you can check out the video for the Chandelier single by clicking here.
Written by: Kasim Kaey
Published: 12 May 2014
Single Review: Liberty Deep Down - Bad Girl
Liberty Deep Down are one of the many bands that have got in touch with us through our Twitter account this week and boy, I am glad that they did. They’ve got a few tracks to their name out there already, but the one that was sent over to us was Bad Girl, which is available for purchase on iTunes right now.
The track introduces these four young chaps as extremely talented singers that have, dare I say it, potentially made a place for themselves as another big boy band. Now I know that that phrase invites a lot of stigma, so just let me clarify that when I say they’re a boy band I don’t mean the annoying One Direction kind, I mean a cool and slightly more mature The Wanted kind of boy band - which, as far as I’m concerned, is a good thing.
Their catchy single, Bad Girl, allows each member to flaunt their well-developed vocals individually, whilst also presenting many opportunities for them to work together at certain points, creating a brilliant range of sounds from them as a collective voice. The lyrics, despite being a little repetitive at times (but hey, isn’t that all pop music for you?), are frustratingly catchy and will force you to sing along before you’re even finished with the first run-through of this track, even if you’re only singing along with the backing vocals of the chorus.
With a little edge appearing in places, it seems to me that these guys not only have a good sound right now, but they also have potential for different, and who knows, maybe even better sounds in the future. Certainly ones to watch this year, Liberty Deep Down are bringing something new to the boy band brand, and I’m excited to see how that image will grow along with their music.
Make sure you head over to YouTube and check out Bad Girl by clicking here.
Written by: Charlotte Barnes
Published: 7 May 2014
The track introduces these four young chaps as extremely talented singers that have, dare I say it, potentially made a place for themselves as another big boy band. Now I know that that phrase invites a lot of stigma, so just let me clarify that when I say they’re a boy band I don’t mean the annoying One Direction kind, I mean a cool and slightly more mature The Wanted kind of boy band - which, as far as I’m concerned, is a good thing.
Their catchy single, Bad Girl, allows each member to flaunt their well-developed vocals individually, whilst also presenting many opportunities for them to work together at certain points, creating a brilliant range of sounds from them as a collective voice. The lyrics, despite being a little repetitive at times (but hey, isn’t that all pop music for you?), are frustratingly catchy and will force you to sing along before you’re even finished with the first run-through of this track, even if you’re only singing along with the backing vocals of the chorus.
With a little edge appearing in places, it seems to me that these guys not only have a good sound right now, but they also have potential for different, and who knows, maybe even better sounds in the future. Certainly ones to watch this year, Liberty Deep Down are bringing something new to the boy band brand, and I’m excited to see how that image will grow along with their music.
Make sure you head over to YouTube and check out Bad Girl by clicking here.
Written by: Charlotte Barnes
Published: 7 May 2014
Music News: Calvin Harris Claims Sixth Number one!
We’re getting closer and closer to the summer time now, so it’s not a massive surprise that more and more clubby, dancy, sunshine tracks are starting to appear in the charts. It’s getting more competitive for artists hoping to find a place for themselves in the UK Top 40 Chart and this week seems to have been the most competitive so far with Calvin Harris and Mr Probz going head to head for the top spot.
Calvin Harris’s track Summer has been causing a stir of happy dancing since it was released, so it’s no surprise that it was a lead runner for this week’s number one. However, Mr Probz with his mellow release Waves has also impressed listeners lately, with many wondering what else this newcomer with contribute to our play lists over the coming months.
It was however confirmed last night that Calvin Harris has done it again! Despite Mr Probz taking a good stab at the top spot, he fell short by a staggering 7,000 singles, leaving Harris to steal his sixth number one in the official charts.
This might actually be the perfect soundtrack to your Bank Holiday Monday, so make you sure you check out the official video and audio for the track just below.
Calvin Harris’s track Summer has been causing a stir of happy dancing since it was released, so it’s no surprise that it was a lead runner for this week’s number one. However, Mr Probz with his mellow release Waves has also impressed listeners lately, with many wondering what else this newcomer with contribute to our play lists over the coming months.
It was however confirmed last night that Calvin Harris has done it again! Despite Mr Probz taking a good stab at the top spot, he fell short by a staggering 7,000 singles, leaving Harris to steal his sixth number one in the official charts.
This might actually be the perfect soundtrack to your Bank Holiday Monday, so make you sure you check out the official video and audio for the track just below.
Written by: Charlotte Barnes
Published: 5 May 2014
Published: 5 May 2014
New Music: Something Mutual Reveals TRacks via Facebook!
I discovered Something Mutual through the magic of Twitter. During one of our many follow binges, their music soon popped up in our inbox and I said I’d take a listen to it. I’m not really sure what I expected but knowing that the band is basically a couple of guys from Texas, I probably had some preconceived ideas about country music - or something stereotypical like that, despite the guys openly admitting that that’s exactly the type of music that they don’t want to make.
What this duo is actually churning out is upbeat pop with some catchy instrumentals that, I’m not even ashamed to admit, have had me dancing at my desk since I put the tracks on.
They’ve got five tracks available on their Facebook page, which you can access by clicking here, and all of them boast this mash-up of electro/synth sounds and pop music vocals, which actually works really well. Fine Wine And Punchlines is probably my favourite track out of the bunch, purely for the bouncy introduction and memorable lyrics that I was singing back to my speakers after about two listens. Having said that, Permanent Vacation also boasts a similar upbeat element with the guys delivering a particularly professional sound on this track. With a pop/rock undertone here, I’m actually amazed that this hasn’t had more attention, particularly given the popularity of this genre in recent years! This certainly wouldn’t be out of the place at your local alternative club, that’s for sure.
The more I listen the more I notice indie/alternative elements that these guys have weaved throughout their tracks, without it being so strong a sound that they become pigeon-holed in this genre. With fine-tuned vocals, and soft instrumentals as well as upbeat and bouncy ones, the guys are ticking a vast number of boxes here with just a handful of tracks. Frankly, after being introduced to these songs, I can’t wait to see what else the band will be bringing out in the future.
Don’t forget to head over to Something Mutual’s Facebook page to check out these tracks for yourselves, and for updates on these guys, you can also follow them on Twitter @somethingmutual.
Written by: Charlotte Barnes
Published: 3 May 2014
What this duo is actually churning out is upbeat pop with some catchy instrumentals that, I’m not even ashamed to admit, have had me dancing at my desk since I put the tracks on.
They’ve got five tracks available on their Facebook page, which you can access by clicking here, and all of them boast this mash-up of electro/synth sounds and pop music vocals, which actually works really well. Fine Wine And Punchlines is probably my favourite track out of the bunch, purely for the bouncy introduction and memorable lyrics that I was singing back to my speakers after about two listens. Having said that, Permanent Vacation also boasts a similar upbeat element with the guys delivering a particularly professional sound on this track. With a pop/rock undertone here, I’m actually amazed that this hasn’t had more attention, particularly given the popularity of this genre in recent years! This certainly wouldn’t be out of the place at your local alternative club, that’s for sure.
The more I listen the more I notice indie/alternative elements that these guys have weaved throughout their tracks, without it being so strong a sound that they become pigeon-holed in this genre. With fine-tuned vocals, and soft instrumentals as well as upbeat and bouncy ones, the guys are ticking a vast number of boxes here with just a handful of tracks. Frankly, after being introduced to these songs, I can’t wait to see what else the band will be bringing out in the future.
Don’t forget to head over to Something Mutual’s Facebook page to check out these tracks for yourselves, and for updates on these guys, you can also follow them on Twitter @somethingmutual.
Written by: Charlotte Barnes
Published: 3 May 2014
Single of the Week: Justin Timberlake - Not A Bad Thing
I’m always looking for music to review and the UK Singles Chart is usually the first place that I start my hunt. Incidentally, to my surprise, there are actually a few gems in the chart at the minute! However, the gem that’s catching my ear right now is the new track from Justin Timberlake, Not A Bad Thing, which is just lovely.
The track is simple, heartfelt, slow, and endearing, without any over the top production techniques and fancy synth sounds to dress it up as something that it isn’t. It’s simply a little love song, with gorgeous lyrics I might add: ‘Said all I want from you is to see you tomorrow / And every tomorrow, maybe you’ll let me borrow your heart’, which leads into a chorus of JT telling us that it’s not a bad thing to fall in love with him… as if we didn’t already know. Personally I think, if for no other reason, the track deserves commendation for resisting the urge to throw an enthusiastic DJ into the mix and instead opting to stick with simple instrumentals and touching lyrics throughout the entire track - how often does that happen in music these days?
The official audio for the single is available online now, and you can access it by clicking here. Go on, throw it on and let Justin give you a massive musical hug - I promise, you’ll feel all warm and fuzzy, and other good stuff, after you’ve listened to it.
Written by: Charlotte Barnes
Published: 2 May 2014
The track is simple, heartfelt, slow, and endearing, without any over the top production techniques and fancy synth sounds to dress it up as something that it isn’t. It’s simply a little love song, with gorgeous lyrics I might add: ‘Said all I want from you is to see you tomorrow / And every tomorrow, maybe you’ll let me borrow your heart’, which leads into a chorus of JT telling us that it’s not a bad thing to fall in love with him… as if we didn’t already know. Personally I think, if for no other reason, the track deserves commendation for resisting the urge to throw an enthusiastic DJ into the mix and instead opting to stick with simple instrumentals and touching lyrics throughout the entire track - how often does that happen in music these days?
The official audio for the single is available online now, and you can access it by clicking here. Go on, throw it on and let Justin give you a massive musical hug - I promise, you’ll feel all warm and fuzzy, and other good stuff, after you’ve listened to it.
Written by: Charlotte Barnes
Published: 2 May 2014
Album Review: Lily Allen - Sheezus
Lily Allen is back and this time, it appears to be personal. But then again, isn't it always personal with this British pop star? It's no surprise that her opening song contains the lyric 'Don't let my kids watch me when I get in the ring' - the ring here being a metaphorical one consisting of witty lines thrown at others in the media world.
The song in question, called Sheezus, which also happens to be the name of her album, seems to try and offend as many people as possible in the short space of four minutes. Allen calls out the competition between women in media (RiRi isn't scared of Katy Perry's roaring/ Queen B's gone back to the drawing/ Lorde smells blood, yeah, she’s about to slay you/ Kid ain’t one to fuck with when she’s only on her début) as well as a strange verse about the fact that half the world seem to get periods or at least 'that's the theory'. Not that Allen appears to care!
It's a good opener to an album that seems dedicated to this sort of insulting, as Allen sings on Hard Out Here about the problems female artists face in our society. The song was the first single lifted from Sheezus and has seen much debate so I'll keep it short; for a song that talks about what women go through in the media, it's pretty damn good. This contempt of society is further emphasised in Insincerely Yours, where Allen actually says the words 'I don't give a fuck about your Instagram, your lovely house, or your ugly kids.' Thinly veiled contempt is something you should get familiar with before listening to this album.
URL Badman shows Allen's disdain towards people who sit at home and troll on the internet; 'I'm a broadband champion, a URL badman', whilst Take My Place has Allen lamenting about how she so wishes someone else could take her place in this life she is living. However, not everything is so witty on this album. Our Time is a generic pop song that really doesn't stay long after it's finished, whilst Air Balloon talks about Allen's tendency to 'drift away' which was something I found myself doing whilst listening to it.
Despite this, the album is solid in what it does and what it does is shine a light on the unfortunate double standards that exist in the media, as stated in Hard Out Here; 'If I told you about my sex life, you'd call me a slut/ Them boys be talking about their bitches, no one's making a fuss.'
Written by: Kasim Kaey
Published: 1 May 2014
The song in question, called Sheezus, which also happens to be the name of her album, seems to try and offend as many people as possible in the short space of four minutes. Allen calls out the competition between women in media (RiRi isn't scared of Katy Perry's roaring/ Queen B's gone back to the drawing/ Lorde smells blood, yeah, she’s about to slay you/ Kid ain’t one to fuck with when she’s only on her début) as well as a strange verse about the fact that half the world seem to get periods or at least 'that's the theory'. Not that Allen appears to care!
It's a good opener to an album that seems dedicated to this sort of insulting, as Allen sings on Hard Out Here about the problems female artists face in our society. The song was the first single lifted from Sheezus and has seen much debate so I'll keep it short; for a song that talks about what women go through in the media, it's pretty damn good. This contempt of society is further emphasised in Insincerely Yours, where Allen actually says the words 'I don't give a fuck about your Instagram, your lovely house, or your ugly kids.' Thinly veiled contempt is something you should get familiar with before listening to this album.
URL Badman shows Allen's disdain towards people who sit at home and troll on the internet; 'I'm a broadband champion, a URL badman', whilst Take My Place has Allen lamenting about how she so wishes someone else could take her place in this life she is living. However, not everything is so witty on this album. Our Time is a generic pop song that really doesn't stay long after it's finished, whilst Air Balloon talks about Allen's tendency to 'drift away' which was something I found myself doing whilst listening to it.
Despite this, the album is solid in what it does and what it does is shine a light on the unfortunate double standards that exist in the media, as stated in Hard Out Here; 'If I told you about my sex life, you'd call me a slut/ Them boys be talking about their bitches, no one's making a fuss.'
Written by: Kasim Kaey
Published: 1 May 2014
Cher Lloyd Releases Yet Another Single From New Album!
Cher Lloyd has just released her fifth song from her new album, called Sorry I'm Late, which is to be released on May 27th in the US and June 23rd in the UK.
This new song, called Bind Your Love, shows a more mature style to Lloyd, like Sirens did, than her début album. Lloyd's songs from her new album have shown that she's got quite the range as a singer and Bind Your Love just adds to it; a generic pop song that shows how good of a singer she is. If her album is anything like this and Sirens, it's going to be worth quite the listen.
Listen to Bind Your Love here.
Written by: Kasim Kaey
Published: 29 April 2014
This new song, called Bind Your Love, shows a more mature style to Lloyd, like Sirens did, than her début album. Lloyd's songs from her new album have shown that she's got quite the range as a singer and Bind Your Love just adds to it; a generic pop song that shows how good of a singer she is. If her album is anything like this and Sirens, it's going to be worth quite the listen.
Listen to Bind Your Love here.
Written by: Kasim Kaey
Published: 29 April 2014
Single Review: Ariana Grande - Problem Feat. Iggy Azalea
Ariana Grande has just previewed her new song, Problem, feauring Iggy Azalea, to the world. The new song, taken from her upcoming second album, looked as though it might be different from her other songs, thanks to a sexy cover released a while ago, and the fact that Azalea was featuring on it, but fans of Grande can relax. The song, although slightly different, is still pretty much the same as what she's released before.
Problem is a take on that popular saying 'I got 99 problems but a bitch ain't one', as popularised by Jay-Z, with Azalea referencing it in her verse (I got 99 problems but you won't be one). Essentially, Grande sings about how she's better off without this person, as evidenced by the chorus: 'Head in the clouds, got no weight on my shoulders,/ I should be wiser and realise that I've got one less problem without you.'
You can check out the new track by clicking here.
Written by: Kasim Kaey
Published: 28 April 2014
Problem is a take on that popular saying 'I got 99 problems but a bitch ain't one', as popularised by Jay-Z, with Azalea referencing it in her verse (I got 99 problems but you won't be one). Essentially, Grande sings about how she's better off without this person, as evidenced by the chorus: 'Head in the clouds, got no weight on my shoulders,/ I should be wiser and realise that I've got one less problem without you.'
You can check out the new track by clicking here.
Written by: Kasim Kaey
Published: 28 April 2014
Single Review: Clean Bandit - Extraordinary feat. Sharna Bass
Clean Bandit absolutely smashed the charts with their previous release, Rather Be, which featured Jess Glynne. The song was absolutely everywhere, marking the introduction of summertime tracks into the Singles’ Chart for this year. So, with that successful introduction to the music industry firmly beneath them, it’s no surprise that they’re back with another upbeat number to impress us all, the problem being, I’m not sure that it does…
The problem with a single like Rather Be is that you need something spectacular as a follow-up single, and their new track, Extraordinary, which features the vocals of Sharna Bass, just feels a little short of that spectacular spark that I was expecting to hear.
Now with that bleak introduction out of the way, I will venture to say that it’s actually a good single. Bass’s vocals are perfectly accompanied by the intricate instrumentals that range from fine-tuned to clubby, which is fast-becoming what we all expect to hear from Clean Bandit. It’s yet another summer song that will be in the charts in no time but, as I’ve already mentioned, I don’t know how it will fair as a follow-up to the monumental Rather Be that listeners loved so much.
Nevertheless this is a promising single that is sure to have people up on their feet, and is definitely a track worth listening to you for those of you heading out on the town tonight. You can check out the track, and music video, by clicking here, and make sure you get in touch with us to let us know what you think of this new release.
Written by: Charlotte Barnes
Published: 26 April 2014
The problem with a single like Rather Be is that you need something spectacular as a follow-up single, and their new track, Extraordinary, which features the vocals of Sharna Bass, just feels a little short of that spectacular spark that I was expecting to hear.
Now with that bleak introduction out of the way, I will venture to say that it’s actually a good single. Bass’s vocals are perfectly accompanied by the intricate instrumentals that range from fine-tuned to clubby, which is fast-becoming what we all expect to hear from Clean Bandit. It’s yet another summer song that will be in the charts in no time but, as I’ve already mentioned, I don’t know how it will fair as a follow-up to the monumental Rather Be that listeners loved so much.
Nevertheless this is a promising single that is sure to have people up on their feet, and is definitely a track worth listening to you for those of you heading out on the town tonight. You can check out the track, and music video, by clicking here, and make sure you get in touch with us to let us know what you think of this new release.
Written by: Charlotte Barnes
Published: 26 April 2014
Album Review: Iggy Azalea - The New Classic
Iggy Azalea (a name as strange as they come) is the name for the Australian born rapper who burst onto the scene with her song Pu$$y in 2012 and will be releasing her album on the 21st April, 2014.
The album, at first glance, appears to be a strange, incoherent mix. You have Work, her first proper single, where she chronicles her ascent to stardom from 'No money, no family/16 in the middle of Miami' which then turns into a strangely generic song about working, despite the great start. Goddess talks about exactly what you would think a song entitled that would, whilst Black Widow essentially declares war on love with Rita Ora belting out the chorus ('I'm gonna love you, until you hate me/Now I'm gonna show you, what's really crazy/You should have known better, than to mess with me harder') and awkwardly steals the show from Iggy herself.
However, that's not to say the album isn't without its strong points. Don't Need Y'all is a good enough song where Iggy finds all the time she needs to vent about the negatives of fame and stardom. Impossible Is Nothing is a surprisingly uplifting song, even with the eerie bell loops that exist in the background.
However, even the good can't outweigh the bad here, or rather, the boringly generic. Nothing about this album is new, despite what the title might lead you to believe, but the talent is here. It just needs to be applied.
Written by: Kasim Kaey
Published: 21 April 2014
The album, at first glance, appears to be a strange, incoherent mix. You have Work, her first proper single, where she chronicles her ascent to stardom from 'No money, no family/16 in the middle of Miami' which then turns into a strangely generic song about working, despite the great start. Goddess talks about exactly what you would think a song entitled that would, whilst Black Widow essentially declares war on love with Rita Ora belting out the chorus ('I'm gonna love you, until you hate me/Now I'm gonna show you, what's really crazy/You should have known better, than to mess with me harder') and awkwardly steals the show from Iggy herself.
However, that's not to say the album isn't without its strong points. Don't Need Y'all is a good enough song where Iggy finds all the time she needs to vent about the negatives of fame and stardom. Impossible Is Nothing is a surprisingly uplifting song, even with the eerie bell loops that exist in the background.
However, even the good can't outweigh the bad here, or rather, the boringly generic. Nothing about this album is new, despite what the title might lead you to believe, but the talent is here. It just needs to be applied.
Written by: Kasim Kaey
Published: 21 April 2014
Album Review: The Vamps - Meet The Vamps
You've most likely heard of The Vamps, a new boy band, whether or not you've wanted to. Set to be one of the biggest breakthroughs of this year, The Vamps are a boy band consisting of four boys who met through social networks. Amassing a huge following on the internet, they've now released their début album, Meet The Vamps, and it's surprisingly good, if a little bit repetitive.
Last year's lead single Can We Dance has a great chorus, bouncy brass and the aspiration of those who are young soaring through its lyrics. Wild Heart is guitar led but still has their penchant for a rousing sing-along with its captivating lyrics.
However, once you've heard one song from this album, you've more or less heard them all. In the same vein as The Wanted or One Direction, The Vamps's songs all suffer from a repetitiveness that is a lot more in your face here than anywhere else, thanks to the fact that this album has fifteen tracks (eighteen if you buy the deluxe version). That seems a little much for any album, especially a début.
Nevertheless, the album packs enough of a punch to warrant a few listens here and there and for fans of the band before they became famous, it'll surely soothe their souls.
Written by: Kasim Kaey
Published: 20 April 2014
Last year's lead single Can We Dance has a great chorus, bouncy brass and the aspiration of those who are young soaring through its lyrics. Wild Heart is guitar led but still has their penchant for a rousing sing-along with its captivating lyrics.
However, once you've heard one song from this album, you've more or less heard them all. In the same vein as The Wanted or One Direction, The Vamps's songs all suffer from a repetitiveness that is a lot more in your face here than anywhere else, thanks to the fact that this album has fifteen tracks (eighteen if you buy the deluxe version). That seems a little much for any album, especially a début.
Nevertheless, the album packs enough of a punch to warrant a few listens here and there and for fans of the band before they became famous, it'll surely soothe their souls.
Written by: Kasim Kaey
Published: 20 April 2014
Single of the Week: Kiesza - Hideaway
Did I, or did I not tell you, that the summertime anthems were slowly starting to filter through our stereos? There’s something about sunshine that just drives musicians to make upbeat little dance numbers; similarly, there’s something about sunshine that makes us all want to get up a boogie away to them, and the latest track to get us on our feet is Kiesza’s Hideaway.
The track has already been tipped as the next number in the UK singles chart and after a listen, we can completely understand why.
It’s jam-packed with funky instrumentals; do I detect some synth work here? Kiesza’s vocals are impressive, packing in a massive range of sounds that work particularly well with the fluctuations in instrumentals. Incidentally, these instrumentals leave this track open for about a thousand remixes over the summer months, so you should probably prepare yourselves for that, too!
It’s a Friday feeling track and that’s exactly why we’re introducing it as our single for the week this week! The official video for the track is available on YouTube right now, which you can access by clicking here, and we sincerely recommend you throw it on loud and have a little boogie to get you in the mood for whatever you’re doing this weekend!
Written by: Charlotte Barnes
Published: 18 April 2014
The track has already been tipped as the next number in the UK singles chart and after a listen, we can completely understand why.
It’s jam-packed with funky instrumentals; do I detect some synth work here? Kiesza’s vocals are impressive, packing in a massive range of sounds that work particularly well with the fluctuations in instrumentals. Incidentally, these instrumentals leave this track open for about a thousand remixes over the summer months, so you should probably prepare yourselves for that, too!
It’s a Friday feeling track and that’s exactly why we’re introducing it as our single for the week this week! The official video for the track is available on YouTube right now, which you can access by clicking here, and we sincerely recommend you throw it on loud and have a little boogie to get you in the mood for whatever you’re doing this weekend!
Written by: Charlotte Barnes
Published: 18 April 2014
Single Review: Janet Devlin - House of Cards
In recent months it has become glaringly obvious for anyone following her career that Janet Devlin has broken the X Factor constraints that were placed upon on her all those years ago. Devlin has moulded herself into a much more professional artist, identifying and developing a style that works for her, which we were introduced to in her recent single, Wonderful.
Well now, just to show us that it wasn’t a one-off, she’s back with another adorable single, House of Cards, which has been taken from her upcoming album.
I’ll get my one criticism out of the way to begin with: there is something over-powering about the instrumentals in this track. Nice as they are, there are moments when they feel too loud for the singer’s gentle vocals - so there, I’ve said it, it’s out of the way. Now moving onto more positive points! Devlin has succeeded in releasing yet another endearing summertime track with lyrics that will make you sing-a-long after the second listen (or maybe that’s just me). There’s a blending of so many sounds in this track, I just don’t know where to start with it! The influences of the likes of Newton Faulkner are obvious here, and you’ll also spot a Lumineers reference with the ‘Hey!’ that can be found in the second verse, if I remember rightly.
It’s a cute little number and yes, I will be adding it to the MHR playlist - the mark of a quality single, if there ever was one. Devlin has matured in her sounds and because of that, it seems likely that there is a promising career ahead for this young starlet. With this single, and the previous track Wonderful, already released from the album, it’s shaping up to be an upbeat little record, and I for one can’t wait to hear what the other tracks will hold.
The album, Running With Scissors, will be released in June, while the single, House of Cards, is officially released on May 26th, but you can check out the cute video that goes along with the track already by clicking here.
Written by: Charlotte Barnes
Published: 17 April 2014
Well now, just to show us that it wasn’t a one-off, she’s back with another adorable single, House of Cards, which has been taken from her upcoming album.
I’ll get my one criticism out of the way to begin with: there is something over-powering about the instrumentals in this track. Nice as they are, there are moments when they feel too loud for the singer’s gentle vocals - so there, I’ve said it, it’s out of the way. Now moving onto more positive points! Devlin has succeeded in releasing yet another endearing summertime track with lyrics that will make you sing-a-long after the second listen (or maybe that’s just me). There’s a blending of so many sounds in this track, I just don’t know where to start with it! The influences of the likes of Newton Faulkner are obvious here, and you’ll also spot a Lumineers reference with the ‘Hey!’ that can be found in the second verse, if I remember rightly.
It’s a cute little number and yes, I will be adding it to the MHR playlist - the mark of a quality single, if there ever was one. Devlin has matured in her sounds and because of that, it seems likely that there is a promising career ahead for this young starlet. With this single, and the previous track Wonderful, already released from the album, it’s shaping up to be an upbeat little record, and I for one can’t wait to hear what the other tracks will hold.
The album, Running With Scissors, will be released in June, while the single, House of Cards, is officially released on May 26th, but you can check out the cute video that goes along with the track already by clicking here.
Written by: Charlotte Barnes
Published: 17 April 2014
Single Review: Lana Del Rey - West Coast
Lana Del Rey, the beautiful singer who seems like she's stepped right out of 1950's to give our modern society a taste of the past through her songs, has finally released her single, West Coast, from her second upcoming album, Ultraviolence.
In traditional Del Rey fashion, the song doesn't sound anything like you'd expect from something this mainstream. The beat of the song is more 1960's psychedelic than 2014 pop but it works as she croons over it on the chorus about smoking, loving and leaving.
Del Rey has previously said that her new album was going to be darker than her previous one and that's pretty evident from this song. It has a dark atmospheric feel to it, starting off slow, building up into a seedy overbearing force.
The track will be available for purchase on May 18th, but you can check out the official audio by clicking here.
Written by: Kasim Kaey
Published: 15 April 2014
In traditional Del Rey fashion, the song doesn't sound anything like you'd expect from something this mainstream. The beat of the song is more 1960's psychedelic than 2014 pop but it works as she croons over it on the chorus about smoking, loving and leaving.
Del Rey has previously said that her new album was going to be darker than her previous one and that's pretty evident from this song. It has a dark atmospheric feel to it, starting off slow, building up into a seedy overbearing force.
The track will be available for purchase on May 18th, but you can check out the official audio by clicking here.
Written by: Kasim Kaey
Published: 15 April 2014
Single Review: The Neighbourhood - Honest
The hip-hop influenced band, The Neighbourhood, exploded into the mainstream last year with their song, Sweater Weather, and now they're back with a new song for the upcoming The Amazing Spiderman 2's soundtrack.
The song keeps in tune with their first album with echoing guitars paired with hip-hop beats and exquisite lyrics sung by Jesse Rutherford, in his almost strained voice as he sings 'I pray for the best for you'.
The song also keeps in tune with the film as it can be said to be from both Gwen Stacy's view and Peter Parker's. It could be from Gwen's view in that it speaks about how she can't trust him and why did he stay with her. Or it could be from Peter's point of view as it could be about him opening up to her. Whichever way the song wants to swing, no pun intended, it's a good soundtrack song and merits a listen or two.
Check out the track now by clicking here.
Written by: Kasim Kaey
Published: 11 April 2014
The song keeps in tune with their first album with echoing guitars paired with hip-hop beats and exquisite lyrics sung by Jesse Rutherford, in his almost strained voice as he sings 'I pray for the best for you'.
The song also keeps in tune with the film as it can be said to be from both Gwen Stacy's view and Peter Parker's. It could be from Gwen's view in that it speaks about how she can't trust him and why did he stay with her. Or it could be from Peter's point of view as it could be about him opening up to her. Whichever way the song wants to swing, no pun intended, it's a good soundtrack song and merits a listen or two.
Check out the track now by clicking here.
Written by: Kasim Kaey
Published: 11 April 2014
Single Review: Ed Sheeran - Sing
It's finally here! Ed Sheeran has released a single from his new album, X, set to release on June 23rd, called Sing.
The single is completely different from anything he's done before. Instead of the usual guitar acoustics that you hear throughout his entire debut album, +, there's a R&B beat underlying his lyrics here, obviously influenced by Pharrell, who he's teamed up with to make this album.
The song sees Sheeran talking about wanting a woman and has stated before that the song is about a night out that he had. The most surprising part of this is Sheeran's falsetto on the chorus; let's just say it's pretty incredible.
It's a good song and, though it's a departure from what we've come to expect from Sheeran, especially considering his song I See Fire for The Hobbit: The Desolation of Smaug, it is pretty damn good.
You can download Sing from iTunes now, and get a taster of this amazing track by heading over to YouTube.
Written by: Kasim Kaey
Published: 10 April 2014
The single is completely different from anything he's done before. Instead of the usual guitar acoustics that you hear throughout his entire debut album, +, there's a R&B beat underlying his lyrics here, obviously influenced by Pharrell, who he's teamed up with to make this album.
The song sees Sheeran talking about wanting a woman and has stated before that the song is about a night out that he had. The most surprising part of this is Sheeran's falsetto on the chorus; let's just say it's pretty incredible.
It's a good song and, though it's a departure from what we've come to expect from Sheeran, especially considering his song I See Fire for The Hobbit: The Desolation of Smaug, it is pretty damn good.
You can download Sing from iTunes now, and get a taster of this amazing track by heading over to YouTube.
Written by: Kasim Kaey
Published: 10 April 2014
Single Review: Iggy Azalea - Fancy Feat. Charli XCX
Yesterday morning, as usual, I skimmed through the internet searching out new tracks to clutter up our music section this week. I absent-mindedly added most of them to my iTunes with the intention of listening to them over the day while I was working. It was a fairly decent plan until Iggy Azalea’s new track, Fancy, popped up on my iTunes and literally stopped me in my tracks. And not for good reasons…
It’s a clumsy track with a fairly distinctive instrumental, complete with beats that I might enjoy if they were in an entirely different song. I’ve listened to this track a few times now and, while I would love to write a comprehensive review where I detail the impressive lyrics and rapping ability exhibited by the artist, I just can’t. The main reason for that being that I’m not even sure what I’m listening to.
The entire track feels messy, made worse by the forced accent used by the artist and the fact that she is using that accent to make words that don’t rhyme sound like they do. Couple this with the Gwen Stefani-sounding ‘I’m so fancy’ chorus and I just, I can’t… I don’t understand.
Now, I’m obviously missing some integral to my understanding of the track here, because it’s already collected over 11, 000, 000 views on YouTube. However, having said that, the comments that are appearing about the video are fairly mixed, so perhaps we’re all a bit confused about Iggy Azalea?
Check out the track, and the official video, by clicking here, and make sure you let us know what you think - I’m genuinely intrigued to know your opinion on this one, folks.
Written by: Charlotte Barnes
Published: 8 April 2014
It’s a clumsy track with a fairly distinctive instrumental, complete with beats that I might enjoy if they were in an entirely different song. I’ve listened to this track a few times now and, while I would love to write a comprehensive review where I detail the impressive lyrics and rapping ability exhibited by the artist, I just can’t. The main reason for that being that I’m not even sure what I’m listening to.
The entire track feels messy, made worse by the forced accent used by the artist and the fact that she is using that accent to make words that don’t rhyme sound like they do. Couple this with the Gwen Stefani-sounding ‘I’m so fancy’ chorus and I just, I can’t… I don’t understand.
Now, I’m obviously missing some integral to my understanding of the track here, because it’s already collected over 11, 000, 000 views on YouTube. However, having said that, the comments that are appearing about the video are fairly mixed, so perhaps we’re all a bit confused about Iggy Azalea?
Check out the track, and the official video, by clicking here, and make sure you let us know what you think - I’m genuinely intrigued to know your opinion on this one, folks.
Written by: Charlotte Barnes
Published: 8 April 2014
Single Review: Sigma - Nobody to Love
Well, it’s April, which can naturally only mean one thing: the music industry is starting to throw some summer-time songs in our direction. A little premature, maybe, but nevertheless, Sigma’s summery track Nobody To Love has certainly brought some bright beats to us on this gloomy morning, so maybe it’s not such a bad thing.
The dance track, which is officially released this week, was uploaded to YouTube about a week a go with an official video, which you can access by clicking here. Oh, and before you tell yourselves that it’s just too early for summer time tracks, you might want to keep in mind that the track has already had over 500, 000 hits - so it must be doing something right!
I’m not going to tell you that this is a pioneering dance track that will put all other dance tracks to shame, because it truly isn’t. However, it is a fairly catchy little number that I expect to hear in pubs and clubs in the near future - yes, it’s one of those dance songs. A strong dance beat coupled with repetitive but pleasant vocals that are easy to remember, and therefore easy to sing a long to (which I’m sure many of us will do gleefully over the summer months!). Honestly, what more could you want from a song in this genre?
Make sure you head over to YouTube to check out the track for yourselves; you might be pleasantly surprised by how much sunshine this brings to your Monday morning!
Written by: Charlotte Barnes
Published: 7 April 2014
The dance track, which is officially released this week, was uploaded to YouTube about a week a go with an official video, which you can access by clicking here. Oh, and before you tell yourselves that it’s just too early for summer time tracks, you might want to keep in mind that the track has already had over 500, 000 hits - so it must be doing something right!
I’m not going to tell you that this is a pioneering dance track that will put all other dance tracks to shame, because it truly isn’t. However, it is a fairly catchy little number that I expect to hear in pubs and clubs in the near future - yes, it’s one of those dance songs. A strong dance beat coupled with repetitive but pleasant vocals that are easy to remember, and therefore easy to sing a long to (which I’m sure many of us will do gleefully over the summer months!). Honestly, what more could you want from a song in this genre?
Make sure you head over to YouTube to check out the track for yourselves; you might be pleasantly surprised by how much sunshine this brings to your Monday morning!
Written by: Charlotte Barnes
Published: 7 April 2014
Music News: Ed Sheeran Announces New Single!
The ginger ruffian from the UK has just announced his new single from his new album, the upcoming LP that has the hard job of following his debut album, +, which peaked at number five in the UK.
Sheeran has performed two new songs off his album in live shows but this is the first time that a single has been confirmed.
The single, titled Sing, will be released on Monday 7th April 2014 (tomorrow), with digital downloads available later that evening. As for the unnamed album itself, there's no official release date.
Written by: Kasim Kaey
Published: 6 April 2014
Sheeran has performed two new songs off his album in live shows but this is the first time that a single has been confirmed.
The single, titled Sing, will be released on Monday 7th April 2014 (tomorrow), with digital downloads available later that evening. As for the unnamed album itself, there's no official release date.
Written by: Kasim Kaey
Published: 6 April 2014
Music News: Lana Del Rey Teases Fans With News Of New Single!
Lana Del Rey is a bit like Marmite. You either obsessively love her or you hate her, that is, if you know who she is. When she burst onto the music scene only three years ago, people dubbed her for a fake, claiming that she had used her father's money to gain an advantage. Whether or not that's true, her music seems to have spoken for itself, with Del Rey accumulating a rather large fanbase over the past few years with debut album Born to Die and her EP Paradise. Her popularity soured when she recorded the song Young and Beautiful for The Great Gatsby (2013), which was close to being nominated for an Oscar.
This year, Del Rey plans to release her second album, called Ultraviolet, and has just announced that she's going to release a single from said album called West Coast. The news actually comes from her personal twitter account so there's no release date as of yet, but I'm sure the news itself will be enough to inspire excitement in those that like her.
Written by: Kasim Kaey
Published: 5 April 2014
This year, Del Rey plans to release her second album, called Ultraviolet, and has just announced that she's going to release a single from said album called West Coast. The news actually comes from her personal twitter account so there's no release date as of yet, but I'm sure the news itself will be enough to inspire excitement in those that like her.
Written by: Kasim Kaey
Published: 5 April 2014
Single of the Week: Sam Smith - Stay With Me
Am I the only person who’s slowly falling in love with Sam Smith? Of course I’m not! How could I possibly be the only person when the man insists on churning out brilliant singles? Money On My Mind sky-rocketed through the official charts and I’m willing to bet money that when Sam’s new single, Stay With Me, goes mainstream, it will follow the same path paved by his previous solo hit.
The official audio for the new track popped up on YouTube a handful of days ago, with an official video for the single quickly following, and since then the pair of them have been drawing in loyal listeners - rightly so, given how lovely this new track is.
The emotionally-charged Stay With Me is littered with overtones from other musical genres, namely the distinct strand of soul that runs through Sam’s vocals which is complemented massively by the gospel elements that are to be found in the chorus (you‘ll even find an appearance from a choir in the video for the track). The self-reflective lyrics that make for an admirable love song deliver opportunity after opportunity for Sam to demonstrate his impressive vocal range, which he clearly does with ease - again, following the path paved by his previous hit.
What can I say? I just love the single. It’s a heart-warming track that will undoubtedly become more popular over the coming weeks as it reaches a wider audience, so brace yourselves for another dose of Sam Smith because with singles like this, this boy is definitely going places.
You can check out the audio for the track by clicking here.
Written by: Charlotte Barnes
Published: 4 April 2014
The official audio for the new track popped up on YouTube a handful of days ago, with an official video for the single quickly following, and since then the pair of them have been drawing in loyal listeners - rightly so, given how lovely this new track is.
The emotionally-charged Stay With Me is littered with overtones from other musical genres, namely the distinct strand of soul that runs through Sam’s vocals which is complemented massively by the gospel elements that are to be found in the chorus (you‘ll even find an appearance from a choir in the video for the track). The self-reflective lyrics that make for an admirable love song deliver opportunity after opportunity for Sam to demonstrate his impressive vocal range, which he clearly does with ease - again, following the path paved by his previous hit.
What can I say? I just love the single. It’s a heart-warming track that will undoubtedly become more popular over the coming weeks as it reaches a wider audience, so brace yourselves for another dose of Sam Smith because with singles like this, this boy is definitely going places.
You can check out the audio for the track by clicking here.
Written by: Charlotte Barnes
Published: 4 April 2014
Single Review: Rita Ora - I Will Never Let You Down
Rita Ora was quite the surprise in 2012 when she released her debut album, Ora, which was an instant success. Her single R.I.P. threw her right into the spotlight, which was no mistake. Her album was, and still is, pretty decent. A strong mix of pop songs with the odd sad song thrown in for fun, it's still a good listen to this day. Fans of Ora have been awaiting news on her second album and now she's released her first single, titled I Will Never Let You Down.
The song is pretty much what you would expect from the title. Written and produced by Calvin Harris, it has the beat and the chorus that one would expect from a pop song, designed to get people singing along to it.
The music video that comes with is just more of the same stuff that we've seen over the years. Ora dances along with models whilst singing along to her song with greay enjoyment.
For her debut album, in the UK, the first single to be taken from the album was R.I.P. which was a solid pop song. Compared to that, this single comes across as a bit of a disappointment. Hopefully, we'll see something more from the singer as she releases more of her music.
Check out the track and the music video by clicking here.
Written by: Kasim Kaey
Published: 3 April 2014
The song is pretty much what you would expect from the title. Written and produced by Calvin Harris, it has the beat and the chorus that one would expect from a pop song, designed to get people singing along to it.
The music video that comes with is just more of the same stuff that we've seen over the years. Ora dances along with models whilst singing along to her song with greay enjoyment.
For her debut album, in the UK, the first single to be taken from the album was R.I.P. which was a solid pop song. Compared to that, this single comes across as a bit of a disappointment. Hopefully, we'll see something more from the singer as she releases more of her music.
Check out the track and the music video by clicking here.
Written by: Kasim Kaey
Published: 3 April 2014
Single Review: Cher Lloyd - Dirty Love
Cher Lloyd has released another single from her second album, titled Sorry I'm Late. Her new single, Dirty Love, comes just after she released Sirens, a much more mature song that attempted to pack an emotional punch. Although it failed slightly on that regard, it did show that Lloyd was capable of more than her Swagger Jagger attempts.
However, Dirty Love seems to go back to her pop beginnings, with Lloyd crooning over a generic pop beat about how she's tired of nice and wants Dirty Love. It's generic, the beat is generic and it's nothing original.
Personally, I'm a little disappointed that she's included this on the album. Sirens seemed as though she was taking a different direction but I guess that's hard to do when you have an album to fill.
Check out the official audio for Dirty Love by clicking here.
Written by: Kasim Kaey
Published: 1 April 2014
However, Dirty Love seems to go back to her pop beginnings, with Lloyd crooning over a generic pop beat about how she's tired of nice and wants Dirty Love. It's generic, the beat is generic and it's nothing original.
Personally, I'm a little disappointed that she's included this on the album. Sirens seemed as though she was taking a different direction but I guess that's hard to do when you have an album to fill.
Check out the official audio for Dirty Love by clicking here.
Written by: Kasim Kaey
Published: 1 April 2014
Album Review: Christina Perri - Head or Heart
The Jar of Hearts singer is back with a new album and she pretty much uses the same personality she used on her original album, with a few changes here and there.
Head or Heart starts off with the song Trust, which features Perri lamenting about the nature of trust and how she can barely bear to trust herself, let alone someone else. The song is emotionally dense and the rest of the album follows suit. Burning Gold follows, and then what I think are the two best songs on the entire album follow that: Be My Forever (ft Ed Sheeran) and Human. Be My Forever is a charismatic tune that blends Sheeran's voice with Perri's in a surprisingly perfect way whilst Human has Perri singing about the fact that we are only human. Both songs are perfect and whilst Human spent its time as a single from her album, it's surprising that she didn't choose to have Be My Forever as a single as well, especially considering Sheeran's popularity.
To say Perri's album is cohesive would be an understatement. Each song feeds into each other in a way that makes it seem as though the entire album is just one giant song. One Night, Sea of Lovers, The Words, Butterfly and Somewhere Out There are all great songs and the rest are just as good. If you've liked Perri before, you'll definitely love her here. And if you haven't been a fan of Perri, I suggest you give her a go by listening to Human or Burning Gold. Both songs are solid examples of Perri at her best and show just a glimmer of what awaits you in the album itself.
Written by: Kasim Kaey
Published: 31 March 2014
Head or Heart starts off with the song Trust, which features Perri lamenting about the nature of trust and how she can barely bear to trust herself, let alone someone else. The song is emotionally dense and the rest of the album follows suit. Burning Gold follows, and then what I think are the two best songs on the entire album follow that: Be My Forever (ft Ed Sheeran) and Human. Be My Forever is a charismatic tune that blends Sheeran's voice with Perri's in a surprisingly perfect way whilst Human has Perri singing about the fact that we are only human. Both songs are perfect and whilst Human spent its time as a single from her album, it's surprising that she didn't choose to have Be My Forever as a single as well, especially considering Sheeran's popularity.
To say Perri's album is cohesive would be an understatement. Each song feeds into each other in a way that makes it seem as though the entire album is just one giant song. One Night, Sea of Lovers, The Words, Butterfly and Somewhere Out There are all great songs and the rest are just as good. If you've liked Perri before, you'll definitely love her here. And if you haven't been a fan of Perri, I suggest you give her a go by listening to Human or Burning Gold. Both songs are solid examples of Perri at her best and show just a glimmer of what awaits you in the album itself.
Written by: Kasim Kaey
Published: 31 March 2014
Album Review: Shakira - Shakira
And so the sultry Hips Don't Lie singer returns with her tenth studio album (her fourth English album), self-titled of course. The album has been teased in the last couple of months, with the huge single Can't Remember To Forget You ft Rihanna leading the fray. The song exploded over the Internet, along with a very sexy music video with both leading ladies in it, and that's not even the best this album has to offer you.
Empire packs an emotional punch that can be expected from the Spanish singer, a mature piano driven song that is just a really good listen. Can't Remember To Forget You stays the rock song that it's always been. You Don't Care About Me is moody and sullen whilst Spotlight has a strange Katy Perry feel to it which doesn't go amiss in this album.
The album, containing ten songs, feels slightly short after the four year break Shakira took but it's pretty good and doesn't break any boundaries. If you're looking for something that pushes the pop envelope, then look elsewhere (may I take the time here to redirect you to Lorde's Pure Heroine or Angel Haze's Dirty Gold) but if you understand that Shakira's not trying anything new this time around, then sit back and enjoy the music.
Written by: Kasim Kaey
Published: 29 March 2014
Empire packs an emotional punch that can be expected from the Spanish singer, a mature piano driven song that is just a really good listen. Can't Remember To Forget You stays the rock song that it's always been. You Don't Care About Me is moody and sullen whilst Spotlight has a strange Katy Perry feel to it which doesn't go amiss in this album.
The album, containing ten songs, feels slightly short after the four year break Shakira took but it's pretty good and doesn't break any boundaries. If you're looking for something that pushes the pop envelope, then look elsewhere (may I take the time here to redirect you to Lorde's Pure Heroine or Angel Haze's Dirty Gold) but if you understand that Shakira's not trying anything new this time around, then sit back and enjoy the music.
Written by: Kasim Kaey
Published: 29 March 2014
Album Review: Angel Haze - Dirty Gold
Angel Haze is a 22 year old female rapper from Detroit who has a very interesting musical career. Her album, Dirty Gold, was set to launch in in December 2013 but was pushed back by her company to March 2014. Annoyed with the change in time, as well as claiming that the album had already been finished seven months prior to the release date, she released the entire tracklist on Soundcloud. Naturally, the Soundcloud stream vanished and the album was released on December 30th, 2013, which is why you are forgiven for not knowing who she is.
The 22 year old's debut album is simply incredible. She raps on all the tracks, with a surprise cameo from Sia on Battle Cry, which is very similar to Eminem's Love The Way You Lie featuring Rihanna. The song is impressive, with Haze rapping and Sia singing the very catchy hook. But this album is not about being catchy. This album hits hard on an emotional level, the lyrics worming their way under your skin whereby they never leave.
Black Dahlia speaks about Haze's relationship with her mother, delivering an emotional punch that you can never quite get rid of. Black Synagogue delivers Haze's ideas about religion, which she has a lot of ties to thanks to the life she's lived (a strict, military like life where she didn't have access to music until her family moved).
The album is solid and a must listen for anyone. However, if rap isn't quite your style then I recommend you check out her project called 30 Gold, where she covered a different song every day for 20 days. Not only can she rap impressively, she can also sing, as demonstrated by her covers of Wrecking Ball by Miley Cyrus, Summertime Sadness by Lana Del Rey and Drunk in Love by Beyonce. Suffice it to say, Angel Haze is a woman of many talents and I can't wait to see what she has in store for the future.
Written by: Kasim Kaey
Published: 24 March 2014
The 22 year old's debut album is simply incredible. She raps on all the tracks, with a surprise cameo from Sia on Battle Cry, which is very similar to Eminem's Love The Way You Lie featuring Rihanna. The song is impressive, with Haze rapping and Sia singing the very catchy hook. But this album is not about being catchy. This album hits hard on an emotional level, the lyrics worming their way under your skin whereby they never leave.
Black Dahlia speaks about Haze's relationship with her mother, delivering an emotional punch that you can never quite get rid of. Black Synagogue delivers Haze's ideas about religion, which she has a lot of ties to thanks to the life she's lived (a strict, military like life where she didn't have access to music until her family moved).
The album is solid and a must listen for anyone. However, if rap isn't quite your style then I recommend you check out her project called 30 Gold, where she covered a different song every day for 20 days. Not only can she rap impressively, she can also sing, as demonstrated by her covers of Wrecking Ball by Miley Cyrus, Summertime Sadness by Lana Del Rey and Drunk in Love by Beyonce. Suffice it to say, Angel Haze is a woman of many talents and I can't wait to see what she has in store for the future.
Written by: Kasim Kaey
Published: 24 March 2014
Single Review: Cher Lloyd - Sirens
Cher Lloyd is rather like Marmite; you either love her or you hate her. I'm in the first camp but it's been a while since I've listened to her debut album, released in 2012, which housed the hit Swagger Jagger.
Her new album, if her new single Sirens is anything to go by, seems to be a much more mature album than her first. Sirens is a mature song delivered by someone who has grown up over the past two years.
The song essentially talks about the concept of sirens and applying it to Lloyd herself, using the metaphor of water to add to her message of love. Nothing new but the song does show a definite change from what she's released before. If the rest of her upcoming singles continue in this style, her new album might be one to look out for.
Lloyd's new album, Sorry I'm Late, is expected for release on May 27th, 2014, and you can check out the official audio for Sirens by clicking here.
Written by: Kasim Kaey
Published: 22 March 2014
Her new album, if her new single Sirens is anything to go by, seems to be a much more mature album than her first. Sirens is a mature song delivered by someone who has grown up over the past two years.
The song essentially talks about the concept of sirens and applying it to Lloyd herself, using the metaphor of water to add to her message of love. Nothing new but the song does show a definite change from what she's released before. If the rest of her upcoming singles continue in this style, her new album might be one to look out for.
Lloyd's new album, Sorry I'm Late, is expected for release on May 27th, 2014, and you can check out the official audio for Sirens by clicking here.
Written by: Kasim Kaey
Published: 22 March 2014
Single of the Week: Alva Leigh - Modern Love Song
Alva Leigh has come straight from the states to the stun the UK with her single, Modern Love Song, which will be released later this month. The young starlet, who has been branded as everything from folk-inspired to pop with a touch of jazz, is bringing an endearing sound to our ears with this fresh track, that is sure to find a place in the hearts of listeners.
The singer describes the single as ’as a song about staying in love. It’s about sticking it out even when the odds are stacked against you and staying put when everything else around you is moving.’ If this was what she was aiming for when she penned the track, then she’s certainly hit her goal!
The track is littered with beautifully written lyrics that become even more mesmerising when they’re belted out by Alva’s gorgeous vocals, that are again complemented by the simple pop instrumentals. While there isn’t anything massive going on with the music itself here, that’s certainly no bad thing, meaning that Alva’s voice and her touching lyrics end up getting all the attention that they deserve during the track.
With this being marketed as the first single from Alva’s upcoming album, which will be released later this year, I’m certainly excited to see what else this young artist will be bringing to the music scene in the coming months. You can check out the single for yourselves by clicking here, and, if you like what you hear, then Alva is offering a free download of the track via her Facebook page in exchange for a ‘like’, although this is for a limited time only.
Written by: Charlotte Barnes
Published: 21 March 2014
The singer describes the single as ’as a song about staying in love. It’s about sticking it out even when the odds are stacked against you and staying put when everything else around you is moving.’ If this was what she was aiming for when she penned the track, then she’s certainly hit her goal!
The track is littered with beautifully written lyrics that become even more mesmerising when they’re belted out by Alva’s gorgeous vocals, that are again complemented by the simple pop instrumentals. While there isn’t anything massive going on with the music itself here, that’s certainly no bad thing, meaning that Alva’s voice and her touching lyrics end up getting all the attention that they deserve during the track.
With this being marketed as the first single from Alva’s upcoming album, which will be released later this year, I’m certainly excited to see what else this young artist will be bringing to the music scene in the coming months. You can check out the single for yourselves by clicking here, and, if you like what you hear, then Alva is offering a free download of the track via her Facebook page in exchange for a ‘like’, although this is for a limited time only.
Written by: Charlotte Barnes
Published: 21 March 2014
J-Lo Confirms Date For Tenth Studio Album!
Jennifer Lopez has just released the date for her tenth studio album which will be released on June 16th.
The music star has already released a few singles from the album, the most recent being I Luv Ya Papi which was a disappointing single from Lopez, along with a music video that didn't quite hit the spot.
This album will be the successor to her album Love? which was released in 2011 and was the forefront of her comeback. That album had garnered a lot of interest, no doubt due to the music video that came with her single On The Floor which showed Lopez dancing in some very tight clothing. However, interest in this album isn't as high as it was for Love? so I guess we'll see how well her music does this time round.
However, with one or two disappointing singles already emerging from the release, we're a little apprehensive to see what the full album will actually bring to the table.
Written by: Kasim Kaey
Published: 20 March 2014
The music star has already released a few singles from the album, the most recent being I Luv Ya Papi which was a disappointing single from Lopez, along with a music video that didn't quite hit the spot.
This album will be the successor to her album Love? which was released in 2011 and was the forefront of her comeback. That album had garnered a lot of interest, no doubt due to the music video that came with her single On The Floor which showed Lopez dancing in some very tight clothing. However, interest in this album isn't as high as it was for Love? so I guess we'll see how well her music does this time round.
However, with one or two disappointing singles already emerging from the release, we're a little apprehensive to see what the full album will actually bring to the table.
Written by: Kasim Kaey
Published: 20 March 2014
Single Review: Demetrius - Too Close
It’s a firm opinion of mine that the only time a cover ever really works is when the covering artist makes it drastically different from the original release; it’s the only way to escape the shadow, and even then, there’s no guarantee that you’ll escape the fame of the original. Having said that, there are times when covers really do work, and Demetrius’ cover of Alex Clare’s Too Close that I found knocking about on SoundCloud this morning is indeed one of those times!
The track is an acoustic re-working of the original with slick instrumentals and strong beats that work beautifully alongside Demetrius’ rough-in-the-right-places vocals, that succeed in making this sound like a completely original track. So original in fact, that I didn’t even notice it was a cover until about one minute into the release, where the lyrics inevitably give it away. There is something undeniably slick about the cover, which gives it an entirely different tone to the original - which is meant as a compliment, I assure you!
Too Close is one of many brilliant covers that are available for your listening pleasure by clicking here! Make sure you get in touch with us to let us know your thoughts on Demetrius’ reworking of these classic tracks.
Written by: Charlotte Barnes
Published: 19 March 2014
The track is an acoustic re-working of the original with slick instrumentals and strong beats that work beautifully alongside Demetrius’ rough-in-the-right-places vocals, that succeed in making this sound like a completely original track. So original in fact, that I didn’t even notice it was a cover until about one minute into the release, where the lyrics inevitably give it away. There is something undeniably slick about the cover, which gives it an entirely different tone to the original - which is meant as a compliment, I assure you!
Too Close is one of many brilliant covers that are available for your listening pleasure by clicking here! Make sure you get in touch with us to let us know your thoughts on Demetrius’ reworking of these classic tracks.
Written by: Charlotte Barnes
Published: 19 March 2014
Single Review: J-Lo - I Luv Ya Papi
Remember that album that J-Lo released in 2011? Well, she has another one that's set to release this year and now she's released her latest single from it, along with a really nonsensical music video.
The song, titled I Luv Ya Papi, really does do what it says on the tin. It makes no sense, talks about how J-Lo loves her Papi and, in true pop form, comes with what she hopes is a catchy chorus. However, the song seems to fall flat and comes off as hollow and not really any different from anything else the charts are full of these days.
For the music video that comes with the song, J-Lo seems to have made the decision to cash in on the feminist vibe. It starts off with her and two friends discussing ideas for her new music video and then asking why men always get to exploit women. They then come up with the idea for a video where she gets to exploit men. Enter the half naked buff men whilst J-Lo dances around them, in order to mock the traditional videos from rappers. However, just like the song it was made for, the video falls flat. She exploits the men but exploits her own body in the process. Half naked men surround her but she's half naked herself. And the video has no link to the song. See for yourselves by checking the video out here.
Her last album came with the hit On The Floor, which also came with a good music video, an infectious beat, and it propelled her right into the eye of the media. I have severe doubt this will do the same.
Written by: Kasim Kaey
Published: 18 March 2014
The song, titled I Luv Ya Papi, really does do what it says on the tin. It makes no sense, talks about how J-Lo loves her Papi and, in true pop form, comes with what she hopes is a catchy chorus. However, the song seems to fall flat and comes off as hollow and not really any different from anything else the charts are full of these days.
For the music video that comes with the song, J-Lo seems to have made the decision to cash in on the feminist vibe. It starts off with her and two friends discussing ideas for her new music video and then asking why men always get to exploit women. They then come up with the idea for a video where she gets to exploit men. Enter the half naked buff men whilst J-Lo dances around them, in order to mock the traditional videos from rappers. However, just like the song it was made for, the video falls flat. She exploits the men but exploits her own body in the process. Half naked men surround her but she's half naked herself. And the video has no link to the song. See for yourselves by checking the video out here.
Her last album came with the hit On The Floor, which also came with a good music video, an infectious beat, and it propelled her right into the eye of the media. I have severe doubt this will do the same.
Written by: Kasim Kaey
Published: 18 March 2014
Christina Perri Releases New single, Burning Gold, from upcoming album
Christina Perri released her debut album a few years ago but most people would remember her specifically for her track Jar of Hearts, which took over charts and became a multi-platinum hit and that's no mistake; the song was brilliant.
But now, she's back with a new album, titled Head or Heart, and a new single from the album has been released.
Burning Gold is everything I expected from Perri. The song talks about starting a new life and has Perri singing the lyrics over a generic tune. There's nothing new or special about this but it's worthy of a few listens, or maybe more. You can check out the audio for this new track by clicking here.
Her new album is set to be released March 31st, 2014.
Written by: Kasim Kaey
Published: 16 March 2014
But now, she's back with a new album, titled Head or Heart, and a new single from the album has been released.
Burning Gold is everything I expected from Perri. The song talks about starting a new life and has Perri singing the lyrics over a generic tune. There's nothing new or special about this but it's worthy of a few listens, or maybe more. You can check out the audio for this new track by clicking here.
Her new album is set to be released March 31st, 2014.
Written by: Kasim Kaey
Published: 16 March 2014
Single Review: Lily Allen - Our Time
Lily Allen blew the world away with her first single from her upcoming album, entitled Sheezus, Hard Out Here. The song spoke about the hardship women go through in the pop industry and got into a bit of controversy through the music video Allen released, which showcased women twerking. However, her third single, after her second Air Balloon titled Our Time, is a bit more pop and a lot less thought provoking.
The song essentially talks about partying and having a good time. It’s nothing special but has that appropriate catchy chorus that most pop songs should aspire to have. The music video that comes with the song is a bit more entertaining, with Allen playing multiple characters and fighting herself dressed up as a hotdog, and you can check out that amusing display for yourselves by clicking here.
Along with the new single, Allen released the cover art for her album and the track list:
Sheezus
L8 Cmmr
Air Balloon
Our Time
Insincerely Yours
Take My Place
As Long As I Got You
Close Your Eyes
URL Badman
Silver Spoon
Life For Me
Hard Out Here
Untitled
Somewhere Only We Know (Bonus Track)
Allen’s album is expected to be released on May 5th.
Written by: Kasim Kaey
Published: 14 March 2014
The song essentially talks about partying and having a good time. It’s nothing special but has that appropriate catchy chorus that most pop songs should aspire to have. The music video that comes with the song is a bit more entertaining, with Allen playing multiple characters and fighting herself dressed up as a hotdog, and you can check out that amusing display for yourselves by clicking here.
Along with the new single, Allen released the cover art for her album and the track list:
Sheezus
L8 Cmmr
Air Balloon
Our Time
Insincerely Yours
Take My Place
As Long As I Got You
Close Your Eyes
URL Badman
Silver Spoon
Life For Me
Hard Out Here
Untitled
Somewhere Only We Know (Bonus Track)
Allen’s album is expected to be released on May 5th.
Written by: Kasim Kaey
Published: 14 March 2014
Single of the Week: Clean Bandit - Rather Be Feat. Jess Glynne
Admittedly, this track wasn’t an instant hit with me. I had an awareness of it, as I’m sure everyone in the music-listening-world did and still does, and I knew that it had quickly shot to stardom status, but it failed to win me over initially. However, it’s quickly turned into one of those songs that the more I hear it, the more I love it! After I don’t even know how many play on my iTunes in the past week, I now can’t even make it to the first chorus without busting a move, or at the very least quietly singing along to myself - and because of that, this is the MHR single of the week.
A worthy track on any playlist, the song blends the clean cut vocals of Jess Glynne with upbeat instrumentals that I’m expecting to hear in clubs this weekend, and I’ll be thoroughly disappointed if I don’t! It’s a dance-a-long, sing-a-long creation that is the perfect track for any Friday, whether you’re going out this weekend or not; this song is sure to see you through the last gruelling shift at work for this week if nothing else!
Oh, and if you’re a fan of this breed of club-pop music, then I give you the official MRH challenge for this week of not dancing at some point during this track. It’s impossible, I’m sure of it!
As always, the track comes complete with a complementary video which you can check out by clicking here.
Written by: Charlotte Barnes
Published: 7 February 2014
A worthy track on any playlist, the song blends the clean cut vocals of Jess Glynne with upbeat instrumentals that I’m expecting to hear in clubs this weekend, and I’ll be thoroughly disappointed if I don’t! It’s a dance-a-long, sing-a-long creation that is the perfect track for any Friday, whether you’re going out this weekend or not; this song is sure to see you through the last gruelling shift at work for this week if nothing else!
Oh, and if you’re a fan of this breed of club-pop music, then I give you the official MRH challenge for this week of not dancing at some point during this track. It’s impossible, I’m sure of it!
As always, the track comes complete with a complementary video which you can check out by clicking here.
Written by: Charlotte Barnes
Published: 7 February 2014
Single Review: Avicii - Addicted to You
Avicii has taken the music industry by storm in the past few months! It seems that when it comes to music, he really can do no wrong, successfully churning out one strong single after another. The latest addition to those band of successful tracks is Addicted To You, which appeared on YouTube earlier this month and has already collected over 7, 000, 000 views! So with so many people bopping along to this new track, we thought it was about time that we had a listen for ourselves.
The track sports some brilliant vocals - although I don’t know who these belong to - that belt out the catchy lyrics over Avicii’s flawless production work. It’s yet another track that will storm the charts and make a sudden appearance in clubs, pubs, and any other medium you can think of any day now. It’s the perfect combination of something you can dance to and something you can happily sing your head off to, which seems to be the trademark of most, if not all, of Avicii’s singles.
It also comes complete with an edgy video, that you can watch by clicking here, that seems to be keeping YouTube users thoroughly entertained based on the growing amount of hits this release has. It’s ridiculously catchy and it’s certainly a welcome addition to the MHR playlist! Don’t forget to check out the track for yourselves to bring a little dance to your Thursday.
Written by: Charlotte Barnes
Published: 27 February 2014
The track sports some brilliant vocals - although I don’t know who these belong to - that belt out the catchy lyrics over Avicii’s flawless production work. It’s yet another track that will storm the charts and make a sudden appearance in clubs, pubs, and any other medium you can think of any day now. It’s the perfect combination of something you can dance to and something you can happily sing your head off to, which seems to be the trademark of most, if not all, of Avicii’s singles.
It also comes complete with an edgy video, that you can watch by clicking here, that seems to be keeping YouTube users thoroughly entertained based on the growing amount of hits this release has. It’s ridiculously catchy and it’s certainly a welcome addition to the MHR playlist! Don’t forget to check out the track for yourselves to bring a little dance to your Thursday.
Written by: Charlotte Barnes
Published: 27 February 2014
Single Review: Shakira - Can't Remember to Forget You Feat. Rihanna
Shakira. The name itself conjures up images of belly dancing and the chorus to Hips Don't Lie, the song that everyone knows even if they deny knowing it. The Spanish beauty is making a comeback with her tenth studio album and has released a single from it, entitled Can't Remember To Forget You, which also features Rihanna.
Once you've wrapped your head around that mind numbing title, you'll start to enjoy the song. It's not particularly heavy on themes and ideas; just a simple love song about not remembering to forget someone, or something like that. Shakira's vocals, as always, are excellent, especially on the chorus. Rihanna is perfect, as per the norm, as she delivers some of the lines and the two voices, when matched together, fit well in a way that I didn't think was possible. The song is pretty infectious and the chorus is memorable in a way that the title isn't.
To go along with the song, Shakira also released a music video, that you can watch by clicking here, which involves both her and Rihanna dressed in some very provocative clothing whilst singing the lyrics to the track. There doesn't appear to be much of a theme to the video, not more than 'sex' really. Rihanna dresses in black, Shakira in white and red and she sports a black leather jacket at the end whilst tearing into a guitar and drum set.
The song's great. The music video is great. It's just fun all around!
Shakira's new album is rumoured to be released in March and is self-entitled 'Shakira'.
Written by: Kasim Kaey
Published: 26 February 2014
Once you've wrapped your head around that mind numbing title, you'll start to enjoy the song. It's not particularly heavy on themes and ideas; just a simple love song about not remembering to forget someone, or something like that. Shakira's vocals, as always, are excellent, especially on the chorus. Rihanna is perfect, as per the norm, as she delivers some of the lines and the two voices, when matched together, fit well in a way that I didn't think was possible. The song is pretty infectious and the chorus is memorable in a way that the title isn't.
To go along with the song, Shakira also released a music video, that you can watch by clicking here, which involves both her and Rihanna dressed in some very provocative clothing whilst singing the lyrics to the track. There doesn't appear to be much of a theme to the video, not more than 'sex' really. Rihanna dresses in black, Shakira in white and red and she sports a black leather jacket at the end whilst tearing into a guitar and drum set.
The song's great. The music video is great. It's just fun all around!
Shakira's new album is rumoured to be released in March and is self-entitled 'Shakira'.
Written by: Kasim Kaey
Published: 26 February 2014
Single Review: Tori Kelly - Dear No One
I’m not a massive fan of the whole meek and mild popstar look that so many women in the music industry try to adopt these days. In fact, with the uprising in popstar politics, I tend to try and avoid that genre as much as possible! However this morning YouTube had other ideas when it came to my music preferences, and if you’re familiar with my reviews then you’ll know by now that I tend to listen to YouTube when it throws something my way.
This morning’s suggestion was Tori Kelly’s Dear No One, a track that has collected a staggering 3, 000, 000 views on the video website, despite not making it into mainstream status, in the UK at least. I don’t know about you guys, but I’d never heard of this song until the morning, so the internet must really love this girl.
The track is an endearing, heart-on-your-sleeve kind of release that carries Kelly’s gentle and perhaps slightly under-developed vocals fairly well. I suspect there is more to this girl’s voice than meets the eye, but perhaps this isn’t the right track to introduce to that. While it doesn’t boast anything ground-breaking, it’s a fairly nice and neat little pop song, that’s obviously got YouTube listeners hitting the replay button. With cute lyrics like, ‘Dear no one, this is your love song’ I can already imagine girls, and perhaps boys, up and down the country singing along to this track and its somewhat relatable lyrics. That’s the other thing about this song: it’s annoyingly catchy, so consider yourselves warned before you hit the YouTube link at the bottom of this article.
An upbeat little love song from yet another will-be pop Princess, you can check out the official video for the track by clicking here, and see for yourselves why Tori Kelly has impressed so many YouTube listeners with this release.
Written by: Charlotte Barnes
Published: 24 February 2014
This morning’s suggestion was Tori Kelly’s Dear No One, a track that has collected a staggering 3, 000, 000 views on the video website, despite not making it into mainstream status, in the UK at least. I don’t know about you guys, but I’d never heard of this song until the morning, so the internet must really love this girl.
The track is an endearing, heart-on-your-sleeve kind of release that carries Kelly’s gentle and perhaps slightly under-developed vocals fairly well. I suspect there is more to this girl’s voice than meets the eye, but perhaps this isn’t the right track to introduce to that. While it doesn’t boast anything ground-breaking, it’s a fairly nice and neat little pop song, that’s obviously got YouTube listeners hitting the replay button. With cute lyrics like, ‘Dear no one, this is your love song’ I can already imagine girls, and perhaps boys, up and down the country singing along to this track and its somewhat relatable lyrics. That’s the other thing about this song: it’s annoyingly catchy, so consider yourselves warned before you hit the YouTube link at the bottom of this article.
An upbeat little love song from yet another will-be pop Princess, you can check out the official video for the track by clicking here, and see for yourselves why Tori Kelly has impressed so many YouTube listeners with this release.
Written by: Charlotte Barnes
Published: 24 February 2014
Single of the Week: Sam Smith - Money on my Mind
Sam Smith seems to have stormed the music world with his latest offering, so we’d be embarrassingly out of touch if we didn’t give him a mention in our music section this week! His new track, Money On My Mind, seems to be being played absolutely everywhere right now, however if you’ve somehow managed to escape hearing it then I recommend you get yourselves over to YouTube and check out the track for yourselves by clicking here. It’s sure to get you in the mood for the weekend!
The endearing track perfectly showcases Smith’s vocals with his catchy verses and outstandingly high-pitched chorus that demonstrates some serious vocal control - honestly, it’s quite stunning to hear and it never loses its charm, no matter how many times you repeat the track. It also serves as a unique calling card for the single - there’s definitely no chance of mistaking this for anything else in the charts right now, that’s for sure.
While Smith’s stunning vocals continue to belt out the refrain ‘I don’t have money on my mind, I do it for the love’ we’re also treated to some upbeat instrumentals that add a touch of dance to the song. If this hasn’t been remixed already, then I’m predicting that some talented DJ somewhere or another will be setting him/herself that challenge any day now!
Overall, it’s a really strong single and it’s obviously doing well for itself, given that it seems to have been stuck in most people’s heads for a while now. A worthy single of the week if ever there was one I think folks. Don’t forget to head over to YouTube to check the track out for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 21 February 2014
The endearing track perfectly showcases Smith’s vocals with his catchy verses and outstandingly high-pitched chorus that demonstrates some serious vocal control - honestly, it’s quite stunning to hear and it never loses its charm, no matter how many times you repeat the track. It also serves as a unique calling card for the single - there’s definitely no chance of mistaking this for anything else in the charts right now, that’s for sure.
While Smith’s stunning vocals continue to belt out the refrain ‘I don’t have money on my mind, I do it for the love’ we’re also treated to some upbeat instrumentals that add a touch of dance to the song. If this hasn’t been remixed already, then I’m predicting that some talented DJ somewhere or another will be setting him/herself that challenge any day now!
Overall, it’s a really strong single and it’s obviously doing well for itself, given that it seems to have been stuck in most people’s heads for a while now. A worthy single of the week if ever there was one I think folks. Don’t forget to head over to YouTube to check the track out for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 21 February 2014
Single Review: George Ezra - Budapest
The more I hear of George Ezra, in terms of his music and him as a person, the more I find myself liking this young chap! After being introduced to his music, by a fellow reviewer, I found myself listening to everything I could get my hands/ears on, and after recently stumbling across his track Budapest on SoundCloud, I’m pleased to report that I have yet another favourite track from this budding artist.
Ezra’s vocals sound so rich in this track! There’s a wonderful range with gruff verses and sensual choruses where Ezra begins to let loose a little, although I still feel like there’s a side of his voice that hasn’t been unleashed yet. The upbeat track is complete with quirky instrumentals that are emphasised and understated in all the right places, ultimately meaning they highlight Ezra’s vocals perfectly. This distinct sounding romance track is just a lovely little number, really, and I’m fairly certain that as soon as the sunshine arrives and we’re all feeling a bit brighter, this track will be on many summer time soundtracks up and down the country. As Ezra repeats the idea that he’d leave his little house in Budapest, for whoever he’s singing to, I can’t help but sing-a-long and quietly wish that I could escape to that little house myself!
A delightful single that deserves a place on any half-decent play list! Make sure you head over to SoundCloud to check out the single for yourself; it’s sure to brighten up your Wednesday.
Written by: Charlotte Barnes
Published: 19 February 2014
Ezra’s vocals sound so rich in this track! There’s a wonderful range with gruff verses and sensual choruses where Ezra begins to let loose a little, although I still feel like there’s a side of his voice that hasn’t been unleashed yet. The upbeat track is complete with quirky instrumentals that are emphasised and understated in all the right places, ultimately meaning they highlight Ezra’s vocals perfectly. This distinct sounding romance track is just a lovely little number, really, and I’m fairly certain that as soon as the sunshine arrives and we’re all feeling a bit brighter, this track will be on many summer time soundtracks up and down the country. As Ezra repeats the idea that he’d leave his little house in Budapest, for whoever he’s singing to, I can’t help but sing-a-long and quietly wish that I could escape to that little house myself!
A delightful single that deserves a place on any half-decent play list! Make sure you head over to SoundCloud to check out the single for yourself; it’s sure to brighten up your Wednesday.
Written by: Charlotte Barnes
Published: 19 February 2014
Single Review: A Great Big World - Say Something Feat. Christina Aguilera
The most frustrating thing about this song is that it has forced my hand into publicly admitting that I like something that involves Christina Aguilera, a habit that I thought I had long grown out of. Much as I might like to fling insults around about the track, I actually can’t bring myself to do it, because I do think it’s quite lovely.
Prior to hearing this I’d never heard of A Great Big World, although I’ll certainly be researching them more when I’ve finished with this review! The track is an emotional outburst full of gentle instrumentals and touching lyrics and, despite my initial concerns, Aguilera’s role in the track is actually quite minimal. The vocals brought to the track by A Great Big World work perfectly on the own, introducing a brilliant tone of voice and careful control over the vocals from the minute the track begins. Admittedly, it works well to have the duality of genders on the track, which appears a minute or so in when Aguilera’s vocals suddenly appear alongside her male counterpart. Their collaborative vocals that belt out the chorus, beginning ‘Say something, I’m giving up on you’, is actually very easy on the ears and despite Aguilera’s vocals being as strong as ever, they work well particularly well here having been toned down for the purposes of the track, I assume.
Overall, it’s a lovely little single that I imagine will do quite well when it’s officially released. The only truly questionable thing about it is what on earth Christina Aguilera is doing - apart from touching herself all over the place - in the music video for the track, which you can access here.
Written by: Charlotte Barnes
Published: 17 February 2014
Prior to hearing this I’d never heard of A Great Big World, although I’ll certainly be researching them more when I’ve finished with this review! The track is an emotional outburst full of gentle instrumentals and touching lyrics and, despite my initial concerns, Aguilera’s role in the track is actually quite minimal. The vocals brought to the track by A Great Big World work perfectly on the own, introducing a brilliant tone of voice and careful control over the vocals from the minute the track begins. Admittedly, it works well to have the duality of genders on the track, which appears a minute or so in when Aguilera’s vocals suddenly appear alongside her male counterpart. Their collaborative vocals that belt out the chorus, beginning ‘Say something, I’m giving up on you’, is actually very easy on the ears and despite Aguilera’s vocals being as strong as ever, they work well particularly well here having been toned down for the purposes of the track, I assume.
Overall, it’s a lovely little single that I imagine will do quite well when it’s officially released. The only truly questionable thing about it is what on earth Christina Aguilera is doing - apart from touching herself all over the place - in the music video for the track, which you can access here.
Written by: Charlotte Barnes
Published: 17 February 2014
Single of the Week: Fergie - A Little Party Never Killed Nobody (All We Got)
After SoundCloud introduced me to the music genre of ‘electroswing’ earlier in the week, I quickly took to YouTube to try and hunt out more of this ear-grabbing music. Soon after this the marvellous suggestion bar, which has actually proved itself to be fairly useful in recent weeks, decided to throw a track my way from The Great Gatsby soundtrack and, given how much I loved the film, it seemed worth a listen.
The track in question is Fergie’s A Little Party Never Hurt Nobody, and I can’t stop listening to it! I can’t even isolate the elements of the single that I particularly like - the whole thing is just so frustratingly catchy, and if you’re planning on hitting the town tonight for an evening of drinking and dancing then I fully recommend checking out this track, right now. The instrumentals blend upbeat jazz sounds with techno style beats that make this track something you can really dance to, plus Fergie’s vocals aren’t half bad either.
After one listen it’s easy to see how this ended up on Gatsby’s amazing soundtrack, which is littered with other little musical gems just like this one (which makes it well worth buying, if you ask me).
The track comes complete with an eye-catching video which you can watch by clicking here, and if you’re looking for something to get you in the mood for the weekend, then this track might just be it!
Written by: Charlotte Barnes
Published: 14 February 2014
The track in question is Fergie’s A Little Party Never Hurt Nobody, and I can’t stop listening to it! I can’t even isolate the elements of the single that I particularly like - the whole thing is just so frustratingly catchy, and if you’re planning on hitting the town tonight for an evening of drinking and dancing then I fully recommend checking out this track, right now. The instrumentals blend upbeat jazz sounds with techno style beats that make this track something you can really dance to, plus Fergie’s vocals aren’t half bad either.
After one listen it’s easy to see how this ended up on Gatsby’s amazing soundtrack, which is littered with other little musical gems just like this one (which makes it well worth buying, if you ask me).
The track comes complete with an eye-catching video which you can watch by clicking here, and if you’re looking for something to get you in the mood for the weekend, then this track might just be it!
Written by: Charlotte Barnes
Published: 14 February 2014
Single Review: Kid Kasino - Mink Schmink feat. Shea Soul
I’d like to go on the record here and say I never, ever thought I would find myself listening to something that boasts the description ‘ghetto swing’. Four minutes ago I didn’t even know what ghetto swing was; I didn’t even know it existed! Now here I am, dancing around at my desk, writing a review of Kid Kasino’s Mink Schmink which is, you guessed it, a fine example of ghetto swing; although there is more to this track than its unique tag.
This catchy little number, that I found hiding in SoundCloud’s jazz section, has so many quality elements that I don’t even know where to begin. Kid Kasino has, odd as it might sound on paper, managed to bring together slick beats, jazz, and electro sounds, wrapped up with the neat little bow that is Shea Soul’s vocals, that feature on the track.
It’s just so slick that I don’t know where to begin! The song mixes jazz tones with techno stylistics and 40s vocals. It shouldn’t work; it should be a musical nightmare; it should be painful for the ears. But it isn’t, not even a little bit. The instrumentals themselves are smooth and well-produced, and Shea’s Jessica Rabbit style vocals and attitude, that shine clearly through the song, serves to make the track itself even better. Honestly, this little gem deserves a space on anyone’s play list.
Check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 11 February 2014
This catchy little number, that I found hiding in SoundCloud’s jazz section, has so many quality elements that I don’t even know where to begin. Kid Kasino has, odd as it might sound on paper, managed to bring together slick beats, jazz, and electro sounds, wrapped up with the neat little bow that is Shea Soul’s vocals, that feature on the track.
It’s just so slick that I don’t know where to begin! The song mixes jazz tones with techno stylistics and 40s vocals. It shouldn’t work; it should be a musical nightmare; it should be painful for the ears. But it isn’t, not even a little bit. The instrumentals themselves are smooth and well-produced, and Shea’s Jessica Rabbit style vocals and attitude, that shine clearly through the song, serves to make the track itself even better. Honestly, this little gem deserves a space on anyone’s play list.
Check out the track for yourselves by clicking here.
Written by: Charlotte Barnes
Published: 11 February 2014
Single Review: Cam'Ron & A-Trak - Humphrey
Anyone who knows me particularly well will be able to tell you that I’m not exactly the target audience for rap/hip-hop artists. It takes something special to get me hooked on a track from this genre, and although I don’t know what it is about Cam’ron and A-Trak’s recent collaboration that got me bopping along to it on my first listen, I do know that this track deserves a bit more attention, and it definitely deserves a listen from any fans of the hip-hop genre. Heck, even if you aren’t a fan of the genre then it’s worth checking out.
Boasting over 250, 000 listens on SoundCloud, it looks like I’m not the only person who’s enjoying this collaboration right now. The two artists work so well on the track, entitled Humphrey, I’m a little stumped as to why they haven’t received more mainstream attention. With a steady and catchy backing track that boasts a seriously upbeat rhythm, you’re enjoying the track before the vocals even kick in; and when they do kick in, things get even better. There seems to be a distinct summer feel in this track, so maybe it will storm the charts in a few months, who knows?
But while you’re waiting for the duo to go mainstream, which they inevitably will with tracks like this, you can head over to SoundCloud to check them out by clicking here.
Written by: Charlotte Barnes
Published: 10 February 2014
Boasting over 250, 000 listens on SoundCloud, it looks like I’m not the only person who’s enjoying this collaboration right now. The two artists work so well on the track, entitled Humphrey, I’m a little stumped as to why they haven’t received more mainstream attention. With a steady and catchy backing track that boasts a seriously upbeat rhythm, you’re enjoying the track before the vocals even kick in; and when they do kick in, things get even better. There seems to be a distinct summer feel in this track, so maybe it will storm the charts in a few months, who knows?
But while you’re waiting for the duo to go mainstream, which they inevitably will with tracks like this, you can head over to SoundCloud to check them out by clicking here.
Written by: Charlotte Barnes
Published: 10 February 2014
Single of the Week: Vance Joy - Riptide
The first time I heard this track I wasn’t actually that impressed by it. Now, I don’t know what changed, but by the time I was driving home last night, this was the only song that I wanted to listen to! And I’ve pretty much had it on repeat since.
It’s a catchy acoustic track with guitar skills that make you wish it was Summer, in fact, the lyrics kind of have the same impact, too. There is a simplicity to the track which makes me love it even more; the lack of heavy production, auto-tuning and more instruments than I could possibly ever take note of mean that you can just kick back and listen to the vocals on the track, which, by the way, are just lovely. The chorus is frustratingly catchy, too! I challenge you to listen to this single more than once without singing along to ‘Lady, running down to the riptide / Taken away to the dark side / I wanna be your left hand man’. Go on, that’s an official MHR challenge for your Friday!
It’s a bubbly track that admittedly feels a little out of place for this time of year, although I’m sure that it will make an appearance again with the summer sunshine, and hopefully by then Vance Joy will have some fresh tracks for us to sing along to, too!
So, if you’re looking for something to brighten up your Friday, make sure you check out the track by clicking here.
Written by: Charlotte Barnes
Published: 7 February 2014
It’s a catchy acoustic track with guitar skills that make you wish it was Summer, in fact, the lyrics kind of have the same impact, too. There is a simplicity to the track which makes me love it even more; the lack of heavy production, auto-tuning and more instruments than I could possibly ever take note of mean that you can just kick back and listen to the vocals on the track, which, by the way, are just lovely. The chorus is frustratingly catchy, too! I challenge you to listen to this single more than once without singing along to ‘Lady, running down to the riptide / Taken away to the dark side / I wanna be your left hand man’. Go on, that’s an official MHR challenge for your Friday!
It’s a bubbly track that admittedly feels a little out of place for this time of year, although I’m sure that it will make an appearance again with the summer sunshine, and hopefully by then Vance Joy will have some fresh tracks for us to sing along to, too!
So, if you’re looking for something to brighten up your Friday, make sure you check out the track by clicking here.
Written by: Charlotte Barnes
Published: 7 February 2014
Single Review: Spzrkt - BC Feat. @MarzMuzic
SPZRKT, pronounced Spazzy Rocket, markets himself as a mash up sounds, but in his track BC, featuring @MarzMuzic, the simplistic sounds are what make the track so wonderful, and there’s not a mash up in sight.
The collaboration is kicked off with some of the smoothest vocals I’ve heard in a while, and not only are they lovely vocals, but they’re lovely lyrics, too! SPZRKT kicks off the track with the touching ‘I’m trapped in every piece of your love / I’m not even trying to get out’ that is belted out by his soft vocals that are perfectly catered to the romantic tone of the song; by the time the chorus kicks in, with the equally beautiful lyrics ‘What was I doing before you?’ you’re about ready to pack your bags and run away with this young chap, because this track is just so lyrically lovely.
The instrumentals, perfectly fitting for the track, boast a little edge that moulds itself well to lyrics and compliments them rather than drowning them, which clearly strengthens the song.
@MarzMuzic then makes an appearance to provide the female vocals on the track, creating a nice dynamic; it works well to hear both sides of the story sung from different vocalists, adding a certain something to this track - as if there wasn’t enough to love about it already.
The track is taken from SPZRKT’s latest album, Lucid Dream, which you can check on his SoundCloud page by clicking here. Although we haven’t listened to the whole album yet, if this first release is anything to go by, then you’ll be seeing a fan girl review of the full feature from me in the near future.
Written by: Charlotte Barnes
Published: 5 February 2014
The collaboration is kicked off with some of the smoothest vocals I’ve heard in a while, and not only are they lovely vocals, but they’re lovely lyrics, too! SPZRKT kicks off the track with the touching ‘I’m trapped in every piece of your love / I’m not even trying to get out’ that is belted out by his soft vocals that are perfectly catered to the romantic tone of the song; by the time the chorus kicks in, with the equally beautiful lyrics ‘What was I doing before you?’ you’re about ready to pack your bags and run away with this young chap, because this track is just so lyrically lovely.
The instrumentals, perfectly fitting for the track, boast a little edge that moulds itself well to lyrics and compliments them rather than drowning them, which clearly strengthens the song.
@MarzMuzic then makes an appearance to provide the female vocals on the track, creating a nice dynamic; it works well to hear both sides of the story sung from different vocalists, adding a certain something to this track - as if there wasn’t enough to love about it already.
The track is taken from SPZRKT’s latest album, Lucid Dream, which you can check on his SoundCloud page by clicking here. Although we haven’t listened to the whole album yet, if this first release is anything to go by, then you’ll be seeing a fan girl review of the full feature from me in the near future.
Written by: Charlotte Barnes
Published: 5 February 2014
Single Review: Luke Sital-Singh - Nearly Morning (demo)
Varied as my music taste is, as far as I’m concerned you can’t beat a beautiful voice and an acoustic guitar, and that’s exactly what Luke Sital-Singh is bringing to the music world.
Luke’s demo track for Nearly Morning, which you can hear on SoundCloud by clicking here, is simply beautiful and I fully recommend that you click that link and give your ears a treat, right now. The five-minute-long track is a stunning demonstration of Luke’s vocal abilities, ranging from forceful to apparently delicate, allowing him to litter some truly stunning notes throughout the track. As if that wasn’t enough, his vocals are accompanied simply by an acoustic guitar, that adds to the simplicity of the song. The fact that nothing is over-complicated or over-produced here is one of the things that makes this track so memorable; the other thing that contributes to the hard punch packed by the single are the amazing lyrics, and when I say amazing, I really mean it.
The lyrics are jam-packed with raw emotion that is communicated perfectly through the vocals singing them. A tortured song that cuts to the core when it comes to emotion, this track is definitely worth a listen for anyone looking for a new singer-songwriter to add to their collection of acoustic tracks. Don’t forget to check out the track by clicking here.
Written by: Charlotte Barnes
Published: 4 February 2014
Luke’s demo track for Nearly Morning, which you can hear on SoundCloud by clicking here, is simply beautiful and I fully recommend that you click that link and give your ears a treat, right now. The five-minute-long track is a stunning demonstration of Luke’s vocal abilities, ranging from forceful to apparently delicate, allowing him to litter some truly stunning notes throughout the track. As if that wasn’t enough, his vocals are accompanied simply by an acoustic guitar, that adds to the simplicity of the song. The fact that nothing is over-complicated or over-produced here is one of the things that makes this track so memorable; the other thing that contributes to the hard punch packed by the single are the amazing lyrics, and when I say amazing, I really mean it.
The lyrics are jam-packed with raw emotion that is communicated perfectly through the vocals singing them. A tortured song that cuts to the core when it comes to emotion, this track is definitely worth a listen for anyone looking for a new singer-songwriter to add to their collection of acoustic tracks. Don’t forget to check out the track by clicking here.
Written by: Charlotte Barnes
Published: 4 February 2014
Single Review: Ivory League - Who's Sorry Now?
It wasn’t until Mad Hatter Reviews was born, and I found myself in desperate need of musicians to write about, that I started to fully appreciate the worth and general brilliance of SoundCloud. It has introduced me to so many brilliant artists and this weekend it’s thrown another one in my path, this time in the form of Ivory League.
I know nothing about the band other than they simply ooze indie-ness, and it’s bloody brilliant.
The track that grabbed my ears and quickly started a romance with my repeat button was their single Who’s Sorry Now? The single is just fully-loaded with this cool vibe that kind of catapulted me back to the 90s, although that’s certainly no criticism. The edgy music and off-beat vocals are so endearing, and it comes jam-packed with a chorus that you’ll be singing along to after the first listen, I can pretty much guarantee you that. With 10, 000 listens on their SoundCloud page, it seems that users of the site share my love for this track, with many comments likening their sound to the legendary Bob Dylan, and I’m kind of inclined to agree.
Head over to the band’s SoundCloud page by clicking here and let us know what you think!
Written by: Charlotte Barnes
Published: 3 February 2014
I know nothing about the band other than they simply ooze indie-ness, and it’s bloody brilliant.
The track that grabbed my ears and quickly started a romance with my repeat button was their single Who’s Sorry Now? The single is just fully-loaded with this cool vibe that kind of catapulted me back to the 90s, although that’s certainly no criticism. The edgy music and off-beat vocals are so endearing, and it comes jam-packed with a chorus that you’ll be singing along to after the first listen, I can pretty much guarantee you that. With 10, 000 listens on their SoundCloud page, it seems that users of the site share my love for this track, with many comments likening their sound to the legendary Bob Dylan, and I’m kind of inclined to agree.
Head over to the band’s SoundCloud page by clicking here and let us know what you think!
Written by: Charlotte Barnes
Published: 3 February 2014
Single Review: La Femme - Si Un Jour
La Femme released a video clip for their Single "Si Un Jour" which seems to focus on one thing alone - to show a retro French indie band. Okay, that's not one thing but you definitely get that feel from this music video.
The song is song entirely in French, which isn't surprising, but that doesn't keep you from singing along. The beat is infectious, a standard club filling track, of which most people won't mind the different language.
The video is filled with smoke whilst the band sing and play their instruments. Watching it, I'm reminded of Florence and The Machine's music video for "Dog Days" but much less muted and, if possible, a lot more dramatic.
The track is taken from the début album recently released by the band, that showcases their funky, fresh, and electro-like sounds. You can check out the video for the single by clicking here and if you like what you see/hear, then keep your eyes peeled for gigs from these guys, the first one being May 21st at London's Scala.
Written by: Kasim Kaey
Published: 1 February 2014
The song is song entirely in French, which isn't surprising, but that doesn't keep you from singing along. The beat is infectious, a standard club filling track, of which most people won't mind the different language.
The video is filled with smoke whilst the band sing and play their instruments. Watching it, I'm reminded of Florence and The Machine's music video for "Dog Days" but much less muted and, if possible, a lot more dramatic.
The track is taken from the début album recently released by the band, that showcases their funky, fresh, and electro-like sounds. You can check out the video for the single by clicking here and if you like what you see/hear, then keep your eyes peeled for gigs from these guys, the first one being May 21st at London's Scala.
Written by: Kasim Kaey
Published: 1 February 2014
Single REview: Nick Waterhouse - This Is A Game
The intense saxophone playing that starts off This Is A Game serves one purpose and one purpose alone - to let you know that Nick Waterhouse is a soul man. He's about to release his second album, entitled Holly, and when asked to comment up on the upcoming release, Waterhouse explained: “Thematically this record feels more like a novella, or poem with sections, or even a film, than a collection of songs. It is a work of fiction, with a protagonist, but also a floating omniscient narrator, and fragments of conversation from other characters. I was heavily influenced by my surroundings in young Los Angeles, as well as the concept of fate.”
It's a, for lack of a better word, classy song. The saxophone playing is adept, Waterhouse's voice is brilliant. The frantic energy of the song seems to insist that it was whipped up in a frenzy by a madman and his saxophone. Waterhouse's voice seems to have been taken directly from the mid-Fifties, sounding like a much older man but it helps here.
Holly will be released March 4th and you can listen to This Is A Game here.
Written by: Kasim Kaey
Published: 31 January 2014
It's a, for lack of a better word, classy song. The saxophone playing is adept, Waterhouse's voice is brilliant. The frantic energy of the song seems to insist that it was whipped up in a frenzy by a madman and his saxophone. Waterhouse's voice seems to have been taken directly from the mid-Fifties, sounding like a much older man but it helps here.
Holly will be released March 4th and you can listen to This Is A Game here.
Written by: Kasim Kaey
Published: 31 January 2014
Throwback Thursday: Fall Out Boy - Thnks Fr Th Mmrs
Okay, so it’s my first week running the Throwback Thursday feature and I wanted to deliver something spectacular for you guys, which believe me, is harder than it sounds. The idea of Throwback Thursday is that the track has to be over five years old, so while I’m here bopping along to some old school Fall Out Boy, I find myself thinking, is this old enough to write about? Probably not, but it’s worth checking.
Little did I realise the track I was listening to is actually SEVEN YEARS OLD! And now, not only is my taste in music embarrassingly outdated, but I also feel quite old myself…
Thnks fr th Mmrs was part of the Infinity On High album that was released back in 2007, and while I’m dancing around it to right now (I mean literally as I type this very article), I still love it as much as I did when it was originally released. There’s a club in my hometown that runs an indie/alternative night, for the odd ones such as myself, and this song just brings back memories of drinking one too many alcho-pops (give me a break, I was young) and dancing around like a lunatic. Oh, they were the best of times.
Also, as if the track itself wasn’t a delicious enough example of Fall Out Boy at their finest, the video - which includes some seriously awesome chimps! - is fairly brilliant, too. Check it out by clicking here.
Written by: Charlotte Barnes
Published: 30 January 2014
Little did I realise the track I was listening to is actually SEVEN YEARS OLD! And now, not only is my taste in music embarrassingly outdated, but I also feel quite old myself…
Thnks fr th Mmrs was part of the Infinity On High album that was released back in 2007, and while I’m dancing around it to right now (I mean literally as I type this very article), I still love it as much as I did when it was originally released. There’s a club in my hometown that runs an indie/alternative night, for the odd ones such as myself, and this song just brings back memories of drinking one too many alcho-pops (give me a break, I was young) and dancing around like a lunatic. Oh, they were the best of times.
Also, as if the track itself wasn’t a delicious enough example of Fall Out Boy at their finest, the video - which includes some seriously awesome chimps! - is fairly brilliant, too. Check it out by clicking here.
Written by: Charlotte Barnes
Published: 30 January 2014
Album Review: Haim - Days Are Gone
Haim is a relatively new band on the scene and they're already doing very well with their first album release, Days Are Gone, inspired by what has brought us some of the most legendary albums - a break up. The three sisters are paving the way for girls in the mainstream music scene by being neither the sexual or broken archetypes frequently presented for women.
From Los Angeles, California their music sounds to me to be straight out of a sun filled garage. Made up of snappy staccato-harmonised voices, the three work perfectly together to produce catchy song after catchy song. I have about three in my head currently without having to listen to them frequently.
The type of pop they are producing takes me back to the early 90s in the era of Nirvana. Simple lyrics, showing the strength in their emotion as well as in the lead singer Danielle Haim’s deep voice. Their tone is light until you reach My Song 5 in which the hypnotic lyrics are punctuated with a kick drum and heavier guitar, as well as in Let Me Go that has a more serious tone of retribution.
The end is not one of resolution but gives a sense of a new journey beginning. I see big things for Haim in 2014 and hope it will inspire a generation of long haired, baggy clothed girls in the future!
Written by: Honor Tuttiet
Published: 29 January 2014
From Los Angeles, California their music sounds to me to be straight out of a sun filled garage. Made up of snappy staccato-harmonised voices, the three work perfectly together to produce catchy song after catchy song. I have about three in my head currently without having to listen to them frequently.
The type of pop they are producing takes me back to the early 90s in the era of Nirvana. Simple lyrics, showing the strength in their emotion as well as in the lead singer Danielle Haim’s deep voice. Their tone is light until you reach My Song 5 in which the hypnotic lyrics are punctuated with a kick drum and heavier guitar, as well as in Let Me Go that has a more serious tone of retribution.
The end is not one of resolution but gives a sense of a new journey beginning. I see big things for Haim in 2014 and hope it will inspire a generation of long haired, baggy clothed girls in the future!
Written by: Honor Tuttiet
Published: 29 January 2014
Single Review: Chloe Howl - Rumour
In true YouTube fashion, while I’m skimming through music videos to bring to you wonderful people, the site decides to take it upon itself to suggest a video for me. Usually this stuff is way off the mark but this time YouTube actually introduced a little corker of a track from Chloe Howl and I must admit, after only one listen, I’m already quite fond of the song.
Howl’s catchy little number, Rumour, shows strong vocals and funky music, both of which leave me wondering why on earth this single hasn’t collected more YouTube hits since its release a month or so ago. The repeated refrain ‘I’m just trying to work out how to be like myself’ will get stuck in your head after two listens, and the track itself as a whole is guaranteed to make you have a little boogy - so if you’re planning on listening to this while you’re at work, then consider yourself warned.
A get-up-and-dance number, Howl’s somewhat defiant lyrics will have you singing along after the first listen and the video, which you can check out by clicking here, ain’t half bad either. Now, if you’ll excuse me, I’m off to raid her YouTube channel…
Written by: Charlotte Barnes
Published: 28 January 2014
Howl’s catchy little number, Rumour, shows strong vocals and funky music, both of which leave me wondering why on earth this single hasn’t collected more YouTube hits since its release a month or so ago. The repeated refrain ‘I’m just trying to work out how to be like myself’ will get stuck in your head after two listens, and the track itself as a whole is guaranteed to make you have a little boogy - so if you’re planning on listening to this while you’re at work, then consider yourself warned.
A get-up-and-dance number, Howl’s somewhat defiant lyrics will have you singing along after the first listen and the video, which you can check out by clicking here, ain’t half bad either. Now, if you’ll excuse me, I’m off to raid her YouTube channel…
Written by: Charlotte Barnes
Published: 28 January 2014
ThrowBack Thursday: TLC - Unpretty
TLC were one of the big girl groups of the 90s who disbanded after Lisa “Left-Eye” Lopes died in a car crash in 2002. I remember reading years ago that Left Eye earned her nickname after she got hit on by a guy who's technique involved telling her that her left eye was more beautiful than her right. I'm not sure that he was successful, why that story has stuck with me, or if it's even true.
The FanMail album was released in 1999, when I was just discovering my love of RnB. The track Unpretty was released in August of that year and reached number 6 in the UK. This song is about how your significant other has the ability to make you feel self-conscious and worthless. It is ultimately a song about how no one has the right to make you feel that way, and that you should look a way that makes YOU happy. Screw what anyone else thinks. Find someone who respects you and loves you for who you are, not who they want to morph you into. If someone is trying to change you, they are not worth your time. Girl power in an empowering classy manner that doesn't make me want to cringe (*cough* Spice Girls *cough*).
I find it hard to believe this track is over 14 years old, for me it is certainly standing the test of time. If you're feeling the need to re-assert your self respect, or if you just want to hear a classic 90s track, you can check it out by clicking here.
Written by: Michelle Bradford
Published: 23 January 2014
The FanMail album was released in 1999, when I was just discovering my love of RnB. The track Unpretty was released in August of that year and reached number 6 in the UK. This song is about how your significant other has the ability to make you feel self-conscious and worthless. It is ultimately a song about how no one has the right to make you feel that way, and that you should look a way that makes YOU happy. Screw what anyone else thinks. Find someone who respects you and loves you for who you are, not who they want to morph you into. If someone is trying to change you, they are not worth your time. Girl power in an empowering classy manner that doesn't make me want to cringe (*cough* Spice Girls *cough*).
I find it hard to believe this track is over 14 years old, for me it is certainly standing the test of time. If you're feeling the need to re-assert your self respect, or if you just want to hear a classic 90s track, you can check it out by clicking here.
Written by: Michelle Bradford
Published: 23 January 2014
UnSigned Artist Review: EDFT
EDFT are an Irish-based band made up of three good-looking musicians; very little is currently known about them, but, after that opening sentence, what more do you need to know? This three-piece houses some seriously talented musicians and after listening to their musical experiments and husky vocals all morning, I’m sold on the idea that these guys will make it big.
While there isn’t a massive amount known about them, I’m fairly sure that I’ve read online that they’re currently unsigned, which is crazy considering how good they are.
The guys have three tracks uploaded to their SoundCloud page, which you can access by clicking here, that showcases their impressive ability to deliver rock(ish) music that still makes you want to get up and have a dance. The first track of the bunch, Why Go, is actually beautiful and - I sincerely hope this is a compliment to the group - kind of reminds me of City and Colour tracks at some points. There’s a rough, melancholic edge to the vocals which is well-received and complimented perfectly by the accompanying music.
Second track, So Many Ways, is introduced with some truly delicious music - honestly, these lads know how to handle their guitars and this intro succeeds in demonstrating that. I feel like this track shows a different tone to the music being delivered by the group, which is in itself a relief to know that they’re actually versatile, unlike so many other artists these days. This song seems to be designed to showcase their musical abilities, rather than their vocal ones, although the vocals in this track are, again, brilliant; the range of techniques delivered throughout the track are genuinely impressive and, it wasn’t until I sat down to review the track that I realised how gorgeous these instrumentals are in their own right. The third and final track available, Delight - and prepared yourselves, because I’m sure I sound like a broken record by now - offers yet another tone and yet more experimentation with sounds from these guys, which is something I truly love about them. The instrumentals are edgier, the vocals are portrayed differently to the other tracks, and played around with on numerous occasions throughout the song - it’s just a brilliant release and, if I was pushed to pick one, I would say this last track is probably by favourite out of the three.
The band has a set of strong songs available online, with hopefully more to come in the future - we’ll keep you updated on that one - that are well worth listening to, especially if you’re looking for dance-y music that has a bit of an edge to it, which is exactly what this is, strange as it might sound on paper. They’re obviously very talented guys who aren’t scared to play around with different sounds and generally experiment with their music, which makes us love them just that little bit more. Certainly ones to watch for the future!
Make sure you check out their tracks here.
Written by: Charlotte Barnes
Published: 20 January 2014
While there isn’t a massive amount known about them, I’m fairly sure that I’ve read online that they’re currently unsigned, which is crazy considering how good they are.
The guys have three tracks uploaded to their SoundCloud page, which you can access by clicking here, that showcases their impressive ability to deliver rock(ish) music that still makes you want to get up and have a dance. The first track of the bunch, Why Go, is actually beautiful and - I sincerely hope this is a compliment to the group - kind of reminds me of City and Colour tracks at some points. There’s a rough, melancholic edge to the vocals which is well-received and complimented perfectly by the accompanying music.
Second track, So Many Ways, is introduced with some truly delicious music - honestly, these lads know how to handle their guitars and this intro succeeds in demonstrating that. I feel like this track shows a different tone to the music being delivered by the group, which is in itself a relief to know that they’re actually versatile, unlike so many other artists these days. This song seems to be designed to showcase their musical abilities, rather than their vocal ones, although the vocals in this track are, again, brilliant; the range of techniques delivered throughout the track are genuinely impressive and, it wasn’t until I sat down to review the track that I realised how gorgeous these instrumentals are in their own right. The third and final track available, Delight - and prepared yourselves, because I’m sure I sound like a broken record by now - offers yet another tone and yet more experimentation with sounds from these guys, which is something I truly love about them. The instrumentals are edgier, the vocals are portrayed differently to the other tracks, and played around with on numerous occasions throughout the song - it’s just a brilliant release and, if I was pushed to pick one, I would say this last track is probably by favourite out of the three.
The band has a set of strong songs available online, with hopefully more to come in the future - we’ll keep you updated on that one - that are well worth listening to, especially if you’re looking for dance-y music that has a bit of an edge to it, which is exactly what this is, strange as it might sound on paper. They’re obviously very talented guys who aren’t scared to play around with different sounds and generally experiment with their music, which makes us love them just that little bit more. Certainly ones to watch for the future!
Make sure you check out their tracks here.
Written by: Charlotte Barnes
Published: 20 January 2014
Unsigned Artist Review: Connor Foweraker
Connor Foweraker is an indie singer-songwriter who has just made it onto the internet world. No, he’s not a winner by the usual mainstream standards but the two songs that he’s put up on SoundCloud are worth checking out.
Foweraker’s gravelly tones are similar to James Arthur, but artistically speaking, I’d say he was closer to the likes of Ben Howard, equipped only with his lone acoustic guitar and his voice. Surprisingly, there doesn’t appear to be a hint of auto tune to his songs or, if there is, it’s done well and not anything at all like the stuff that other unknown artists are putting out there. This might be attributed to the degree in music that he’s currently undertaking.
The two songs that Foweraker has currently uploaded to SoundCloud, Rearrange and Your Games, are what you would expect of someone who is artistically very close to Ben Howard. The songs are slow, played simply with his guitar, his voice floating soothingly over the chords.
Rearrange speaks about changing oneself after a relationship has ended; easy now, don’t strain yourself at all, open up your eyes to see that someone else is trying, do you really want this at all? The lyrics are tinged with a hint of regret, as though the narrator is quite simply annoyed at themselves that it took them so long to break off the relationship.
On the other hand, Your Games speaks about the narrator’s reluctance to allow someone else to play their “games” but the tone isn’t regret as such. There’s a hint of defiance to the song as Foweraker sings “there’s no need for your games”, almost dismissively.
The songs also include adept guitar solos towards the third quarter of each song, expertly played by Foweraker himself. By listening to these songs, it’s clear that he has talent. The lyrics of each song are captivating enough, the guitar playing excellent. However, both songs do appear to sound very similar to one another. If he goes on to write an album, I would like to see a bit of variation in it.
Foweraker’s songs can be found on his SoundCloud profile by clicking here. It’s important to note that the songs are titled as demos at this current moment so changes may occur.
Written by: Kasim Kaey
Published: 17 January 2014
Foweraker’s gravelly tones are similar to James Arthur, but artistically speaking, I’d say he was closer to the likes of Ben Howard, equipped only with his lone acoustic guitar and his voice. Surprisingly, there doesn’t appear to be a hint of auto tune to his songs or, if there is, it’s done well and not anything at all like the stuff that other unknown artists are putting out there. This might be attributed to the degree in music that he’s currently undertaking.
The two songs that Foweraker has currently uploaded to SoundCloud, Rearrange and Your Games, are what you would expect of someone who is artistically very close to Ben Howard. The songs are slow, played simply with his guitar, his voice floating soothingly over the chords.
Rearrange speaks about changing oneself after a relationship has ended; easy now, don’t strain yourself at all, open up your eyes to see that someone else is trying, do you really want this at all? The lyrics are tinged with a hint of regret, as though the narrator is quite simply annoyed at themselves that it took them so long to break off the relationship.
On the other hand, Your Games speaks about the narrator’s reluctance to allow someone else to play their “games” but the tone isn’t regret as such. There’s a hint of defiance to the song as Foweraker sings “there’s no need for your games”, almost dismissively.
The songs also include adept guitar solos towards the third quarter of each song, expertly played by Foweraker himself. By listening to these songs, it’s clear that he has talent. The lyrics of each song are captivating enough, the guitar playing excellent. However, both songs do appear to sound very similar to one another. If he goes on to write an album, I would like to see a bit of variation in it.
Foweraker’s songs can be found on his SoundCloud profile by clicking here. It’s important to note that the songs are titled as demos at this current moment so changes may occur.
Written by: Kasim Kaey
Published: 17 January 2014
Throwback Thursday: Smash Mouth - All Star
It's reached that time in January, where it's just a little too long between pay days (and still over 2 weeks to go.... eep!), and it's easy for the winter blues to set in. In an attempt to starve off these feelings of sadness, I've been thinking about happier times. So this week I present to my version of musical Prozac; Smash Mouth's All Star.
This track sends me right back to being 16, GCSEs not long completed and going on my first holiday with just my friends and no parents in sight. We were crammed in a caravan in Newquay (Cornwall). Holiday activities consisted of drinking, making new friends, trying to get into bars, buying T-shirts with stupid slogans, discovering a love of Woo Woo cocktails, we made it to the beach a couple of times and, I think there was drinking involved. Our soundtrack was Smash Mouth, System of a Down and Rahzel.
Hearing All Star sends me right back to this time; a group of uncool kids taking our first meandering steps towards independence accompanied by a great soundtrack and alcohol. I'm pretty sure the words to All Star are ingrained in my heart, it's a fantastic pop song about finding the best in any given situation. So, if you too could use a little change, bop along to this with us by clicking here.
Written by: Michelle Bradford
Published: 16 January 2014
This track sends me right back to being 16, GCSEs not long completed and going on my first holiday with just my friends and no parents in sight. We were crammed in a caravan in Newquay (Cornwall). Holiday activities consisted of drinking, making new friends, trying to get into bars, buying T-shirts with stupid slogans, discovering a love of Woo Woo cocktails, we made it to the beach a couple of times and, I think there was drinking involved. Our soundtrack was Smash Mouth, System of a Down and Rahzel.
Hearing All Star sends me right back to this time; a group of uncool kids taking our first meandering steps towards independence accompanied by a great soundtrack and alcohol. I'm pretty sure the words to All Star are ingrained in my heart, it's a fantastic pop song about finding the best in any given situation. So, if you too could use a little change, bop along to this with us by clicking here.
Written by: Michelle Bradford
Published: 16 January 2014
Single Review: Ceiling Demons - Every Step Is Moving Me Up
Apparently it takes the average individual around ten seconds to decide whether they’re going to like a song. It took me about three seconds to decide that I liked Every Step Is Moving Me Up by Ceiling Demons, which should give you an indicator of how good this track is.
Ceiling Demons, best categorised as British hip-hop, consists of twin brothers MCs Psy Ceiling and Dan Demon, with production provided by Beat Demon and Euan Kearney and I must say, as far as home-grown hip-hop goes, these guys are something of a dream team.
I was hooked from the opening of the backing track, littered throughout the entire song, that is so good that it might work as a single in its own right - if the guys ever feel like providing a stand-alone instrumental for the track, it would certainly make it onto the MHR play list. Soon after this ear-grabbing introduction we’re introduced to the rapping element of the track which, admittedly, is a little shock to the system after such a gentle opening. However, this soon settles in-line with the accompanying music, ultimately making the harsh rap a pleasant juxtaposition against the dreamy background music.
Although I can’t quite put it into words, there is something undeniably British in this track that makes it even more enjoyable for me. I feel a bit like I’ve been catapulted back to the early Grime days when British rappers were storming the country with these catchy tracks that people seemed to instantly fall in love with. For me, Every Step Is Moving Me Up is one of those tracks.
This is the first single taken from the Dual Sides LP, which we’ll be reviewing later this week, and you can check out the video for the track by clicking here.
Written by: Charlotte Barnes
Published: 14 January 2014
Ceiling Demons, best categorised as British hip-hop, consists of twin brothers MCs Psy Ceiling and Dan Demon, with production provided by Beat Demon and Euan Kearney and I must say, as far as home-grown hip-hop goes, these guys are something of a dream team.
I was hooked from the opening of the backing track, littered throughout the entire song, that is so good that it might work as a single in its own right - if the guys ever feel like providing a stand-alone instrumental for the track, it would certainly make it onto the MHR play list. Soon after this ear-grabbing introduction we’re introduced to the rapping element of the track which, admittedly, is a little shock to the system after such a gentle opening. However, this soon settles in-line with the accompanying music, ultimately making the harsh rap a pleasant juxtaposition against the dreamy background music.
Although I can’t quite put it into words, there is something undeniably British in this track that makes it even more enjoyable for me. I feel a bit like I’ve been catapulted back to the early Grime days when British rappers were storming the country with these catchy tracks that people seemed to instantly fall in love with. For me, Every Step Is Moving Me Up is one of those tracks.
This is the first single taken from the Dual Sides LP, which we’ll be reviewing later this week, and you can check out the video for the track by clicking here.
Written by: Charlotte Barnes
Published: 14 January 2014
Throwback Thursday: New Year Special!
I'm hoping everyone is enjoying their festive season and has welcomed 2014 with open arms. As a New Years special, I am going to do a top 5 count down, just because, well I can really can't I?
So my number 5 is Hot Ride by The Prodigy. I've seen The Prodigy live three times and they never cease to amaze me with the quality of their life performance. Hot Ride is one of my favourite tracks and, just like you expect with The Prodigy, it's hard dance made to make you bounce. My attempt to brush away those remaining hangover cobwebs some people are sure to have! Check it out here.
In at number 4 is Suck My Kiss by Red Hot Chili Peppers. I got into RHCP in my teens and although they have so many excellent tracks, this one remains my favourite. Funky bass lines combined with punchy lyrics. What can I say, I bloody love this song! You can find it on the RHCP YouTube channel.
Number 3 is (I can't get no) Satisfaction by Otis Redding. This is a cover of a Rolling Stones track. As far as I'm concerned, Otis' version is infinitely superior. From the opening trumpets I want to get up and dance. His voice has the stunning tone that made him the King of Soul. Give your ears a treat with this track by clicking here.
At number 2 I have Landslide by Fleetwood Mac. Fleetwood Mac have so many amazing tracks that I quite often forget just how many they've done. Landslide, however is on heavy rotation on my iPod and never fails to give me shivers. A song reflecting on change seems appropriate for welcoming in a new year. Click here to listen to the track.
Finally, at the top spot, I have another of my all times favourite songs: Twist and Shout by the Beatles. This song is the main reason I adore the film Ferris Bueller's Day Off and I just plain love the song in its own right too. It never fails to make me want to dance around and sing along; twist and shout with me by clicking here.
Written by: Michelle Bradford
Published: 2 January 2014
So my number 5 is Hot Ride by The Prodigy. I've seen The Prodigy live three times and they never cease to amaze me with the quality of their life performance. Hot Ride is one of my favourite tracks and, just like you expect with The Prodigy, it's hard dance made to make you bounce. My attempt to brush away those remaining hangover cobwebs some people are sure to have! Check it out here.
In at number 4 is Suck My Kiss by Red Hot Chili Peppers. I got into RHCP in my teens and although they have so many excellent tracks, this one remains my favourite. Funky bass lines combined with punchy lyrics. What can I say, I bloody love this song! You can find it on the RHCP YouTube channel.
Number 3 is (I can't get no) Satisfaction by Otis Redding. This is a cover of a Rolling Stones track. As far as I'm concerned, Otis' version is infinitely superior. From the opening trumpets I want to get up and dance. His voice has the stunning tone that made him the King of Soul. Give your ears a treat with this track by clicking here.
At number 2 I have Landslide by Fleetwood Mac. Fleetwood Mac have so many amazing tracks that I quite often forget just how many they've done. Landslide, however is on heavy rotation on my iPod and never fails to give me shivers. A song reflecting on change seems appropriate for welcoming in a new year. Click here to listen to the track.
Finally, at the top spot, I have another of my all times favourite songs: Twist and Shout by the Beatles. This song is the main reason I adore the film Ferris Bueller's Day Off and I just plain love the song in its own right too. It never fails to make me want to dance around and sing along; twist and shout with me by clicking here.
Written by: Michelle Bradford
Published: 2 January 2014
Single Review: Lorde - No Better
Whilst the rest of the internet might still be in awe of Beyonce's new album that killed iTunes's servers and sold nearly a billion copies in the first four days, that doesn't necessarily mean that the rest of the world has stopped. Lorde, the 17 year old singer from New Zealand, has just released a new single and it appears to be a good one.
No Better is one of her faster songs, where Lorde sings about summer, driving aimlessly, swimming, forgetting about school; this is a summer song through and through. Which works great for her homeland but is slightly out of place in Western countries, where we're just about to get ready for snow.
Lorde delivers her signature one liners; "your breath's hot and gross but I kiss you like a lover / we're getting dead and it's the right way to do it". It's reminiscent of songs such as Buzzcut Season from her debut album, Pure Heroine, but is both lighter and simpler.
The single appears to not be new at all, revealed in a tweet by the singer where she states she wanted to put it on the album but decided against it. She promises new content in the future, which is always a good sign! Check out the No Better single by clicking here.
Written by: Kasim Kaey
Published: 23 December 2013
No Better is one of her faster songs, where Lorde sings about summer, driving aimlessly, swimming, forgetting about school; this is a summer song through and through. Which works great for her homeland but is slightly out of place in Western countries, where we're just about to get ready for snow.
Lorde delivers her signature one liners; "your breath's hot and gross but I kiss you like a lover / we're getting dead and it's the right way to do it". It's reminiscent of songs such as Buzzcut Season from her debut album, Pure Heroine, but is both lighter and simpler.
The single appears to not be new at all, revealed in a tweet by the singer where she states she wanted to put it on the album but decided against it. She promises new content in the future, which is always a good sign! Check out the No Better single by clicking here.
Written by: Kasim Kaey
Published: 23 December 2013
Throwback Thursday: Christmas Edition!
Well this time next week, Christmas will have been and gone, so it's probably about time to get into the festive cheer, yes, even me. So, lets cast our minds back to previous years' Christmas number 1s and Christmas songs and have a mini party this Throwback Thursday!
In at number 3 is Mad World by Gary Jules. Topping the charts in December 2003, the song was previously better known for forming part of the Donnie Darko soundtrack (film release in 2001), which I have watched plenty of times over the years and is still one of my favourite films. The lyrics are poignant and reflect the wretched loneliness that many people feel this time of year. The video is more than slightly hypnotic and you can check it out by clicking here.
In at number 2 is Killing in the Name of by Rage Against the Machine. I got into RATM in college; I had rather rubbish timing because it was shortly after they disbanded. I used to have this song blasting on the way to my part time job (very appropriate for selling posh people shoes, I'm sure!). I managed to see them live when they headlined Reading festival, which is one of the best festival performances I've witnessed. Killing in the Name of was originally released in 1992, but topped the charts in 2009 after a social media campaign decided to break the monotony of an assumed guaranteed Christmas top spot for whatever X-Factor winner it was. Killing in the Name of rose victoriously to the top spot on downloads alone (profits from single went to a homeless charity – more in line with the spirit of Christmas than most songs). It's aggressive, brash, it makes me want to bounce off the walls, and available to listen to here.
Stealing the glory of number 1 is All I want for Christmas is You by Mariah Carey. This song reached number 2 in the actual charts back in 1994, but it has become a firm favourite in the seasonal repertoire ever since. It's one of those songs that potentially should be a guilty pleasure, but I'm not ashamed to say I love it. I have a memory of it coming on the radio when I was driving to university a few years ago, as the chimes of the record started, snow started to fall. Somehow that combination made me feel incredibly happy and on top of the world, considering I wasn't a fan of student life, this track was my own Christmas miracle!
Merry Christmas to all of you!
Written by: Michelle Bradford
Published: 19 December 2013
In at number 3 is Mad World by Gary Jules. Topping the charts in December 2003, the song was previously better known for forming part of the Donnie Darko soundtrack (film release in 2001), which I have watched plenty of times over the years and is still one of my favourite films. The lyrics are poignant and reflect the wretched loneliness that many people feel this time of year. The video is more than slightly hypnotic and you can check it out by clicking here.
In at number 2 is Killing in the Name of by Rage Against the Machine. I got into RATM in college; I had rather rubbish timing because it was shortly after they disbanded. I used to have this song blasting on the way to my part time job (very appropriate for selling posh people shoes, I'm sure!). I managed to see them live when they headlined Reading festival, which is one of the best festival performances I've witnessed. Killing in the Name of was originally released in 1992, but topped the charts in 2009 after a social media campaign decided to break the monotony of an assumed guaranteed Christmas top spot for whatever X-Factor winner it was. Killing in the Name of rose victoriously to the top spot on downloads alone (profits from single went to a homeless charity – more in line with the spirit of Christmas than most songs). It's aggressive, brash, it makes me want to bounce off the walls, and available to listen to here.
Stealing the glory of number 1 is All I want for Christmas is You by Mariah Carey. This song reached number 2 in the actual charts back in 1994, but it has become a firm favourite in the seasonal repertoire ever since. It's one of those songs that potentially should be a guilty pleasure, but I'm not ashamed to say I love it. I have a memory of it coming on the radio when I was driving to university a few years ago, as the chimes of the record started, snow started to fall. Somehow that combination made me feel incredibly happy and on top of the world, considering I wasn't a fan of student life, this track was my own Christmas miracle!
Merry Christmas to all of you!
Written by: Michelle Bradford
Published: 19 December 2013
Album Review: Beyonce Releases New Visual Album!
Beyonce's fifth album is pretty amazing. That is all you need to know. It comes with fourteen songs, eighteen music videos, each of which is pretty incredible. Even more so when you think about what Beyonce has been doing this year - singing at the inauguration, a 100+ hour tour, the Superbowl, her baby and all this?
The album is incredible. Let's face it. We weren't hoping for anything less and I personally love it.
The collection starts off with what I think is one of her best - Pretty Hurts - which pretty much talks about what you'd expect from a song with that title. And the music video that goes along with it shows that pretty does hurt. The lyrics are captivating and shine light on the society that we live in, a society where a woman as beautiful and talented as Beyonce still isn't good enough. The music video is harrowing and a strong start to an even stronger album.
Flawless continues this, where Beyonce questions judging books on their covers, with a mid-song excerpt from a TED speech by Chimamanda Ngozi Adichie, who talks about how we raise girls to be good wives and not to have too much ambition. It is brilliantly done.
Beyonce flirts with her husband in Drunk in Love; Blow has her singing about her cherry and she even has a song where Drake makes an appearance. However, personally, I wasn't a great fan of that track; the chemistry between Drake and Rihanna is absent and makes for a bit of a flat song, but still a good one. And then we have Blue, where Beyonce sings alongside her daughter. Yes, that's right. Her child. That child is already more talented than me.
The album is solid and considering that there was no advertising for it, it's pretty amazing to think that she's already sold 430,000 copies and topped American charts in only two days.
It really is Beyonce's world and we're just living in it.
Written by: Kasim Kaey
Published: 16 December 2013
The album is incredible. Let's face it. We weren't hoping for anything less and I personally love it.
The collection starts off with what I think is one of her best - Pretty Hurts - which pretty much talks about what you'd expect from a song with that title. And the music video that goes along with it shows that pretty does hurt. The lyrics are captivating and shine light on the society that we live in, a society where a woman as beautiful and talented as Beyonce still isn't good enough. The music video is harrowing and a strong start to an even stronger album.
Flawless continues this, where Beyonce questions judging books on their covers, with a mid-song excerpt from a TED speech by Chimamanda Ngozi Adichie, who talks about how we raise girls to be good wives and not to have too much ambition. It is brilliantly done.
Beyonce flirts with her husband in Drunk in Love; Blow has her singing about her cherry and she even has a song where Drake makes an appearance. However, personally, I wasn't a great fan of that track; the chemistry between Drake and Rihanna is absent and makes for a bit of a flat song, but still a good one. And then we have Blue, where Beyonce sings alongside her daughter. Yes, that's right. Her child. That child is already more talented than me.
The album is solid and considering that there was no advertising for it, it's pretty amazing to think that she's already sold 430,000 copies and topped American charts in only two days.
It really is Beyonce's world and we're just living in it.
Written by: Kasim Kaey
Published: 16 December 2013
Throwback Thursday: Arctic Monkeys - Mardy Bum
As well as being the season of festivities, December has also been dispensing out the common cold; I currently feel like my eyeballs have been bathed in sandpaper. What can I say, yes, I'm grumpy, and yes, I most certainly am a rubbish sick person. So this weeks' Throwback Thursday needs to be a song I love and which suits my vaguely self-pitying, cantankerous state.
Bring on the Arctic Monkeys, who are still releasing strong and successful albums. I still love their first more than any other; released in 2006, it's still a firm favourite with many people, there are so many great tracks on it with intrinsically witty lyrics. So, ladies and gentlemen, I (re-)present to you one of my favourites: Mardy Bum.
This song reminds me of an ex of mine, where cuddles in the kitchen did indeed get things off the ground and also where the initial merriment rapidly descended into a total clash of personalities, where we were a bit slow to admit defeat. (This wasn't actually 'our song', that was Foundations by Kate Nash, which sums up that relationship perfectly - says it all!). Mardy Bum started playing on the radio during the time we were together and I was regularly serenaded by it! Nowadays it brings back odd bittersweet memories, but I reckon I will always love this song, and today in my Mardy Bum state, it was the only song that would do. Join me and listen to the track here.
Written by: Michelle Bradford
Published: 12 December 2013
Bring on the Arctic Monkeys, who are still releasing strong and successful albums. I still love their first more than any other; released in 2006, it's still a firm favourite with many people, there are so many great tracks on it with intrinsically witty lyrics. So, ladies and gentlemen, I (re-)present to you one of my favourites: Mardy Bum.
This song reminds me of an ex of mine, where cuddles in the kitchen did indeed get things off the ground and also where the initial merriment rapidly descended into a total clash of personalities, where we were a bit slow to admit defeat. (This wasn't actually 'our song', that was Foundations by Kate Nash, which sums up that relationship perfectly - says it all!). Mardy Bum started playing on the radio during the time we were together and I was regularly serenaded by it! Nowadays it brings back odd bittersweet memories, but I reckon I will always love this song, and today in my Mardy Bum state, it was the only song that would do. Join me and listen to the track here.
Written by: Michelle Bradford
Published: 12 December 2013
Throwback Thursday - Double Whammy!
This week came the unfortunate news that Paul Walker and his friend Roger Rodas died in a car crash. As someone who has watched the Fast and Furious movies many a time, the first track in this weeks' double whammy is a respectful nod to this. The song I've picked is Six Days by DJ Shadow, the Soulwax remix (released 2002), not the Mos Def version. Now, people who know the films and soundtracks, will know that the Mos Def version accompanied Tokyo Drift; the one film Walker didn't star in. But, out of all the sountrack songs, this is my favourite, and to be bluntly honest, I don't like the Mos Def version, whereas I flippin' love the Soulwax remix.
Faster and more upbeat than the comparatively darker original, and without Mos Def sporadically asking “what time is it?”, the Soulwax remix is spot on. From reading Youtube comments (so, it must be true), I've learnt that it uses a B52s sample, which effectively results in danceable hip hop. As the song itself tells us “tomorrow may be too late”, so listen to it now by clicking here.
The second track is an 80s number; there definitely seems to be an 80s revival in the current music scene, so I thought I would remind everyone how it was done originally! I picked this particular track because, with L Festive at the weekend and the season of Christmas parties pretty much upon us, I'm pretty sure this song will apply at some point. Bruce Springsteen released Dancing in the Dark in 1984. I first heard it whilst at work last year, it stood out as one of the few decent tracks that radio station played, and it's almost certainly the only track on their playlist that I ever went on to download! A song about looking for a source of entertainment to alleviate the monotony of day to day life. Bouncy, upbeat rhythms that trigger off shamefully cheesy dancing in me. A classic for a reason, check it out here.
Written by: Michelle Bradford
Published: 5 December 2013
Faster and more upbeat than the comparatively darker original, and without Mos Def sporadically asking “what time is it?”, the Soulwax remix is spot on. From reading Youtube comments (so, it must be true), I've learnt that it uses a B52s sample, which effectively results in danceable hip hop. As the song itself tells us “tomorrow may be too late”, so listen to it now by clicking here.
The second track is an 80s number; there definitely seems to be an 80s revival in the current music scene, so I thought I would remind everyone how it was done originally! I picked this particular track because, with L Festive at the weekend and the season of Christmas parties pretty much upon us, I'm pretty sure this song will apply at some point. Bruce Springsteen released Dancing in the Dark in 1984. I first heard it whilst at work last year, it stood out as one of the few decent tracks that radio station played, and it's almost certainly the only track on their playlist that I ever went on to download! A song about looking for a source of entertainment to alleviate the monotony of day to day life. Bouncy, upbeat rhythms that trigger off shamefully cheesy dancing in me. A classic for a reason, check it out here.
Written by: Michelle Bradford
Published: 5 December 2013
Throwback Thursday: Yeah Yeah Yeahs - Cheated Hearts
Well a few things have come to my attention this morning. Firstly, it's morning, what's up with that? Secondly I'm back at work and during my week off, I've managed to convert back to my naturally nocturnal self, so I'm up eating my version of breakfast; a bag of crisps and a large Cafetière of coffee (with more sugar than I will ever admit), that is supposedly for sharing (there is nothing in the fridge okay!). I may throw an apple for good measure. Finally, it's Thursday, which means that I possibly should have already written this.
So obviously this morning I was abruptly jolted from sleep, serenaded by my alarm clock. The choice of alarm clock song is one of paramount importance. It has to be one that you are willing to hear over and over and not want to throw your phone or actual alarm clock out the window to make it go away. It can't be too sad otherwise you spend the day too miserable. It can't be too jolly, otherwise you feel patronised and get mardy (don't tell me I'm alone in this.... please). As the particularly observant amongst you may have noted, I am not a morning person, so this is invariably one of the most important decisions I probably ever had to make. Luckily for me, I think I actually got it right.
The Yeah Yeah Yeahs are my favourite band. I've been lucky enough to see them live twice and I actually just plain love them to bits. I could gaze off into the distance and dreamily waffle about their magnificence all day long, unfortunately I really don't have time, so shouldn't start what I can't finish.
Cheated Hearts, first of all, the video is ace; they used fans filming themselves singing to the song, which you can check out by clicking here. That's pretty damn cool in my opinion. The music is energetic, bouncy and upbeat, a rather direct contrast with the actual lyrics “cheated by the opposite of love”. This amalgamation of jaunty beats and lugubrious lyrics works perfectly. It makes bleak moments easier to bare (clearly every morning ever in my tricky life). Hey, it gets me out of bed on a regular basis, this song is nothing short of miraculous.
Written by: Michelle Bradford
Published: 28 November 2013
So obviously this morning I was abruptly jolted from sleep, serenaded by my alarm clock. The choice of alarm clock song is one of paramount importance. It has to be one that you are willing to hear over and over and not want to throw your phone or actual alarm clock out the window to make it go away. It can't be too sad otherwise you spend the day too miserable. It can't be too jolly, otherwise you feel patronised and get mardy (don't tell me I'm alone in this.... please). As the particularly observant amongst you may have noted, I am not a morning person, so this is invariably one of the most important decisions I probably ever had to make. Luckily for me, I think I actually got it right.
The Yeah Yeah Yeahs are my favourite band. I've been lucky enough to see them live twice and I actually just plain love them to bits. I could gaze off into the distance and dreamily waffle about their magnificence all day long, unfortunately I really don't have time, so shouldn't start what I can't finish.
Cheated Hearts, first of all, the video is ace; they used fans filming themselves singing to the song, which you can check out by clicking here. That's pretty damn cool in my opinion. The music is energetic, bouncy and upbeat, a rather direct contrast with the actual lyrics “cheated by the opposite of love”. This amalgamation of jaunty beats and lugubrious lyrics works perfectly. It makes bleak moments easier to bare (clearly every morning ever in my tricky life). Hey, it gets me out of bed on a regular basis, this song is nothing short of miraculous.
Written by: Michelle Bradford
Published: 28 November 2013
EP Revew: George Ezra - Did You Hear The Rain?
I first heard George Ezra’s rough, distinctive vocals in the aftermath of my daily ritual that is watching Pointless (Richard Osman won Heat’s Weird Crush award in 2013, don’t cha know). His release Budapest oozed over the BBC’s Alive with Music ad and as soon as I heard it, I had to listen to it again and quickly scoured the internet to find out who it was.
His voice has a lovely rich quality that suggests a vocal maturity beyond his mere 19 years. Without a doubt, Ezra’s boyish looks have helped him spawn a fan following known as Ezranites (I am cringing here), while his recent signing with Columbia records and unique delivery looks promising to deliver a much needed injection of originality into the music industry. This culminates in a diverse blend of genres ranging from the light, folksy feel of Budapest to the more intense Did You Hear The Rain?, ultimately bringing a fresh brand of alternative to the music scene.
Relying on the use of social media and free downloads, two of which are available on his website, to stir interest, George has already played on the Introducing Stage of one of the UK’s biggest music events: the Glastonbury festival, and has opened for the likes of Tom Odell and Dexys Midnight Runners.
Few words can describe how in love I am with the weathered, raw tone of his voice, so I’ll put it simply – I bloody love it, and I hope that success follows for this gifted young artist, whose talent deserves recognition.
His debut EP ‘Did You Hear The Rain?’ is available on iTunes now, while singles ‘Budapest’ and ‘You Don’t Have To Be In The Army To Fight In The War’ are available as free mp3 downloads from George’s website.
Written by: Hannah Whitehouse
Published: 26 November 2013
His voice has a lovely rich quality that suggests a vocal maturity beyond his mere 19 years. Without a doubt, Ezra’s boyish looks have helped him spawn a fan following known as Ezranites (I am cringing here), while his recent signing with Columbia records and unique delivery looks promising to deliver a much needed injection of originality into the music industry. This culminates in a diverse blend of genres ranging from the light, folksy feel of Budapest to the more intense Did You Hear The Rain?, ultimately bringing a fresh brand of alternative to the music scene.
Relying on the use of social media and free downloads, two of which are available on his website, to stir interest, George has already played on the Introducing Stage of one of the UK’s biggest music events: the Glastonbury festival, and has opened for the likes of Tom Odell and Dexys Midnight Runners.
Few words can describe how in love I am with the weathered, raw tone of his voice, so I’ll put it simply – I bloody love it, and I hope that success follows for this gifted young artist, whose talent deserves recognition.
His debut EP ‘Did You Hear The Rain?’ is available on iTunes now, while singles ‘Budapest’ and ‘You Don’t Have To Be In The Army To Fight In The War’ are available as free mp3 downloads from George’s website.
Written by: Hannah Whitehouse
Published: 26 November 2013
Throwback Thursday: Green Day - Brain Stew (Godzilla Remix)
Well right now I should be packing, by the time you're reading this I will be in Iceland (the actual country, not Kerry Katona's favourite hang out). Hopefully I will remember to pack my gloves, at this rate I'll be happy if I pack anything. But I digress, I'm visiting my brother who moved to Iceland a couple of years ago. So, what better for a Throwback track than one which reminds me of my brother?
Bring on Green Day's Brain Stew (Godzilla remix)! I have never seen Godzilla, but my brother did and got the soundtrack on cassette. It was released back in 1998 and we used to have it blaring whilst we played Goldeneye or Mario Kart on the N64. Those were pretty awesome times, despite how easily I continually died in Goldeneye!
The soundtrack features a few crackers for the record, but Brain Stew was always the one I would happily listen to over and over. The remix is essentially the regular track with the occasional battle cry overlaid courtesy of Godzilla. Both versions are winners in my book.
It's brash, it's fiesty, it features lyrics discussing being wired on naughty substances and being unable to sleep (totally missed that when I was a kid), it contains guitar riffs that make you want to head bang along. What more do you flippin' want?! It's my Throwback Thursday and it's frickin' awesome!
Written by: Michelle Bradford
Published: 21 November 2013
Bring on Green Day's Brain Stew (Godzilla remix)! I have never seen Godzilla, but my brother did and got the soundtrack on cassette. It was released back in 1998 and we used to have it blaring whilst we played Goldeneye or Mario Kart on the N64. Those were pretty awesome times, despite how easily I continually died in Goldeneye!
The soundtrack features a few crackers for the record, but Brain Stew was always the one I would happily listen to over and over. The remix is essentially the regular track with the occasional battle cry overlaid courtesy of Godzilla. Both versions are winners in my book.
It's brash, it's fiesty, it features lyrics discussing being wired on naughty substances and being unable to sleep (totally missed that when I was a kid), it contains guitar riffs that make you want to head bang along. What more do you flippin' want?! It's my Throwback Thursday and it's frickin' awesome!
Written by: Michelle Bradford
Published: 21 November 2013
Album Review: Lorde - Pure Heroine
Last week I reviewed Lorde’s album, albeit in a slightly short manner. However, having spent the last few days endlessly listening to her album, I’ve decided to do an in depth review, going through each track and stating why this album is so good!
Overall, the album is stunning. It showcases Lorde’s swooning voice and her ability to craft lyrics that just amaze. This album is nothing short of amazing and there’s not a song here that I don’t enjoy. However, as it is with every album, there are some songs that I prefer more than others but that’s to be expected.
First off the bat is Tennis Court. An almost detached song, staring off with the lyric “Don’t you think it’s boring how people talk.” The way she sings the song, it’s almost as though she is bored. She is bored of how people talk; “Baby, be the class clown, I’ll be the beauty queen in tears, it’s a new art form showing people how little we care.” The song is just intoxicating!
Second, we have 400 Lux which, in my opinion, talks about how people in general appear to waste time; “We’re never done with killing time, can I kill it with you, ‘til the veins run red and blue?” She employs the same monotonous voice, bored of singing, bored of wasting time, bored of life. If she was any more bored, she might not even be singing at all. But it’s the chorus that gets you; “And I like you, I like these roads where the houses don’t change, and I like you, where we can talk like there’s something to say, and I like you.”
Royals is the song that put Lorde onto the charts and there’s a reason. The song is completely incredible. It’s an evident hit to the culture that seems to resonate through the pop that pervades our very being right now, with Miley Cyrus, Selena Gomez and so on. It’s apparent that Lorde thinks herself better than them, better because of her upbringing, better because of the way she lives, just better.
Ribs starts off with an ambient opening which leads into Lorde singing almost exhaustedly. But as the song progresses, she becomes more and more frantic with every passing second, as though she’s discovering her maturity, discovering her adulthood in real time.
Buzzcut Season is by far my favourite song on the album. It’s more produced than the other songs, with a steady drumbeat in the background but it’s not the music that gets me, it’s the lyrics. This song is a lyrical masterpiece; “Explosions on TV, and all the girls with heads inside a dream, so now we live beside the pool, where everything is good.” It’s obvious that this song is about society as it stands right now; we are constantly bombarded with information about things that are happening around the world but it’s so easy to just tune out, to think that nothing is wrong, to think that everything is as perfect as the song you’re listening to. Team is another hit at pop culture, with Lorde stating that she’s “kind of over getting told to throw my hands up in the air, so there.” There's also an intriguing emphasis on where Lorde comes from in this track!
The cynical undertones towards music so relevant in Team appears to be directed at society’s want for violence in Glory and Gore, where she sings “Glory and gore go hand in hand, that’s why we’re making headlines.” The chorus is deadly addictive and there’s no way you can listen to that and not scream it out the next time it comes around.
Still Sane just goes ahead to show how Lorde is an incredibly old soul. She sings about having to grow up too fast but she accepts this, accepts that it’s “all work and no play, never made me lose it, all business, all day, keeps me up a level.” These are the words of a girl who knows the truth, who knows the harsh reality of the world she lives in. And she accepts it.
White Teeth Teens is a song that resonates with me so powerfully. The song is about the idea of perfect teens, of the jock, of the cheerleader, the stereotypical perfect students who can do no wrong. And how the other students try to get in. She sings like someone who tried to get in to the White Teeth Teens; “I’ll let you in on something big, I’m not a white teeth teen, I tried to join but never did, the way they are, the way they seem, is something else, it’s in the blood.”
The album ends with A World Alone and this is one of the best songs on the release. A brilliant ending to a brilliant album, the song soars with a roaring dance beat that continuously circles in and out as she sings about her world. The endless internet chatter, the haters, the fans. It really gives a snapshot into her life, how it must have gone from nothing to something so quick and for someone so young; “All my fake friends and their noise.”
I have never encountered an album so amazing, so brilliant. An album that resonates with me so perfectly, that takes everything I have ever felt about society, about stereotypes, about music, about life as a whole and put it into words, words that fit into songs so perfectly, sung by someone who knows what she’s talking about. Her voice is brilliant, her lyrics are incredible and there’s no telling where she’s going to go. She could drop off the face of the Earth tomorrow or continue to sell millions of albums but I don’t know how she could ever top this. For a debut album, this is brilliant for an artist of any age, let alone sixteen. Lorde has truly captured my heart, with her eccentric hand movements during live performances, her world weary voice and her ability to craft truly perfect lyrics.
Written by: Kasim Kaey
Published: 20 November 2013
Overall, the album is stunning. It showcases Lorde’s swooning voice and her ability to craft lyrics that just amaze. This album is nothing short of amazing and there’s not a song here that I don’t enjoy. However, as it is with every album, there are some songs that I prefer more than others but that’s to be expected.
First off the bat is Tennis Court. An almost detached song, staring off with the lyric “Don’t you think it’s boring how people talk.” The way she sings the song, it’s almost as though she is bored. She is bored of how people talk; “Baby, be the class clown, I’ll be the beauty queen in tears, it’s a new art form showing people how little we care.” The song is just intoxicating!
Second, we have 400 Lux which, in my opinion, talks about how people in general appear to waste time; “We’re never done with killing time, can I kill it with you, ‘til the veins run red and blue?” She employs the same monotonous voice, bored of singing, bored of wasting time, bored of life. If she was any more bored, she might not even be singing at all. But it’s the chorus that gets you; “And I like you, I like these roads where the houses don’t change, and I like you, where we can talk like there’s something to say, and I like you.”
Royals is the song that put Lorde onto the charts and there’s a reason. The song is completely incredible. It’s an evident hit to the culture that seems to resonate through the pop that pervades our very being right now, with Miley Cyrus, Selena Gomez and so on. It’s apparent that Lorde thinks herself better than them, better because of her upbringing, better because of the way she lives, just better.
Ribs starts off with an ambient opening which leads into Lorde singing almost exhaustedly. But as the song progresses, she becomes more and more frantic with every passing second, as though she’s discovering her maturity, discovering her adulthood in real time.
Buzzcut Season is by far my favourite song on the album. It’s more produced than the other songs, with a steady drumbeat in the background but it’s not the music that gets me, it’s the lyrics. This song is a lyrical masterpiece; “Explosions on TV, and all the girls with heads inside a dream, so now we live beside the pool, where everything is good.” It’s obvious that this song is about society as it stands right now; we are constantly bombarded with information about things that are happening around the world but it’s so easy to just tune out, to think that nothing is wrong, to think that everything is as perfect as the song you’re listening to. Team is another hit at pop culture, with Lorde stating that she’s “kind of over getting told to throw my hands up in the air, so there.” There's also an intriguing emphasis on where Lorde comes from in this track!
The cynical undertones towards music so relevant in Team appears to be directed at society’s want for violence in Glory and Gore, where she sings “Glory and gore go hand in hand, that’s why we’re making headlines.” The chorus is deadly addictive and there’s no way you can listen to that and not scream it out the next time it comes around.
Still Sane just goes ahead to show how Lorde is an incredibly old soul. She sings about having to grow up too fast but she accepts this, accepts that it’s “all work and no play, never made me lose it, all business, all day, keeps me up a level.” These are the words of a girl who knows the truth, who knows the harsh reality of the world she lives in. And she accepts it.
White Teeth Teens is a song that resonates with me so powerfully. The song is about the idea of perfect teens, of the jock, of the cheerleader, the stereotypical perfect students who can do no wrong. And how the other students try to get in. She sings like someone who tried to get in to the White Teeth Teens; “I’ll let you in on something big, I’m not a white teeth teen, I tried to join but never did, the way they are, the way they seem, is something else, it’s in the blood.”
The album ends with A World Alone and this is one of the best songs on the release. A brilliant ending to a brilliant album, the song soars with a roaring dance beat that continuously circles in and out as she sings about her world. The endless internet chatter, the haters, the fans. It really gives a snapshot into her life, how it must have gone from nothing to something so quick and for someone so young; “All my fake friends and their noise.”
I have never encountered an album so amazing, so brilliant. An album that resonates with me so perfectly, that takes everything I have ever felt about society, about stereotypes, about music, about life as a whole and put it into words, words that fit into songs so perfectly, sung by someone who knows what she’s talking about. Her voice is brilliant, her lyrics are incredible and there’s no telling where she’s going to go. She could drop off the face of the Earth tomorrow or continue to sell millions of albums but I don’t know how she could ever top this. For a debut album, this is brilliant for an artist of any age, let alone sixteen. Lorde has truly captured my heart, with her eccentric hand movements during live performances, her world weary voice and her ability to craft truly perfect lyrics.
Written by: Kasim Kaey
Published: 20 November 2013
Throwback Thursday: Aretha Franklin - Respect
So, I'm sure certain events recently must have caught your attention: the natural disasters impacting on the Philippines, Remembrance Day and tomorrow being Children in Need. It really hammers it home how fortunate I (and hopefully you are too) am. Sometimes people end up facing events in their lives that are so overwhelmingly traumatising, my limited brain struggles to comprehend them. Yet, they do face them and they do overcome what life throws. Humans are tremendous to the extreme (good and bad). People have lost loved ones, their homes, their whole lives, yet they continue to fight on. People are willing to risk their lives for our freedom and whether you agree with any war or not, that is an incredibly brave thing. Children who have dealt with more adversity now than most people ever will and come out as strong well-rounded human beings are amazing. People who donate their time organising charity fund raisers, people who donate whatever they can regardless of their financial status. There are so many wonderful people in this world and I doth my invisible hat to them all.
What I have for these people is complete and utter respect. So for me there is no song that could possibly be more appropriate than Aretha Franklin's Respect for this week's Throwback Thursday. Originally written and performed by Otis Redding (his version is also fab), in 1965, it was covered by Aretha in 1967. Her version was significantly more successful and helped to alert people to the outstanding talent of Aretha Franklin that we are still fully familiar with today. This song is an absolute timeless classic and rightly so. It makes you want to move, it makes you want to sing along, it makes you want to demand R E S P E C T!
I sincerely hope that you require no introduction to this song, but if you want to re-familiarise yourself with a true legend, then check out the track by clicking here.
Written by: Michelle Bradford
Published: 14 November 2013
What I have for these people is complete and utter respect. So for me there is no song that could possibly be more appropriate than Aretha Franklin's Respect for this week's Throwback Thursday. Originally written and performed by Otis Redding (his version is also fab), in 1965, it was covered by Aretha in 1967. Her version was significantly more successful and helped to alert people to the outstanding talent of Aretha Franklin that we are still fully familiar with today. This song is an absolute timeless classic and rightly so. It makes you want to move, it makes you want to sing along, it makes you want to demand R E S P E C T!
I sincerely hope that you require no introduction to this song, but if you want to re-familiarise yourself with a true legend, then check out the track by clicking here.
Written by: Michelle Bradford
Published: 14 November 2013
Album Review: Arcade Fire - Reflektor
Arcade Fire have recently released Reflektor, their fourth studio album and their first record since 2010’s hugely successful The Suburbs. Along with the impressive credentials of James Murphy of LCD Soundsystem, Canadian indie rockers Arcade Fire have treated us to a short collaboration with David Bowie, who makes a brief cameo on the 7 minute epic album opener and inspired new single, Reflektor.
The new record sees the band meandering in a different direction, and incorporating sounds of the Haitian rara tradition that the band were influenced by on a recent trip. The band also cite influences from the 1959 Black Orpheus and Søren Kierkegaard’s essay The Present Age. Black Orpheus has been such a significant presence for the band that they even released a video on Youtube syncing their full 75 minute album to the entire film.
This album provides a modern retelling of the Orpheus and Eurydice myth, which immediately sets off Concept Album alarm bells in the minds of all good students of popular culture. Concept albums are always a risk, and somehow the grandiose statement that Reflektor was presumably meant to be falls short, and leaves the listener simply unable to get past the fact that this record is unnecessarily long. It has moments of musical brilliance but an underlying lack of substance. Normal Person demonstrates the immaturity of Win’s lyricism: “Is anyone as strange as a normal person?” Grammy winning rock bands should do better.
Traditionally, the double album is divided into danceable, fast songs on Disc 1 and slow, earnest ones on Disc 2, but Afterlife is the magnificent stand-out of Disc 2, with its anthemic drive. A casual second listen is more engaging and reveals some striking songs and typical Arcade Fireisms; but to overcome the problem of the indulgent length of this double album, we have to spend time with it, dropping in and out.
And a final word of warning: don’t bother with the hidden track.
Written by: Clarissa Hopkins
Published: 12 November 2013
The new record sees the band meandering in a different direction, and incorporating sounds of the Haitian rara tradition that the band were influenced by on a recent trip. The band also cite influences from the 1959 Black Orpheus and Søren Kierkegaard’s essay The Present Age. Black Orpheus has been such a significant presence for the band that they even released a video on Youtube syncing their full 75 minute album to the entire film.
This album provides a modern retelling of the Orpheus and Eurydice myth, which immediately sets off Concept Album alarm bells in the minds of all good students of popular culture. Concept albums are always a risk, and somehow the grandiose statement that Reflektor was presumably meant to be falls short, and leaves the listener simply unable to get past the fact that this record is unnecessarily long. It has moments of musical brilliance but an underlying lack of substance. Normal Person demonstrates the immaturity of Win’s lyricism: “Is anyone as strange as a normal person?” Grammy winning rock bands should do better.
Traditionally, the double album is divided into danceable, fast songs on Disc 1 and slow, earnest ones on Disc 2, but Afterlife is the magnificent stand-out of Disc 2, with its anthemic drive. A casual second listen is more engaging and reveals some striking songs and typical Arcade Fireisms; but to overcome the problem of the indulgent length of this double album, we have to spend time with it, dropping in and out.
And a final word of warning: don’t bother with the hidden track.
Written by: Clarissa Hopkins
Published: 12 November 2013
Throwback Thursday: Project Bassline - Drop The Pressure
After the down tempo rather sombre offerings of last week's Throwback Thursday, I felt it was time to crank it up a few notches and this seemed like the perfect track to fill that criteria! Drop the Pressure was released by Project Bassline (you can find out more information on these guys via their Facebook page) 1st Jan 2008, so it does a cool ninja roll to slide in and meets the 5 year old criteria for our retro showcasing.
It's really hard to believe this track is only 5 years old, I can picture it pulsating out of club speakers 10 years ago and I can picture it being blared out this weekend. It oozes effortless and almost era-less cool. But hey, do you get the subtle hint?! Listen to this track and listen to it LOUD.
This track reminds me of a house party with my best friends a couple of years ago, drinking and dancing until some stupid time in the morning. The bass line is so intense you effectively create your own dance floor by vibrating into any free spot. Warning this song triggers involuntary movements (also known as busting moves), clears your head of any thoughts but the desire to dance.
I can't find the words to describe this song, mainly because my hands are too busy moving everywhere but the keyboard to type reasons for you. It doesn't really require language, it's a visceral thing. It resonates throughout your soul and reverberates down your limbs. Want something hard? Want something heavy? Like your dance music intense? Are you a bassline junkie? What the hell are you waiting for?! Drop the pressure over at YouTube, here!
Written by: Michelle Bradford
Published: 7 November 2013
It's really hard to believe this track is only 5 years old, I can picture it pulsating out of club speakers 10 years ago and I can picture it being blared out this weekend. It oozes effortless and almost era-less cool. But hey, do you get the subtle hint?! Listen to this track and listen to it LOUD.
This track reminds me of a house party with my best friends a couple of years ago, drinking and dancing until some stupid time in the morning. The bass line is so intense you effectively create your own dance floor by vibrating into any free spot. Warning this song triggers involuntary movements (also known as busting moves), clears your head of any thoughts but the desire to dance.
I can't find the words to describe this song, mainly because my hands are too busy moving everywhere but the keyboard to type reasons for you. It doesn't really require language, it's a visceral thing. It resonates throughout your soul and reverberates down your limbs. Want something hard? Want something heavy? Like your dance music intense? Are you a bassline junkie? What the hell are you waiting for?! Drop the pressure over at YouTube, here!
Written by: Michelle Bradford
Published: 7 November 2013
Album Review: james Arthur - James Arthur
I honestly can’t think of a better way to start your Monday morning than by listening to the new James Arthur album which, after what feels like a forever-long wait, has finally arrived! The album, which contains of James’s single You’re Nobody ‘Til Somebody Loves You, is a thirteen-track long (depending on which version of the album you buy) masterpiece that I have had on repeat since I bought it. That’s not even an over-exaggeration.
This release is, without question, a treat for the ears as James’s smooth vocals guide you through a world of raw emotion and jazzy beats that make for an absolutely amazing sound. I’d love to tell you what tracks stand out on the release but the truth is, they all do!
Get Down, the second track on the album, is a promising introduction (following on from You’re Nobody) to what this release will offer. Littered with optimistic lyrics and rough-around-the-edges vocals from James, it’s a firm foundation for the rest of the album to stand on. New Tattoo, which is probably one of my favourite tracks on the album, is just so smooth I don’t know where to begin! As James bellowed out the lyrics ‘I wear you like a new tattoo’, I actually found myself falling a little bit in love with this track.
There are some songs on this release that break up the jazz sounds with lively beats, which work just as well as the slower ones! The likes of Lie Down and Is This Love make a lasting impression and succeed in showing a more light-hearted side to the typically serious singer. In fact, I would go as far to say that Is This Love belongs on the soundtrack for a romantic comedy somewhere…
James’s album really does tick too many boxes for me to mention them all! It has a little bit of everything, from smooth jazz sounds to an attempt at rapping - Flyin’ is a remarkably good example of how diverse James’s skills are when it comes to music. It even manages to tick the collaborations box with other artists - and many producers - making an appearance on the release; my new favourite dream team, since hearing this album, has to be James Arthur and Emeli Sande who teamed up for the track Roses and it’s just beautiful, there is no other way of describing the track.
In short, there is nothing about this album that I don’t love. Go, buy and be merry to the beautiful sounds of James Arthur - who has successfully proved that, for the winner, there is life after X Factor!
Written by: Charlotte Barnes
Published: 4 November 2013
This release is, without question, a treat for the ears as James’s smooth vocals guide you through a world of raw emotion and jazzy beats that make for an absolutely amazing sound. I’d love to tell you what tracks stand out on the release but the truth is, they all do!
Get Down, the second track on the album, is a promising introduction (following on from You’re Nobody) to what this release will offer. Littered with optimistic lyrics and rough-around-the-edges vocals from James, it’s a firm foundation for the rest of the album to stand on. New Tattoo, which is probably one of my favourite tracks on the album, is just so smooth I don’t know where to begin! As James bellowed out the lyrics ‘I wear you like a new tattoo’, I actually found myself falling a little bit in love with this track.
There are some songs on this release that break up the jazz sounds with lively beats, which work just as well as the slower ones! The likes of Lie Down and Is This Love make a lasting impression and succeed in showing a more light-hearted side to the typically serious singer. In fact, I would go as far to say that Is This Love belongs on the soundtrack for a romantic comedy somewhere…
James’s album really does tick too many boxes for me to mention them all! It has a little bit of everything, from smooth jazz sounds to an attempt at rapping - Flyin’ is a remarkably good example of how diverse James’s skills are when it comes to music. It even manages to tick the collaborations box with other artists - and many producers - making an appearance on the release; my new favourite dream team, since hearing this album, has to be James Arthur and Emeli Sande who teamed up for the track Roses and it’s just beautiful, there is no other way of describing the track.
In short, there is nothing about this album that I don’t love. Go, buy and be merry to the beautiful sounds of James Arthur - who has successfully proved that, for the winner, there is life after X Factor!
Written by: Charlotte Barnes
Published: 4 November 2013
Single Review: Janet Devlin - Wonderful
It is a widely known fact that the winner of The X Factor is far from being the only person that will become famous from the show. In fact, many of the more successful artists to stem from the ITV series are the ones that failed to make the final, so it’s never much of a surprise to see some familiar faces surpass the winner and make a name for themselves in music.
On that note, cast your minds back to 2011 when a young Irish girl entered the show by the name of Janet Devlin. She was, admittedly, one of those quirky artists who didn’t really have a place on the show, which is perhaps why she wasn’t crowned the winner of that series. However, after spending some time working on her music and developing as an artist, Devlin is back with her debut single and, I must admit, it’s flippin’ adorable!
The track, entitled Wonderful, was written with the help of acoustic artist Newton Faulkner, and his influence shines through here! Giving Devlin a folksy, upbeat feel, the acoustics of the track are perfectly moulded to her gentle vocals, that still ooze a touch of the Irish accent as she belts out the touching lyrics that make up the track. It’s a quirky, cheery track that finally sees Devlin given the freedom that she lacked whilst bound by the constraints of the more commercial music industry. I’d say she has firmly found her place with this happy-go-lucky track and I look forward to hearing more from her in the near future.
The single is officially released later this month but, if you’re looking for something to put you in a good mood - which this song undoubtedly will - you can check it out on YouTube by clicking here.
Written by: Charlotte Barnes
Published: 3 November 2013
On that note, cast your minds back to 2011 when a young Irish girl entered the show by the name of Janet Devlin. She was, admittedly, one of those quirky artists who didn’t really have a place on the show, which is perhaps why she wasn’t crowned the winner of that series. However, after spending some time working on her music and developing as an artist, Devlin is back with her debut single and, I must admit, it’s flippin’ adorable!
The track, entitled Wonderful, was written with the help of acoustic artist Newton Faulkner, and his influence shines through here! Giving Devlin a folksy, upbeat feel, the acoustics of the track are perfectly moulded to her gentle vocals, that still ooze a touch of the Irish accent as she belts out the touching lyrics that make up the track. It’s a quirky, cheery track that finally sees Devlin given the freedom that she lacked whilst bound by the constraints of the more commercial music industry. I’d say she has firmly found her place with this happy-go-lucky track and I look forward to hearing more from her in the near future.
The single is officially released later this month but, if you’re looking for something to put you in a good mood - which this song undoubtedly will - you can check it out on YouTube by clicking here.
Written by: Charlotte Barnes
Published: 3 November 2013
Throwback Thursday: The Velvet Underground - Pale Blue Eyes
So this weekend I was driving in the supposed storm and amusing myself with potential Throwback Thursday tracks. My favourite option was Lemon Jelly – Lovely Weather For Ducks. However, I found out on Monday that Lou Reed had died (Sunday 27th aged 71), which struck me of slightly higher importance than the little bit of rain that the Midlands had.
The Velvet Underground's début album was released in March 1967, you know the one, the album cover features Andy Warhol's Banana. The track I'm picking is from the band's (self titled) third album, released in March 1969. This album is far mellower than previous releases as Pale Blue Eyes shows.
This song is perfect in so many ways! I fell in love with this track somewhere in my teenage years when I was exploring any type of music I could get my hands on. You can have it playing gently in the background as you go about your day, but if you actually listen to the lyrics, they are beautiful and they give me chills. A melancholic love song of someone loved, but gone, the thoughts of them and their pale blue eyes linger on. “Thought of you as everything, I've had but couldn't keep”. Life will introduce you to people who will hurt you, but don't regret what happens, just learn from your experiences. Lou Reed's voice is controlled, but there is a sense of so much emotion behind it, and the music that accompanies him is stunningly simple; unobtrusive of the singing and yet implicitly matching the sentiment of the lyrics.
This track will probably never be as inherently popular as Perfect Day, it will probably never be covered by an X Factor contestant (I'll let you come to your own conclusions of whether that's a good thing or not). But Pale Blue Eyes is a superb track in its own right, so head over to YouTube, by clicking here, and give it a listen if you're not already familiar. Mourn the loss of a man who contributed great things to music, but please do not become one of those people who feels the need to put Linger on Lou Reed, or Take a Walk on the Wild Side Lou Reed. It's not big. It's not clever. And whatever Mr Reed is doing now, I'm 99% sure it's not reading YouTube comments.
Written by: Michelle Bradford
Published: 31 October 2013
The Velvet Underground's début album was released in March 1967, you know the one, the album cover features Andy Warhol's Banana. The track I'm picking is from the band's (self titled) third album, released in March 1969. This album is far mellower than previous releases as Pale Blue Eyes shows.
This song is perfect in so many ways! I fell in love with this track somewhere in my teenage years when I was exploring any type of music I could get my hands on. You can have it playing gently in the background as you go about your day, but if you actually listen to the lyrics, they are beautiful and they give me chills. A melancholic love song of someone loved, but gone, the thoughts of them and their pale blue eyes linger on. “Thought of you as everything, I've had but couldn't keep”. Life will introduce you to people who will hurt you, but don't regret what happens, just learn from your experiences. Lou Reed's voice is controlled, but there is a sense of so much emotion behind it, and the music that accompanies him is stunningly simple; unobtrusive of the singing and yet implicitly matching the sentiment of the lyrics.
This track will probably never be as inherently popular as Perfect Day, it will probably never be covered by an X Factor contestant (I'll let you come to your own conclusions of whether that's a good thing or not). But Pale Blue Eyes is a superb track in its own right, so head over to YouTube, by clicking here, and give it a listen if you're not already familiar. Mourn the loss of a man who contributed great things to music, but please do not become one of those people who feels the need to put Linger on Lou Reed, or Take a Walk on the Wild Side Lou Reed. It's not big. It's not clever. And whatever Mr Reed is doing now, I'm 99% sure it's not reading YouTube comments.
Written by: Michelle Bradford
Published: 31 October 2013
Single Review: Vaults - Cry No More
I'm really struggling to find information on this band; from what I can make out, Cry No More is the only single made by Vaults. It was uploaded to Soundcloud about 2 months ago and since then has received over 300 000 listens. Pretty impressive considering they joined Facebook in July, you can access their page by clicking here, and appear to have a total of 6 tweets.
I first heard this track a couple of weeks ago, I was driving at gone 1am and this track came on BBC Radio 1 and it stood out so powerfully for me because it nearly made me fall asleep. Point one: insomnia is my life partner; point two: I was driving for flips sake!
So what is it about this track? It starts with percussion, before a female voice kicks in with an emotively warm tone. Her range is impressive and the high notes give me tingles. The exquisite musical layering in this song develops as the track progresses and is combined with poignant lyrics. Cry No More basically appeals to me on a visceral level, I struggle to write how good it is because it sends me into a vaguely meditative state. You'll just have to listen for yourselves. But be warned, overall this song is more soothing than being snuggled up with a hot water bottle in a pillow fort.
This track begs questions: Vaults! Who are you?! More importantly, when can we buy this song?! When will you release more music?! Well readers, currently I can answer precisely zero of these questions, but in the interlude until I can, head over to YouTube and hit that play button as much as you need to! Unless of course you're driving. Listen responsibly!
Written by: Michelle Bradford
Published: 30 October 2013
I first heard this track a couple of weeks ago, I was driving at gone 1am and this track came on BBC Radio 1 and it stood out so powerfully for me because it nearly made me fall asleep. Point one: insomnia is my life partner; point two: I was driving for flips sake!
So what is it about this track? It starts with percussion, before a female voice kicks in with an emotively warm tone. Her range is impressive and the high notes give me tingles. The exquisite musical layering in this song develops as the track progresses and is combined with poignant lyrics. Cry No More basically appeals to me on a visceral level, I struggle to write how good it is because it sends me into a vaguely meditative state. You'll just have to listen for yourselves. But be warned, overall this song is more soothing than being snuggled up with a hot water bottle in a pillow fort.
This track begs questions: Vaults! Who are you?! More importantly, when can we buy this song?! When will you release more music?! Well readers, currently I can answer precisely zero of these questions, but in the interlude until I can, head over to YouTube and hit that play button as much as you need to! Unless of course you're driving. Listen responsibly!
Written by: Michelle Bradford
Published: 30 October 2013
Single Review: James Vincent McMorrow - Cavalier
It would appear that Mr James Vincent McMorrow has thrown us a bit of a curve ball with his new release Cavalier. You may well remember James’ first album, Early in the Morning, from way back in 2011. That folksy little number was received with critical acclaim, and his cover of Higher Love reached the masses when used on a certain film loving advert. However, Mr McMorrow has put down the guitar, he has said himself he doesn’t want to be that guy, refusing to be pigeon holed as another bearded folker. Instead he has created a far more delicately crafted song in the form of Cavalier, the first number from his second record, Post Tropical, which will be released in January 2014.
As the vocal kicks in, this is unmistakably McMorrrow. The only other man in music who can achieve such an alarmingly ethereal falsetto is Mr Justin of Vernon. As James’ soothingly high pitch carries you into the song you realise Cavalier is no We Don’t Eat, oh no. It is a layering of sweet glitch synth over balanced percussion that is ultimately dominated by James’ voice. It can be quite hypnotic, especially as the man repeats, ‘I remember my first love’, making the whole piece actually rather emotional. The vocals drive this number creating quite an organic sound for such a synth heavy song, but the effect is refreshing when we consider the sound James was known for making.
James said the reason for changing direction with his sound was because he wanted to create music that was, ‘the kind of stuff I actually listen to’. And I think the whole thing is rather successful. The song still holds the bare elements of a James Vincent McMorrow record; the voice, the careful layering of sound, the all-important McMorrow crescendo. So far I am pretty impressed in the man’s musical rebirth, but as we all know the real proof is in the Post Tropical.
Head over to YouTube to check out this beautiful single by clicking here.
Written by: Lucy Britton
Published: 29 October 2013
As the vocal kicks in, this is unmistakably McMorrrow. The only other man in music who can achieve such an alarmingly ethereal falsetto is Mr Justin of Vernon. As James’ soothingly high pitch carries you into the song you realise Cavalier is no We Don’t Eat, oh no. It is a layering of sweet glitch synth over balanced percussion that is ultimately dominated by James’ voice. It can be quite hypnotic, especially as the man repeats, ‘I remember my first love’, making the whole piece actually rather emotional. The vocals drive this number creating quite an organic sound for such a synth heavy song, but the effect is refreshing when we consider the sound James was known for making.
James said the reason for changing direction with his sound was because he wanted to create music that was, ‘the kind of stuff I actually listen to’. And I think the whole thing is rather successful. The song still holds the bare elements of a James Vincent McMorrow record; the voice, the careful layering of sound, the all-important McMorrow crescendo. So far I am pretty impressed in the man’s musical rebirth, but as we all know the real proof is in the Post Tropical.
Head over to YouTube to check out this beautiful single by clicking here.
Written by: Lucy Britton
Published: 29 October 2013
Throwback Thursday: Blink-182 - What's My Age Again?
I am super psyched to introduce you to Mad Hatter Reviews’ new feature: Throwback Thursday!! In this feature I’ll be reminding you of some our favourite old school tracks. The only requirements are that the track is over 5 years old and that it's flipping good! Yes, there is some great music around nowadays, but how many of your memories have a song attached that just embodied everything you felt at that time, anything ranging from euphoric to massively depressed! As any audiophile will tell you, music is a powerful beast. If you want to get in touch with your own song choice, contact us! Suggest a track and a memory attached, and you may see it in a future week!
So! On to this week's choice, where to begin? I had it all planned out that I would start with my favourite band. However, life had other ideas and kept throwing conversations involving age and forgetting. So echoing around my mind has been what now seems like the perfect track to kick off proceedings: Blink-182’s What's My Age Again. This track was released in November 1999, it came off the band's third album and was the first featuring (the then new) Travis Barker on drums. Blink-182 started in 1992 and are still touring today, showing that both they and this song has stood the test of time. They are a punk band, but What's My Age Again is definitely more on the pop punk side of things.
I was in secondary school when this came out. When I play this song on YouTube, all the subsequent song suggestions are basically the soundtrack to my adolescence. I specifically remember thinking when I first heard this song that becoming 23 seemed like a life time away.... ah, how times have changed!
For me, this song conjures up memories of my friends, thinking we were so cool and alternative. Under age drinking in the park (Yes! We were THAT cool!), blasting this song and moshing. The warm mushy feelings of camaraderie this song invokes in me makes me want to organise a party like the ones my friend Jamie used to throw. Although, just in case you're wondering, a bouncy castle and booze party becomes an increasingly less awesome selection as the night progresses.
The song is basically about a 23 year old lad who is pretty immature and does some dumb, albeit humorous stuff. This is accompanied by a video of the 3 band members running through a city, I would say butt naked, but they're wearing socks and shoes, causing small feats of chaos (and a rather excellent basketball shot) which sums up the song brilliantly - you can check out the video for yourselves by clicking here. So crank this tune up, it sounds better brash and loud, bounce around and either think about how being 23 feels like a million miles away (or ago!).
Written by: Michelle Bradford
Published: 24 October 2013
So! On to this week's choice, where to begin? I had it all planned out that I would start with my favourite band. However, life had other ideas and kept throwing conversations involving age and forgetting. So echoing around my mind has been what now seems like the perfect track to kick off proceedings: Blink-182’s What's My Age Again. This track was released in November 1999, it came off the band's third album and was the first featuring (the then new) Travis Barker on drums. Blink-182 started in 1992 and are still touring today, showing that both they and this song has stood the test of time. They are a punk band, but What's My Age Again is definitely more on the pop punk side of things.
I was in secondary school when this came out. When I play this song on YouTube, all the subsequent song suggestions are basically the soundtrack to my adolescence. I specifically remember thinking when I first heard this song that becoming 23 seemed like a life time away.... ah, how times have changed!
For me, this song conjures up memories of my friends, thinking we were so cool and alternative. Under age drinking in the park (Yes! We were THAT cool!), blasting this song and moshing. The warm mushy feelings of camaraderie this song invokes in me makes me want to organise a party like the ones my friend Jamie used to throw. Although, just in case you're wondering, a bouncy castle and booze party becomes an increasingly less awesome selection as the night progresses.
The song is basically about a 23 year old lad who is pretty immature and does some dumb, albeit humorous stuff. This is accompanied by a video of the 3 band members running through a city, I would say butt naked, but they're wearing socks and shoes, causing small feats of chaos (and a rather excellent basketball shot) which sums up the song brilliantly - you can check out the video for yourselves by clicking here. So crank this tune up, it sounds better brash and loud, bounce around and either think about how being 23 feels like a million miles away (or ago!).
Written by: Michelle Bradford
Published: 24 October 2013
Single review: Lulu James - Sweetest Thing
After an extended hiatus, South Shields native Lulu James triumphantly returned this year with breakout single, Closer, which assured critics of her ability to take on the divas of the downbeat dubstep. Now Lulu James follows up Closer with her newest offering, Sweetest Thing, arguably her strongest sound to date.
The chilled out warbles of Lulu James will put her in undeniable competition with Jessie Ware, the current queen of hazy harmonies, however Sweetest Thing is the perfect weapon for the battle. Miss James works with producer Domzilla to create what they describe as 21st century soul, which broken down is a fusion of 80’s and 90’s soul revival with some raunchy RnB, and a dash of dub thrown in for good measure.
Sweetest Thing is the most radio-friendly of Lulu James’ releases so far, with a catchy chorus, sugar sweet sentiment and sultry synths. Her vocals are smooth and caress the lyrics in a way that is reminiscent in tone of 90’s RnB queen Gabrielle. But you feel that you wish Lulu had stretched herself further in this single, as you find yourself simplistically chanting along with the refrain, ‘say it again you’re my best friend’ which, it must be said, bounces wonderfully out of your mouth, but doesn’t showcase Lulu’s vocal talent.
It’s all done very simply with an intro, verse, chorus, verse etc etc. Not much happens in this number once you’ve grasped the dutifully dub beat, rhythmic claps and pleasingly pop sentiment. It feels good in the ears because of its simplicity, and will no doubt be a big hit for Lulu and Domzilla, but you do find yourself wishing this dub duo had pushed the whole thing further. It’s electronically atmospheric and all, however it seems to be a 21st Century soul that needs something a little sharper.
The official release date for the single is November 3rd but, if you can’t wait that long, you can find the track on YouTube by clicking here.
Written by: Lucy Britton
Published: 18 October 2013
The chilled out warbles of Lulu James will put her in undeniable competition with Jessie Ware, the current queen of hazy harmonies, however Sweetest Thing is the perfect weapon for the battle. Miss James works with producer Domzilla to create what they describe as 21st century soul, which broken down is a fusion of 80’s and 90’s soul revival with some raunchy RnB, and a dash of dub thrown in for good measure.
Sweetest Thing is the most radio-friendly of Lulu James’ releases so far, with a catchy chorus, sugar sweet sentiment and sultry synths. Her vocals are smooth and caress the lyrics in a way that is reminiscent in tone of 90’s RnB queen Gabrielle. But you feel that you wish Lulu had stretched herself further in this single, as you find yourself simplistically chanting along with the refrain, ‘say it again you’re my best friend’ which, it must be said, bounces wonderfully out of your mouth, but doesn’t showcase Lulu’s vocal talent.
It’s all done very simply with an intro, verse, chorus, verse etc etc. Not much happens in this number once you’ve grasped the dutifully dub beat, rhythmic claps and pleasingly pop sentiment. It feels good in the ears because of its simplicity, and will no doubt be a big hit for Lulu and Domzilla, but you do find yourself wishing this dub duo had pushed the whole thing further. It’s electronically atmospheric and all, however it seems to be a 21st Century soul that needs something a little sharper.
The official release date for the single is November 3rd but, if you can’t wait that long, you can find the track on YouTube by clicking here.
Written by: Lucy Britton
Published: 18 October 2013
Single Review: Dan Le Sac VS Scroobius Pip - A Double Whammy Review of new tracks Gold Teeth and Stunner!
Dan Le Sac Vs Scroobius Pip, the British hip-hop dream team hailing from Essex, have recombined post solo projects to reintroduce us to the beautiful amalgamation that is spoken word poetry and heavy electronic beats, creating a form of hip-hop like no other. The new album Replenish, Repent, Repeat, dropped yesterday (7th October) and I for one can barely contain my excitement! Two tracks from the release are circulating already; Gold Teeth and Stunner to simultaneously wet my appetite and tide me over. The upcoming tour is sold out and the next one (early 2014) is rapidly following suit. It was impossible to choose which of the two tracks to review, so you're getting a double whammy.
Gold Teeth has been released as the first single from the album. ‘Rappers wear bling coz they want to look pretty’ boasts an intelligent, witty take on how even in today's current economic climate so many people put the focus on how much it looks like they have, rather than what they can actually afford. The beats are immense, the lyrics are emphatically epigrammatic, the video is ingenious, and you can check that out for yourselves here; sketches overlaying the film to distinguish the vast differences between falsely perpetuating “realities” from life's rather miserable actualities. The result is utterly hypnotic.
Stunner is a far darker offering. The intricately entwined word play in the this track really shows off Scroobius Pip's blinding talent as a poet: ‘Hello Darkness (my old friend) let's turn you into filthy lucre, And suture wounds and tumours with dark humour mixed with hubris, In lieu of future suitors with a blast of nasty rumours.’ An honest reflection of heartbreak, combined with rhymes within rhymes within lines (Inception has nothing on Pip!). The lyrical agility causes cognitive resonance, I swear I can feel my brain fizz with glee and like an addict, I want MORE. This combined with Dan Le Sac's impeccable ability to pair the mind blowing word play with beats that fit implicitly and more importantly (because this is music, not a poem) make you want to flippin' move; make this track a slice (nay, a feast!) of oxymoronically morose heaven. Once again, the video is expertly executed and available on YouTube here.
The feelings imbibed from these tracks make me think the live shows are going to feel electric. Go! Listen to them both now! But consider yourself warned that you will be dragged into a vicious cycle of alternating between the two tracks, which consume all your focus and get in the way of you doing anything else. Eh, totally worth it.
Written by: Michelle Bradford
Published: 8 October 2013
Gold Teeth has been released as the first single from the album. ‘Rappers wear bling coz they want to look pretty’ boasts an intelligent, witty take on how even in today's current economic climate so many people put the focus on how much it looks like they have, rather than what they can actually afford. The beats are immense, the lyrics are emphatically epigrammatic, the video is ingenious, and you can check that out for yourselves here; sketches overlaying the film to distinguish the vast differences between falsely perpetuating “realities” from life's rather miserable actualities. The result is utterly hypnotic.
Stunner is a far darker offering. The intricately entwined word play in the this track really shows off Scroobius Pip's blinding talent as a poet: ‘Hello Darkness (my old friend) let's turn you into filthy lucre, And suture wounds and tumours with dark humour mixed with hubris, In lieu of future suitors with a blast of nasty rumours.’ An honest reflection of heartbreak, combined with rhymes within rhymes within lines (Inception has nothing on Pip!). The lyrical agility causes cognitive resonance, I swear I can feel my brain fizz with glee and like an addict, I want MORE. This combined with Dan Le Sac's impeccable ability to pair the mind blowing word play with beats that fit implicitly and more importantly (because this is music, not a poem) make you want to flippin' move; make this track a slice (nay, a feast!) of oxymoronically morose heaven. Once again, the video is expertly executed and available on YouTube here.
The feelings imbibed from these tracks make me think the live shows are going to feel electric. Go! Listen to them both now! But consider yourself warned that you will be dragged into a vicious cycle of alternating between the two tracks, which consume all your focus and get in the way of you doing anything else. Eh, totally worth it.
Written by: Michelle Bradford
Published: 8 October 2013
Single Review: Abi Wade - The Boxer
Abi Wade is something of an unknown and uncommercial name in the music industry at present. Having released And Blood And Air in 2011, Wade has been out of the spotlight until a few months ago with a revival of interest stemming from her latest single, Boxer. Her lack of recognition however has not precluded her success; having toured with Patrick Wolf and supported the likes of The Low Anthem.
The most identifiable feature of Wade’s music is her virtuosic use of the cello; she plays it with such artistic grace and panache. There is also a spookily enchanting quality to her voice that draws you in like bees to a fruit tree.
There is something sinister and edgy about the sound of the cello in the track Boxer. It is a perfect song for a villainous scene in a Bond film. It starts off slowly and calmly, then the unexpected crescendo of the chorus strikes the ears with a strong, militaristic drum rhythm and the screaming of Wade’s wintery voice.
It’s a tune that calls attention to violence with palpably obvious lyrical references. The chorus seems to be a cathartic outlet for the harrowing resentment Wade feels toward cruel and brutish behaviour; she screams with her heart and her words get through to you.
Wade’s proficiency on the cello really cannot be stressed enough and one hopes that her single release suggests that an album is on the way. The stylish music video for Boxer with a mean-spirited, Bronson lookalike and Wade’s piercing gaze is also well worth a watch, and you can access that here.
Written by: Enzo Arnone
Published: 30 September 2013
The most identifiable feature of Wade’s music is her virtuosic use of the cello; she plays it with such artistic grace and panache. There is also a spookily enchanting quality to her voice that draws you in like bees to a fruit tree.
There is something sinister and edgy about the sound of the cello in the track Boxer. It is a perfect song for a villainous scene in a Bond film. It starts off slowly and calmly, then the unexpected crescendo of the chorus strikes the ears with a strong, militaristic drum rhythm and the screaming of Wade’s wintery voice.
It’s a tune that calls attention to violence with palpably obvious lyrical references. The chorus seems to be a cathartic outlet for the harrowing resentment Wade feels toward cruel and brutish behaviour; she screams with her heart and her words get through to you.
Wade’s proficiency on the cello really cannot be stressed enough and one hopes that her single release suggests that an album is on the way. The stylish music video for Boxer with a mean-spirited, Bronson lookalike and Wade’s piercing gaze is also well worth a watch, and you can access that here.
Written by: Enzo Arnone
Published: 30 September 2013
Single Review: RAC - Let Go feat. Kele, MNDR
RAC came onto the scene in 2007, the acronym stands for Remix Artist Collective as the initial point was to remix other people's tracks in unique and innovative ways. Nowadays it’s the solo project of André Allen Anjos who has started to release his own music (as well as continuing to remix other people’s). Let Go is going to feature on his upcoming EP, that will be released October 1st this year.
Kele (of Bloc Party fame) takes the verses whilst MNDR (Amanda Warner) takes the hook and chorus; both are fairly mellow vocally and they compliment each other perfectly. The song is in essence a man pleading with a woman to talk through her feelings rather than act on them: Just try to stay sober… They say you're a monster. To me this conjured up images of alcoholism, but if you check out the video, which you can access here, you will see a muzzled woman with cannibal tendencies (who is also rather adept at origami!). Does that sound completely macabre? Yes, I think so too, but surprisingly, it's an ace video and it totally compliments the song!
Musically it’s a funky electronic dance tune; the bass and synthesizer just make you want to move. I've heard the genre described at Inditronica (amalgamation of indie and electronica), and that title fits. Whether it reaches mainstream success or not remains to be seen, but RAC has a growing bunch of loyal fans who appreciate this level of talent. Let Go may need to be remixed (I'm sure RAC is more than qualified to do that!) to get people dancing to it in clubs, but cranked up on a sunny day the original version is perfection! I'm quite happy to have it on repeat and I'm sure my neighbours feel the same!
Written by: Michelle Bradford
Published: 23 September 2013
Kele (of Bloc Party fame) takes the verses whilst MNDR (Amanda Warner) takes the hook and chorus; both are fairly mellow vocally and they compliment each other perfectly. The song is in essence a man pleading with a woman to talk through her feelings rather than act on them: Just try to stay sober… They say you're a monster. To me this conjured up images of alcoholism, but if you check out the video, which you can access here, you will see a muzzled woman with cannibal tendencies (who is also rather adept at origami!). Does that sound completely macabre? Yes, I think so too, but surprisingly, it's an ace video and it totally compliments the song!
Musically it’s a funky electronic dance tune; the bass and synthesizer just make you want to move. I've heard the genre described at Inditronica (amalgamation of indie and electronica), and that title fits. Whether it reaches mainstream success or not remains to be seen, but RAC has a growing bunch of loyal fans who appreciate this level of talent. Let Go may need to be remixed (I'm sure RAC is more than qualified to do that!) to get people dancing to it in clubs, but cranked up on a sunny day the original version is perfection! I'm quite happy to have it on repeat and I'm sure my neighbours feel the same!
Written by: Michelle Bradford
Published: 23 September 2013
Single Review: Travie Mccoy - Rough Water Feat. Jason Mraz
For his latest collaborative release, Rough Water, Travie McCoy has traded in Bruno Mars for Jason Mraz to create potentially his most mainstream pop song yet.
While the reggae feel of the syncopated beats in Billionaire made it somewhat stand out in a sea of standardised pop, this element is lost in Rough Water. And though McCoy’s rapping style remains much the same from one song to the next, in his most recent collaboration it doesn’t feel as unique without the distinctive accompanying beat. The number doesn’t foreground his rapping, instead it feels more as though the song is driven by the harmonising vocals and the pop beat. While these elements certainly give it a catchy, up-beat feel, it also means he loses any of the slight uniqueness which Billionaire, and arguably his collaboration with CeeLo Green, Dr Feel Good, brought to the market.
And now let’s get onto Jason Mraz’s input…
You can immediately feel Mraz’s contribution in the upbeat catchy harmonies, but equally it’s a far more mainstream pop sound than he usual produces; with this mainstream sound he’s lost the chilled out, soulfulness which makes his music so appealing.
However, it is an easy-listen, catchy number and you can’t deny that it’s certainly upbeat. For fans of McCoy’s already more mainstream pop tracks, such as We’ll Be Alright and Need You, it’s no doubt going to receive a fair few plays.
All in all this is not a dire addition to Travie McCoy’s solo catalogue but it might not be the track that’s going to make him a billionaire (pun intended).
Written by: Hannah Lawrence
Published: 11 September 2013
While the reggae feel of the syncopated beats in Billionaire made it somewhat stand out in a sea of standardised pop, this element is lost in Rough Water. And though McCoy’s rapping style remains much the same from one song to the next, in his most recent collaboration it doesn’t feel as unique without the distinctive accompanying beat. The number doesn’t foreground his rapping, instead it feels more as though the song is driven by the harmonising vocals and the pop beat. While these elements certainly give it a catchy, up-beat feel, it also means he loses any of the slight uniqueness which Billionaire, and arguably his collaboration with CeeLo Green, Dr Feel Good, brought to the market.
And now let’s get onto Jason Mraz’s input…
You can immediately feel Mraz’s contribution in the upbeat catchy harmonies, but equally it’s a far more mainstream pop sound than he usual produces; with this mainstream sound he’s lost the chilled out, soulfulness which makes his music so appealing.
However, it is an easy-listen, catchy number and you can’t deny that it’s certainly upbeat. For fans of McCoy’s already more mainstream pop tracks, such as We’ll Be Alright and Need You, it’s no doubt going to receive a fair few plays.
All in all this is not a dire addition to Travie McCoy’s solo catalogue but it might not be the track that’s going to make him a billionaire (pun intended).
Written by: Hannah Lawrence
Published: 11 September 2013
Single Review: Kodaline - after The Fall
Kodaline are an indie-rock four piece hailing from Dublin. The name came in 2011, but the band existed from 2005 (minus bassist Jason Boland) known as 21 Demands. This bunch of lads quit everything to focus on their music, even though they didn't have a record deal in place, but since then they've definitely landed on their feet: sold out UK tour, popular throughout Europe and cracking America at this very moment. They class writing music as therapy, creating emotive relatable songs which you can hear on their début album In A Perfect World, which was released June 2013.
After The Fall is a song about how you feel post break up, when you know it's for the best, but you're walking around in a fog and everyone is telling you about the magical concept of time healing all wounds. Why am I even trying to explain this? Kodaline do it a damn sight better than I ever could! This song appeals to me on a visceral level; it is completely utterly beautiful. The initial focus of the song is the piano/keyboard (which also ends the track), before Steve Garrigan's vocals kick in. He and Mark Prendergast met at church choir and I wonder if that training has enabled the exquisite tone and sublime harmonies throughout this song. This song would sound a-mah-zing performed in a church or any building with great acoustics. To be fair this song sounds pretty frickin' great on mp3! The music and production are ace too; I particularly like the rapid rhythms on the high hat (Drummer: Vinny May) that provide a copacetic contrast to the plaintive lyrics.
This song content may not appeal to everyone, but, if you are post break up, then it serves as a musical cold compress to numb the heartache. You can check it out on YouTube now.
Written by: Michelle Bradford
Published: 8 September 2013
After The Fall is a song about how you feel post break up, when you know it's for the best, but you're walking around in a fog and everyone is telling you about the magical concept of time healing all wounds. Why am I even trying to explain this? Kodaline do it a damn sight better than I ever could! This song appeals to me on a visceral level; it is completely utterly beautiful. The initial focus of the song is the piano/keyboard (which also ends the track), before Steve Garrigan's vocals kick in. He and Mark Prendergast met at church choir and I wonder if that training has enabled the exquisite tone and sublime harmonies throughout this song. This song would sound a-mah-zing performed in a church or any building with great acoustics. To be fair this song sounds pretty frickin' great on mp3! The music and production are ace too; I particularly like the rapid rhythms on the high hat (Drummer: Vinny May) that provide a copacetic contrast to the plaintive lyrics.
This song content may not appeal to everyone, but, if you are post break up, then it serves as a musical cold compress to numb the heartache. You can check it out on YouTube now.
Written by: Michelle Bradford
Published: 8 September 2013
Single Review: London Grammar - Feelings
This sweet-sounding, sharply dressed UK trio seem set to make a musical breakthrough with their forthcoming debut album, If You Wait, on 9 September. Having successfully collaborated with dance duo Disclosure and released some praiseworthy singles such as ‘Hey Now’ and ‘Wasting My Younger Years,’ their rapid musical ascent has prompted exceptional enthusiasm amongst critics.
Persistently compared to The xx and Florence Welch (with reason), London Grammar’s sound isn’t new or too distinctive but impressively gratifying nonetheless.
The melancholic blizzard of singer Hannah Reid’s voice coupled with the pensive echoes of her lyrics, awaken a tantalising and tingling sensation over the body. Her voice is truly angelic but by no means the only strongpoint of the band. They have a nostalgic sound that characteristically fuses jazzy, electronic-guitar licks with vibrant drumbeats and lounge-bar piano creating a soulfully soothing resonance when played.
Their song ‘Feelings’ is a dreamy medley of notes that sends you into a spiritual wonderland abounding with sorrow and mystique. There are many tones to the silvery voice of Miss Reid who projects a blissful array of emotions in the making. The lyrics are softly poetic and complement the mild rhythm of instrumentation wonderfully. The djembe drum is satisfying struck alongside the tasty lead guitar and then the heavenly voice melts you into a pot of euphoria.
If you cannot wait for the album, their single ‘Strong’ will be available from 1 September with ‘Feelings’ featuring on the B-side. They will also be hitting the festival circuit and with a voice like Reid’s entering the airwaves people are certainly going to be seduced.
Written by: Enzo Arnone
Published: 31 August 2013
Persistently compared to The xx and Florence Welch (with reason), London Grammar’s sound isn’t new or too distinctive but impressively gratifying nonetheless.
The melancholic blizzard of singer Hannah Reid’s voice coupled with the pensive echoes of her lyrics, awaken a tantalising and tingling sensation over the body. Her voice is truly angelic but by no means the only strongpoint of the band. They have a nostalgic sound that characteristically fuses jazzy, electronic-guitar licks with vibrant drumbeats and lounge-bar piano creating a soulfully soothing resonance when played.
Their song ‘Feelings’ is a dreamy medley of notes that sends you into a spiritual wonderland abounding with sorrow and mystique. There are many tones to the silvery voice of Miss Reid who projects a blissful array of emotions in the making. The lyrics are softly poetic and complement the mild rhythm of instrumentation wonderfully. The djembe drum is satisfying struck alongside the tasty lead guitar and then the heavenly voice melts you into a pot of euphoria.
If you cannot wait for the album, their single ‘Strong’ will be available from 1 September with ‘Feelings’ featuring on the B-side. They will also be hitting the festival circuit and with a voice like Reid’s entering the airwaves people are certainly going to be seduced.
Written by: Enzo Arnone
Published: 31 August 2013
Album Review: Caracol - Shiver
After being introduced to French Canadian starlet Caracol back in July, we have been desperate to hear more of her sensual music and fine-tuned vocals. Caracol’s first UK single, Shiver, which we were given access to a few weeks ago, has been causing a storm across the internet with music blogs and review sites everywhere quickly picking up on her mesmerising talent. Since this surge in interest, Caracol and her soon-to-be-released album have become ones to watch out for and thankfully, for us, the wait for that album is over…
With the official release date confirmed as September 2nd, we unfortunately can’t divulge samples of the tracks for you. We can however tell you that this is a cracking album that you and your ears will not get tired of playing!
The album opens with a slow number, All The Girls, which lulls you into such a relaxed state that you’re both prepared and eager for whatever else the album has to offer. It’s a folk/country mash-up of soft-sounding lyrics that introduce Caracol’s vocals perfectly. Personal favourite, Shiver, follows this track before leading us into the extremely upbeat and light-hearted number, Summer Blues. We’re introduced not only to more instruments and many more sounds, but also to a more bluesy side of Caracol’s vocals which, throughout the track, demonstrate a perfect mixture of both smooth and edgy sounds from her. These upbeat elements, which I’m particularly fond of, are far from being a one-off with later track, Horseshoe Woman, being even more plucky with a richer instrumental and a very modern folk feel which Caracol pulls off well. Also (for even more edge!) keep your ears peeled for Kiss of a Fool - if my ears do not mistake me, you may even find some electric guitar on this rocky number!
Things are pulled back down to earth a bit with the beautiful Good Reasons, which I completely adore. The instrumentals of the track are sweet and simple, made up of gentle guitar plucking and the occasional rumble of percussion that sets the tone perfectly for Caracol’s vocals to dreamily utter the touching lyrics, Kiss me like you never did/ Hold me like you’ll never leave. As Caracol progresses through the track, urging her companion to run away, I’m sure part of me was already planning what to pack! A truly beautiful addition to this album.
Strange Film and Sailor Boy, both stunning tracks with mesmerising vocal work (incidentally these are both sing-a-long tracks - something which I discovered on my second listen of the album), sandwich Certitudes, a stunning song in which Caracol explores her French Canadian roots through singing this track entirely in French. Okay, I might not entirely understand what she’s saying, but damn it, it’s still a beautiful song; as is Blanc Mercredi, the second French addition to this album which is also stunning. It’s so fascinating to see a touch of Caracol’s background interweaved into this release; they were both extremely welcome tracks!
As we wind down with the relaxed and somewhat melancholy sounding The Sabres of Truth, things are once again stripped back to the bare beauty of Caracol’s vocals - a marvellous note to finish this release on.
The album as a whole is completely stunning and I could happily have it on repeat for the rest of the day - heck, the rest of the weekend - without feeling a pang of boredom. Caracol takes us on a journey through touching, slow numbers and upbeat, get-up-and-have-a-wiggle tracks, all of which are just marvellous; honestly, I have nothing but praise for this album! This is definitely something to keep your ears peeled for when it’s officially released in September.
Written by: Charlotte Barnes
Published: 16 August 2013
With the official release date confirmed as September 2nd, we unfortunately can’t divulge samples of the tracks for you. We can however tell you that this is a cracking album that you and your ears will not get tired of playing!
The album opens with a slow number, All The Girls, which lulls you into such a relaxed state that you’re both prepared and eager for whatever else the album has to offer. It’s a folk/country mash-up of soft-sounding lyrics that introduce Caracol’s vocals perfectly. Personal favourite, Shiver, follows this track before leading us into the extremely upbeat and light-hearted number, Summer Blues. We’re introduced not only to more instruments and many more sounds, but also to a more bluesy side of Caracol’s vocals which, throughout the track, demonstrate a perfect mixture of both smooth and edgy sounds from her. These upbeat elements, which I’m particularly fond of, are far from being a one-off with later track, Horseshoe Woman, being even more plucky with a richer instrumental and a very modern folk feel which Caracol pulls off well. Also (for even more edge!) keep your ears peeled for Kiss of a Fool - if my ears do not mistake me, you may even find some electric guitar on this rocky number!
Things are pulled back down to earth a bit with the beautiful Good Reasons, which I completely adore. The instrumentals of the track are sweet and simple, made up of gentle guitar plucking and the occasional rumble of percussion that sets the tone perfectly for Caracol’s vocals to dreamily utter the touching lyrics, Kiss me like you never did/ Hold me like you’ll never leave. As Caracol progresses through the track, urging her companion to run away, I’m sure part of me was already planning what to pack! A truly beautiful addition to this album.
Strange Film and Sailor Boy, both stunning tracks with mesmerising vocal work (incidentally these are both sing-a-long tracks - something which I discovered on my second listen of the album), sandwich Certitudes, a stunning song in which Caracol explores her French Canadian roots through singing this track entirely in French. Okay, I might not entirely understand what she’s saying, but damn it, it’s still a beautiful song; as is Blanc Mercredi, the second French addition to this album which is also stunning. It’s so fascinating to see a touch of Caracol’s background interweaved into this release; they were both extremely welcome tracks!
As we wind down with the relaxed and somewhat melancholy sounding The Sabres of Truth, things are once again stripped back to the bare beauty of Caracol’s vocals - a marvellous note to finish this release on.
The album as a whole is completely stunning and I could happily have it on repeat for the rest of the day - heck, the rest of the weekend - without feeling a pang of boredom. Caracol takes us on a journey through touching, slow numbers and upbeat, get-up-and-have-a-wiggle tracks, all of which are just marvellous; honestly, I have nothing but praise for this album! This is definitely something to keep your ears peeled for when it’s officially released in September.
Written by: Charlotte Barnes
Published: 16 August 2013
Album Review: Mogwai - Les Revenants
A television show about the dead awakening? As those who have experienced the tinnitus-inducing, sonic onslaught of their live performances can testify; Scottish, post-rock, five piece, Mogwai, may seem the perfect choice to provide a score to the critically-acclaimed French horror/drama Les Revenants (screened on Channel 4 as The Returned this summer). But this moody, often-subdued offering finds the band heading further away from the fearsome noise and barely-contained fury that marked their earlier releases, and is certainly none the worse for it. Here they continue their evolution to quieter, calmer, more-introspective efforts to evoke a haunting (and haunted) musing on death and what comes after.
The bass still rumbles throughout the album, often distorted and coming in nauseating pulses, punctuated by off-beat percussion that drives songs onwards down empty roads into dark forests of backwards guitar samples and foreboding organ swells. The album opener, Hungry Face, sets the tone for what follows; a disarmingly simple (childlike, even) xylophone melody fights for space amongst the menacing tribal drums, a rolling moody piano and a haunting, moaning cello. The cello is a new addition to the Mogwai ensemble and is used to devastating effect on Kill Jester, taking up the melody like an undertaker leading proceedings at a funeral. A minor key piano waltz echoes around the track as if off sparse stone walls, suggesting that the ceremony was disappointingly under-attended. The choppy, distorted loose-strung guitar sound and downright creepy piano of The Huts is sent into even darker places by the disorientating ¾ drum beat and a haunting cry (possibly a feedback echo, or perhaps a human whistling) that creeps in unnoticed at first, almost subliminally, to highlight each piano strokes, like a soul leaving a body.
If these tracks succeed in evoking the fresh grave and the grief of those who remain, it is in the songs that suggest at “what comes next” that Mogwai get to throw off the shackles of writing music for someone else’s images. On This Messiah Needs Watching, the xylophone is practically dripping with reverb and weaves around a staccato percussion beat. After the earth-bound cellos and pianos, the listener appears to be transported to something beyond. The beautiful Relative Hysteria picks up the baton with a riff so dreamy it could have come from an Air album. When the cello does re-appear on the soaring Special N (finally, seven tracks in - a major key!) it is soon drowned out by an otherworldly crescendo of guitar noise and effects that feels cathartic after the restraint displayed so far.
The only real miss-step on the album is a cover of Washington Phillips’ gospel standard, What Are They Doing in Heaven Today? which, at nearly 6 minutes long, outstays its welcome long after the novelty of Mogwai channelling Let Love In era Nick Cave has worn off. There are hints of evolution for the band amongst the tracks; the surf guitar of Eagle Tax and the delay effects on Modern (which sounds endearingly like a traumatised version of Jan Hammer’s Crockett’s Theme from Miami Vice – ask your dad) are a promising sign from a band that can occasionally rely on clinging to the familiar.
Where the album really succeeds, is by standing apart from The Returned as a phenomenal achievement in its own right. Too often, scores are rendered near-redundant when not accompanying the images they were written for. Mogwai have achieved a rare success in this respect and it will be interesting to see them build upon the themes and motifs they have created here when the show returns for a second series next year.
Written by: Paul Schofield
Published: 11 August 2013
The bass still rumbles throughout the album, often distorted and coming in nauseating pulses, punctuated by off-beat percussion that drives songs onwards down empty roads into dark forests of backwards guitar samples and foreboding organ swells. The album opener, Hungry Face, sets the tone for what follows; a disarmingly simple (childlike, even) xylophone melody fights for space amongst the menacing tribal drums, a rolling moody piano and a haunting, moaning cello. The cello is a new addition to the Mogwai ensemble and is used to devastating effect on Kill Jester, taking up the melody like an undertaker leading proceedings at a funeral. A minor key piano waltz echoes around the track as if off sparse stone walls, suggesting that the ceremony was disappointingly under-attended. The choppy, distorted loose-strung guitar sound and downright creepy piano of The Huts is sent into even darker places by the disorientating ¾ drum beat and a haunting cry (possibly a feedback echo, or perhaps a human whistling) that creeps in unnoticed at first, almost subliminally, to highlight each piano strokes, like a soul leaving a body.
If these tracks succeed in evoking the fresh grave and the grief of those who remain, it is in the songs that suggest at “what comes next” that Mogwai get to throw off the shackles of writing music for someone else’s images. On This Messiah Needs Watching, the xylophone is practically dripping with reverb and weaves around a staccato percussion beat. After the earth-bound cellos and pianos, the listener appears to be transported to something beyond. The beautiful Relative Hysteria picks up the baton with a riff so dreamy it could have come from an Air album. When the cello does re-appear on the soaring Special N (finally, seven tracks in - a major key!) it is soon drowned out by an otherworldly crescendo of guitar noise and effects that feels cathartic after the restraint displayed so far.
The only real miss-step on the album is a cover of Washington Phillips’ gospel standard, What Are They Doing in Heaven Today? which, at nearly 6 minutes long, outstays its welcome long after the novelty of Mogwai channelling Let Love In era Nick Cave has worn off. There are hints of evolution for the band amongst the tracks; the surf guitar of Eagle Tax and the delay effects on Modern (which sounds endearingly like a traumatised version of Jan Hammer’s Crockett’s Theme from Miami Vice – ask your dad) are a promising sign from a band that can occasionally rely on clinging to the familiar.
Where the album really succeeds, is by standing apart from The Returned as a phenomenal achievement in its own right. Too often, scores are rendered near-redundant when not accompanying the images they were written for. Mogwai have achieved a rare success in this respect and it will be interesting to see them build upon the themes and motifs they have created here when the show returns for a second series next year.
Written by: Paul Schofield
Published: 11 August 2013
Single Review: Billy Cullum - Back To My Youth
While London is far from being my favourite place in the UK, I must admit that it does seem to be absolutely littered with musical talent, and Billy Cullum is yet another fine example of that.
The young singer-songwriter is having an exciting year so far since receiving attention from upcoming website Chartburst, a site that aims to unite unsigned artists with record labels. Billy’s presence in their number one spot did not go unnoticed and now, with record labels chasing him here there and everywhere, the future is certainly looking bright for this young star.
Alongside all this excitement, Billy is also preparing for the release of his new single, Back To My Youth.
As I write this review, I’m on my fifth listen of this track and I must admit, I absolutely love it! The track is littered with brilliant musical manipulation ranging from upbeat percussion to deeper, much more serious-sounding rumbles littered throughout the more delicate moments in the track. Cullum’s vocals are flawless and are given the perfect opportunity to shine during the very catchy chorus of this song - which I think, if I had to pinpoint it, is the exact moment that I have to break into a little dance in front of my computer.
Seriously, I challenge you to listen to this track and not boogie a little.
This catchy summer number also comes complete with a simple yet summery video, which you can check out by popping over to Billy’s Youtube channel.
Back To My Youth is officially released on September 16th 2013, however the single is also available for free from Billy’s Facebook page for a limited time only, which you can access here.
Written by: Charlotte Barnes
Published: 26 July 2013
The young singer-songwriter is having an exciting year so far since receiving attention from upcoming website Chartburst, a site that aims to unite unsigned artists with record labels. Billy’s presence in their number one spot did not go unnoticed and now, with record labels chasing him here there and everywhere, the future is certainly looking bright for this young star.
Alongside all this excitement, Billy is also preparing for the release of his new single, Back To My Youth.
As I write this review, I’m on my fifth listen of this track and I must admit, I absolutely love it! The track is littered with brilliant musical manipulation ranging from upbeat percussion to deeper, much more serious-sounding rumbles littered throughout the more delicate moments in the track. Cullum’s vocals are flawless and are given the perfect opportunity to shine during the very catchy chorus of this song - which I think, if I had to pinpoint it, is the exact moment that I have to break into a little dance in front of my computer.
Seriously, I challenge you to listen to this track and not boogie a little.
This catchy summer number also comes complete with a simple yet summery video, which you can check out by popping over to Billy’s Youtube channel.
Back To My Youth is officially released on September 16th 2013, however the single is also available for free from Billy’s Facebook page for a limited time only, which you can access here.
Written by: Charlotte Barnes
Published: 26 July 2013
Single Review: Longfellow - Gabrielle
Longfellow, an upcoming indie-folk five-piece, have been going from strength to strength since they were voted in as the fan’s favourites to play the 2012 Olympics in London last year. Since then the band have been locked away, furiously writing riffs and scribbling lyrics to bring you their first single which I’m delighted to announce is finally here.
The melancholy indie-rock number Gabrielle will be released on Monday 29th July and I am already willing to put my money where my mouth is and predict big things for this track.
Gabrielle, to me, is a break-up song that you aren’t completely embarrassed to listen to. It comes complete with heartfelt lyrics, that I think a lot of listeners will relate to, that are complemented perfectly by the eerie music, provided by insanely talented musicians, that heighten the melancholy that is littered throughout this track. I don’t want to see her, I just want to see her cry is a perfectly formed line that reoccurs throughout the track, and I honestly think that this will be what fans are singing back to the boys when this single makes it big.
And, just so you know that these guys aren’t a one-trick-melancholy-pony, they’ve also released something a little more upbeat in Gabrielle’s B-Side track, May The Light. This track is perfect sunshine music; it’s obviously more upbeat and has a generally more relaxed feel - it definitely belongs on everyone’s summer play list. To accompany this track, Longfellow have recently taken to the streets of sunny London for an acoustic performance, which you can watch here.
After supporting high class acts such as To Kill a King and Feeder over recent months, it shouldn’t be a surprise to anyone that these boys have managed to churn out such top class singles themselves. The deep emotion of Gabrielle combined with the sunshine sounds of May The Light both succeed in showing just how diverse Longfellow’s sound is, and I for one am already looking forward to the next single.
Written by: Charlotte Barnes
Published: 25 July 2013
The melancholy indie-rock number Gabrielle will be released on Monday 29th July and I am already willing to put my money where my mouth is and predict big things for this track.
Gabrielle, to me, is a break-up song that you aren’t completely embarrassed to listen to. It comes complete with heartfelt lyrics, that I think a lot of listeners will relate to, that are complemented perfectly by the eerie music, provided by insanely talented musicians, that heighten the melancholy that is littered throughout this track. I don’t want to see her, I just want to see her cry is a perfectly formed line that reoccurs throughout the track, and I honestly think that this will be what fans are singing back to the boys when this single makes it big.
And, just so you know that these guys aren’t a one-trick-melancholy-pony, they’ve also released something a little more upbeat in Gabrielle’s B-Side track, May The Light. This track is perfect sunshine music; it’s obviously more upbeat and has a generally more relaxed feel - it definitely belongs on everyone’s summer play list. To accompany this track, Longfellow have recently taken to the streets of sunny London for an acoustic performance, which you can watch here.
After supporting high class acts such as To Kill a King and Feeder over recent months, it shouldn’t be a surprise to anyone that these boys have managed to churn out such top class singles themselves. The deep emotion of Gabrielle combined with the sunshine sounds of May The Light both succeed in showing just how diverse Longfellow’s sound is, and I for one am already looking forward to the next single.
Written by: Charlotte Barnes
Published: 25 July 2013
Single Review: Panic! At The Disco - Miss Jackson Feat. Lolo
To my delight, Panic! At The Disco have finally released a new single; to my confusion, it wasn’t until about two minutes into the track that I realised I was listening to Panic! At The Disco and not, as I first thought, Fall Out Boy.
The new single, Miss Jackson feat. Lolo, is a catchy number which sees lead singer Brendon Urie’s vocals manipulated beyond recognition, near enough. Everything about this song seems to fall in line with the new wave of music that has appeared as a ripple stemming out from Fall Out Boy’s Save Rock and Roll album. This certainly isn’t a criticism, because Save Rock and Roll is a particularly strong release, however I was confused, shall we say, to see that rather than experimenting with new sounds, which Panic! seem to do in most of their new releases, they have merely opted to recreate what appears to be popular at the minute.
While the track made me question the integrity of the band a little, the single itself I do actually enjoy. It has catchy lyrics, funky music and well-placed backing vocals that compliment whatever Urie’s voice is doing particularly well. As a single being released into this current music market, it will no doubt do well, even if it does lose the band a few points for originality; however when you acknowledge that the producer for this track has actually worked with Fall Out Boy, it soon becomes clear where the overlap in style happens.
Despite this not feeling like an entirely original track, I still really love this single and think that it provides a firm foundation on which Panic! can publicise their upcoming album, Too Weird To Live, Too Rare To Die!, which will be released in October 2013.
Written by: Charlotte Barnes
Published: 16 July 2013
The new single, Miss Jackson feat. Lolo, is a catchy number which sees lead singer Brendon Urie’s vocals manipulated beyond recognition, near enough. Everything about this song seems to fall in line with the new wave of music that has appeared as a ripple stemming out from Fall Out Boy’s Save Rock and Roll album. This certainly isn’t a criticism, because Save Rock and Roll is a particularly strong release, however I was confused, shall we say, to see that rather than experimenting with new sounds, which Panic! seem to do in most of their new releases, they have merely opted to recreate what appears to be popular at the minute.
While the track made me question the integrity of the band a little, the single itself I do actually enjoy. It has catchy lyrics, funky music and well-placed backing vocals that compliment whatever Urie’s voice is doing particularly well. As a single being released into this current music market, it will no doubt do well, even if it does lose the band a few points for originality; however when you acknowledge that the producer for this track has actually worked with Fall Out Boy, it soon becomes clear where the overlap in style happens.
Despite this not feeling like an entirely original track, I still really love this single and think that it provides a firm foundation on which Panic! can publicise their upcoming album, Too Weird To Live, Too Rare To Die!, which will be released in October 2013.
Written by: Charlotte Barnes
Published: 16 July 2013
